Ross Robinson

Ross Robinson
Born (1967-02-13) February 13, 1967
Barstow, California, U.S.[1]
Genres Nu metal, heavy metal, punk rock, groove metal, death metal, post-hardcore, indie rock, alternative rock, rap metal, alternative metal, rap rock, thrash metal
Occupation(s) Producer
Years active 1991–present
Associated acts Korn, At the Drive-In, Glassjaw, Sticky Hair, Slipknot, The Cure, Machine Head, Sepultura, Tech N9ne, Night Verses, Cold, Limp Bizkit

Ross Robinson (born February 13, 1967) is an American music producer, who has discovered acts such as Korn, At the Drive-In, Glassjaw, The Blood Brothers, Repeater, Slipknot, Sticky Hair, and Limp Bizkit. Robinson has also worked with Tech N9ne, Machine Head, Vanilla Ice, The Cure, Sepultura, and many others.[2]


Robinson began as a thrash metal guitarist for the bands Detente and Murdercar (featuring future Machine Head drummer Dave McClain) and picked up his knowledge of producing from the studios where his band recorded demos. Robinson received his first production job for the 1991 Fear Factory album Concrete. Robinson would use the album as a showcase of sorts in helping him land producing slots with other acts, particularly the up-and-coming band Korn.

Robinson is regarded as "The Godfather of Nu Metal", along with Korn frontman Jonathan Davis, despite denouncing the nu metal movement later on for becoming complacent and the newer bands for not expanding on the style which he helped create with Korn's first album, Korn (1994).[3]

Robinson has also been successful in the post-hardcore genre, producing At the Drive-In's final album, Relationship of Command in 2000, as well as Glassjaw's albums, Everything You Ever Wanted to Know About Silence (2000) and Worship and Tribute (2002). Robinson has also worked with the likes of The Cure on their eponymous album (2004) and From First to Last on their album Heroine (2006).

In 2003 he produced The Blood Brothers' ...Burn, Piano Island, Burn, which was a departure for both the band and Robinson. In contrast to The Blood Brothers' previously raw, often under-produced songs (which lasted as short as 90 seconds at times), ...Burn, Piano Island, Burn featured much longer and more complex compositions.

Robinson was the owner of the IAM: Wolfpack label. In 2007 it was announced that he was starting a new label IAM: Wolfpack which released the debut CD from Black Light Burns titled Cruel Melody. He is a co-owner of semi-private NY nightclub The Plumm, along with David Wells, Jesse Bradford, Noel Ashman and others.

From 2008, Robinson decided to produce new talents he discovered via Myspace. He recorded and mixed a young French trio called My Own Private Alaska which mixes classical piano and scream based vocals. Their Amen album was released on March 1, 2010, through his label I Am Recordings.

He worked with the Slovenian band Siddharta on their new project Saga. He also produced Repeater's second album, We Walk from Safety.

Robinson has been producing indie rock bands such British bands Klaxons and Dananananaykroyd. In late 2008, the Luxembourgish dance rock band INBORN! were approached by Ross Robinson. Having heard the band on the net, he offered to record their first official long player. The band entered Robinson's studio on October 1, 2010.

In 2010, Robinson returned to produce Korn's ninth album, 14 years after last working with band. Korn wanted to recapture the raw energy of the first two albums which Robinson produced.[4]

In 2013, Robinson produced Tech N9ne's rock EP Therapy.

Robinson worked with Limp Bizkit, producing their 2015 album Stampede of the Disco Elephants. Robinson also worked with Sepultura for their 2013 album The Mediator Between Head and Hands Must Be the Heart.

In January 2016, it was announced that Robinson would produce the next album by Red Fang.[5]

On June 17th, 2016, It was revealed Robinson is working with progressive act The Contortionist on their fourthcoming release Echoes Is stated for February 2017 Release.


Albums produced


This article is issued from Wikipedia - version of the 11/7/2016. The text is available under the Creative Commons Attribution/Share Alike but additional terms may apply for the media files.