Rex Cramphorn

Rex Cramphorn

Rex Cramphorn, 1975 (Photo: William Yang)
Born Rex Roy Cramphorn
(1941-01-10)10 January 1941
Brisbane, Australia
Died 22 November 1991(1991-11-22) (aged 50)
Sydney, Australia

Rex Roy Cramphorn (sometimes identified by the variant Cramphorne) (10 January 1941 – 22 November 1991) was an Australian theatre director, costume designer, theatre critic, theorist and translator, active in the 1970s and 1980s.

Freelance director and theatre critic

Cramphorn was one of a generation of theatre directors who emerged in Australia in the 1960s. He aspired to establish a permanent Australian performance ensemble, multi-skilled and committed, such as had been done by the Polish theatre guru Jerzy Grotowski with whom he worked for a time, but there was not the population, the assured funding nor the interest in Cramphorn’s preference for non-commercial projects to achieve this. As a freelance director he was involved in some 55 theatre productions around Australia in the 1970s and 1980s. The best were said to be the equal of any Grotowski production; in others it was evident that Cramphorn seemed to demand almost as much of his audience as he did of his players.[1] In a 1973 interview, Cramphorn described the kind of productions he hoped to create: -

I’m not interested in presenting the violence of life around me or its chaos and doubt. I’m interested, in a very simple-minded and romantic way, in things that confirm one’s faith in something – whether it be a thing as abstract as the skill of story-telling or whether it be a story like “The Tempest” about a personal and spiritual development. The theatre that I like to see and I’d like to make is outside reality. I’d like it to be an artistic whole, to have the kind of discipline that ballet and opera have. So I think I work in reaction to the life around me.[2]

As a theatre critic during the early 1970s, Cramphorn contributed 110 theatre reviews to several newspapers.[3] In these forthright, uncompromising and scholarly reviews, Cramphorn indicated initially that there was little that pleased him in the Sydney theatre scene, a view summarised by his metaphor ‘a withering mistletoe on our gum-tree culture’.[4] He hailed, however, the emergence of new talents such at Louis Nowra and John Bell.

Costume designer

Cramphorn designed the costumes for the musical Jesus Christ Superstar and many of his own productions.[5] One of Cramphorn's earliest projects was at the 1968 Festival of Perth, where he designed the costumes for Aarne Neeme and Philip Parsons’ production of Richard III at the New Fortune Theatre (University of Western Australia).

Personal life

Cramphorn was born in Brisbane, Australia and attended Brisbane Boys' High School. His tertiary education was at the University of New South Wales: MA in Drama, University of Queensland: BA Hons in French and English studies,[5] graduate of the National Institute of Dramatic Art: 1967 (named as Cramphorne)[5][6] and the Australian Film TV and Radio school.[5]

Many men and women fell for Cramphorn.[7][8][9][10][11] His capacity for empathising with actors,[11] encyclopaedic knowledge especially of all things French,[11] and "large pocket-Adonis" good looks [12] prompted many to seek his personal commitment. Most remained his friends, however, long after he had persuaded them, gently, that they could be no more than that.[7] At age 20 he inspired a poem containing this stanza: -

          You may love the boy and lay him
          naked across your knees
          and kiss him and make him laugh
          but it isn't you he sees [13]

Death and commemoration

Rex Cramphorn died in Sydney, 22 November 1991 of AIDS related causes, aged 50. Glowing tributes and obituary notices began to appear, in contrast to the faltering recognition Cramphorn had received in life. In them may be read assessments such as: -

Among Cramphorn’s effects were thirty boxes of papers which he bequeathed to the Department of Performance Studies at the University of Sydney.[19] Selections from this archive form the basis for Associate Professor Ian Maxwell's publication A Raffish Experiment – The Selected Writings of Rex Cramphorn, Currency Press Pty Ltd, 2009.

A biennial $30,000 Rex Cramphorn Theatre Scholarship has been established by the New South Wales Government.[20] and the Australian Film TV and Radio school.[5] An annual series of Rex Cramphorn lectures – a memorial set up by his friends and colleagues - was begun in 1995, Jim Sharman giving the first lecture.[21]

A studio in the University of Sydney’s Centre for Performance Studies has been named in his honour (popularly known as "The Rex").[22]

References

  1. 1 2 Louis Nowra, in Maxwell, Ian (Ed.), Raffish Experiment, A, 2009, p 335
  2. ↑ Hazel de Berg, interview with Rex Cramphorn, October 1973
  3. ↑ Ian Maxwell,(ed.) Raffish Experiment, A, 2009
  4. ↑ Rex Cramphorn, The Bulletin, 3 January 1970
  5. 1 2 3 4 5 "Rex Cramphorn". Obituaries Australia. Australian National University. 2010. Retrieved 7 December 2013.
  6. ↑ "NIDA Alumni". NIDA. National Institute of Dramatic Art. 2013. Retrieved 7 December 2013.
  7. 1 2 3 David Malouf in Maxwell, Ian (ed,), Raffish Experiment, A, 2009, iii
  8. ↑ Judith C Green, in Four Poets, Cheshire, 1962, The Boy in the Green Gown
  9. ↑ Jim Sharman, Blood & Tinsel: A Memoir, 2008, p 158
  10. ↑ Kate Fitzpatrick, Name Dropping, 2004, facing p 262
  11. 1 2 3 William Yang, My Generation, Documentary Film, 2013
  12. ↑ Kate Fitzpatrick, Name Dropping, 2004, p 144
  13. ↑ Judith C Green in Four Poets, Cheshire, 1962, The Boy in the Green Gown
  14. ↑ Katharine Brisbane, in The Australian, 28 November 2011
  15. ↑ Sydney Morning Herald, 23 November 1991, p 11, obituary
  16. ↑ Nick Enright, Rex Cramphorn Lecture 2002
  17. ↑ James Waites, Theatre Reviews, 27 January 2013
  18. ↑ John Bell, letter to John Austin, 13 August 2014
  19. ↑ Ian Maxwell, (ed.), Raffish Experiment, A, 2009, p 3
  20. ↑ "Live Performance Australia Hall of Fame 2007". LPA. Live Performance Australia. 2013. Retrieved 7 December 2013.
  21. ↑ Jim Sharman, Blood & Tinsel: A Memoir, 2008, p 157
  22. ↑ Ian Maxwell, (ed.), Raffish Experiment, A, 2009, p 5
This article is issued from Wikipedia - version of the 8/28/2016. The text is available under the Creative Commons Attribution/Share Alike but additional terms may apply for the media files.