Prelude, Op. 28, No. 20 (Chopin)

Prelude No. 20 in C minor. This prelude, modified slightly, was used as the theme for variations in both Sergei Rachmaninoff's Variations on a Theme of Chopin and in Ferruccio Busoni's Variations on a Theme of Chopin.

Prelude Op. 28 - No. 20 by Ivan Ilic

The Prelude Op. 28, No. 20, in C minor by Frédéric Chopin has been dubbed the "Funeral March" by Hans von Bülow but is commonly known as the "Chord Prelude" due to its slow progression of quarter note chords.^[1]

The prelude was originally written in two sections of four measures, ending at measure nine. Chopin later added a repeat of the last four measures at a softer level, with an expressive swell before the final cadence.^[1]

Cultural legacy

There are a number of references to this prelude in contemporary culture, and these are just a few examples.

Ferruccio Busoni composed a set of variations (Variationen und Fuge in freier Form über Fr. Chopin's C-moll Präludium) on the Prelude No. 20.
Sergei Rachmaninoff used the Prelude No. 20 as his inspiration for "Variations on a Theme of Chopin," a set of 22 variations in a wide range of keys, tempos and lengths
Jean-Luc Ponty, Jazz fusion artist, included a version with violin improvisation on his album Storytelling
"Could It Be Magic" by Barry Manilow is based on Prelude No. 20 and reached #6 on the US charts in 1975. The song was later covered by Donna Summer and Take That. The song was also covered by French singer Alain Chamfort in 1975 under the title « Le Temps qui court ».
The 1988 film Madame Sousatzka features Shirley MacLaine teaching the Prelude No. 20 to a gifted piano student.
The metal band, Angra, recorded a variation of Chopin's Prelude No. 20 for their Rebirth album in 2001 entitled Visions Prelude.
The music for the Commodore 64 version of the videogame Ghosts'n Goblins by Mark Cooksey is based on the Prelude No. 20.
The funeral doom metal band Pantheist used part of Prelude No. 20 in "Envy Us," from their album O Solitude.
Ken Skinner recorded a version of the Prelude No. 20 as a jazz trio piece for the CD "Maroon" in 1996 under the title of "Farewell Europa".
Jazz trumpeter Chris Botti's 2012 CD "Impressions" includes a version of the Prelude No. 20 as the album's first track.
The Piano Guys includes variations of parts of the Prelude No. 20 in "Kung Fu Piano: Cello Ascends", where not only the variations are used in the finale, but they are also used in many parts of the piece as a harmonic element.^[2]

References

External links

Prelude No. 20 on YouTube, performed by Arthur Rubinstein

Preludes by Frédéric Chopin

Opus 28	No. 1 in C major No. 2 in A minor No. 3 in G major No. 4 in E minor No. 5 in D major No. 6 in B minor No. 7 in A major No. 8 in F-sharp minor No. 9 in E major No. 10 in C-sharp minor No. 11 in B major No. 12 in G-sharp minor No. 13 in F-sharp major No. 14 in E-flat minor No. 15 in D-flat major No. 16 in B-flat minor No. 17 in A-flat major No. 18 in F minor No. 19 in E-flat major No. 20 in C minor No. 21 in B-flat major No. 22 in G minor No. 23 in F major No. 24 in D minor

Others	Prelude in C-sharp minor, Op. 45 Prelude in A-flat major (ded. Pierre Wolff) Devil's Trill Prelude

Études Mazurkas Nocturnes Polonaises Preludes Waltzes List of compositions by Frédéric Chopin by genre List of compositions by Frédéric Chopin by opus number

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Prelude, Op. 28, No. 20 (Chopin)

Cultural legacy

See also

References

External links