Psalm 114 (Bruckner)

For the other psalm settings by the composer, see Psalm 22 (Bruckner), Psalm 146 (Bruckner), Psalm 112 (Bruckner), and Psalm 150 (Bruckner).
Psalm 114
by Anton Bruckner

The young Bruckner
Key G major
Catalogue WAB 36
Form Psalm setting
Composed 1852 (1852): St. Florian
Dedication Hofkapelmeister Ignaz Assmayr
Performed 1 April 1906 (1906-04-01) by August Göllerich
Published 1997 (1997)
Recorded 1987 (1987) by Matthew Best
Vocal SAATB choir
Instrumental 3 trombones

Bruckner's Psalm 114 in G major, WAB 36, is a psalm setting for five-part mixed choir (SAATB) and three trombones.[1] It is a setting of verses 1 to 9 in German of Psalm 116, which is Psalm 114 in the Vulgata.

History

The work was composed in 1852 in St. Florian. Bruckner dedicated the work to Hofkapelmeister Ignaz Assmayr for the celebration of his name-day. No performance occurred during the composer's life. The work was premiered by August Göllerich on 1 April 1906. It was first recorded by Matthew Best in 1987[2] and edited by Paul Hawkshaw in 1997.[3]

Text

Dank für Rettung aus großen Gefahren (Thanks for salvation from great perils)

  1. Alleluja! Liebe erfüllt mich, weil der Herr die Stimme meines Flehens erhört hat,
  2. Weil er sein Ohr zu mir neigte: mein Leben lang werd' ich ihn anrufen.
  3. Es umgaben mich die Schmerzen des Todes, es trafen mich die Gefahren der Hölle, Trübsal und Schmerz fand ich:
  4. Da rief ich den Namen des Herrn an: O Herr, erlöse mein Seele!
  5. Barmherzigkeit ist der Herr und gerecht: unser Gott ist barmherzig.
  6. Der Herr bewahret die Kleinen: ich war gedemüthigd, und er half mir.
  7. Kehre zurück, meine Seele, in deine Ruh: denn der Herr hat dir wohlgethan;
  8. Denn er errettete meine Seele vom Tode, meine Augen von den Thränen, meinen Füße vom Falle.
  9. Ich will gefallen dem Herrn im Lande der Lebendigen.[4]

"The music is at first of an impressive archaic austerity, bare in harmony, and strikingly simple in texture. E minor is the opening key, but G major ultimately dominates."[5] The structure of the psalm, which is quite simple in concept, is grounded on liturgical practice.[6] The composition begins with a four-phrase, homophonically constructed Alleluja, which serves as an antiphon to the psalm setting. The individual verses, with the exception of verses seven and eight, are clearly separated by strong cadences or a few beats of silence.[7] "[Bruckner] relied to the trombones to reinforce contrasts delineated by the silences that would become so poignant in his later music."[8] The trombones are so reinforcing the contrasts between "Es umgaben mich die Schmerzen des Todes" (shift to minor) and "Kehre zurück meine Seele" (return to major). The truly inspired work, which projects a profound understanding of the text, captivates the ear with interesting harmonies and varied timbres and textures. The final words of verse eight ("meinen Füße vom Falle."), which are set in a two-voice canon over a dominant pedal, provide an effective bridge to the large-scale, five-voice double fugue,[7] which ends with a powerful unison on "im Lande der lebendigen."[6]

"Bruckner's Psalm 114 is an aurally pleasing and expressive composition that does not deserve the near oblivion to which is has been relegated. It represents another important step in his slow process toward a purely musical career."[7]

Discography

There are three recordings of Bruckner's Psalm 114:

References

  1. Anton Bruckner Critical Complete Edition - Psalms and Magnificat
  2. C. van Zwol, p. 696
  3. Chronology of the Complete Bruckner Edition 19902001
  4. Die Heilige Schrift des alten und neuen Testamentes, Dritter Band (mit Approbation des apostolischen Stuhles), 4. Auflage, p. 245, Landshut, 1839
  5. Leaflet by Robert Simpson, Hyperion CDA66245
  6. 1 2 U. Harten, p. 344
  7. 1 2 3 K.W. Kinder, pp. 10-16
  8. J. Williamson, pp. 4647

Sources

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