Sargy Mann

Sargy Mann (29 May 1937 - 5 April 2015) was a British painter.[1] Over the course of his career, Mann’s subject matter featured both landscapes and portraiture. His diverse works are recognizable by their bright colour scheme, registering each piece entirely unique.[1] Mann began to lose his eyesight in 1973.[2] An avid painter, he was undeterred by his failing vision and as such he continued to find new ways of seeing as his artistic career progressed.[3][4]

Early life and education

Sargy Mann was born in Hythe, Kent, in 1937. He was first educated at Dartington Hall School, where he developed a keen interest in maths, physics and sports. At 16, he moved to Oxford to become an apprentice in the Morris Motors factory, where his love for jazz led him to play in a band with Dudley Moore and others.[2] Deciding to pursue a degree in maths, Mann enrolled at Hammersmith Polytechnic in London in 1958. It was here that art became the major force in his life. In 1960, after presenting a portfolio of his work, he was accepted into the Camberwell College of Arts.[5]

Officially abandoning his other interests, Mann threw himself into his artistic career at Camberwell. Mann was tutored and influenced by painters Euan Uglow, Frank Auerbach and Dick Lee. They emphasized the need to paint from reality – to paint that which you see, a philosophy which Mann in turn applied to his own art.[6]

Teaching

In 1963, Mann had his first exhibition. His painting Karen I was featured in the Contemporary Portrait Society show on Bond Street.[7] His commercial success was slow, though, and he returned to Camberwell in 1967 to become the first ever post-graduate student in their painting school.[7] Mann excelled at Camberwell, and went on to teach students with the same passion he put into his art. His lessons focused on the transformative powers of light and colour.[3] He taught at both Camberwell and the Camden Arts Centre until 1988.

Painting career

Mann moved to Tottenham Court Road in 1964, where he lived with a number of creative individuals who pushed his artistic boundaries.[6] He then in 1967 moved into the house of friends Elizabeth Jane Howard and Sir Kingsley Amis in Hertfordshire. Mann spent all of his free time painting in their garden. He lived among these friends until 1976, when he married friend and former student Frances Carey.[7] It was around this time that he began to question the limits of typical vision.[7]

Early collectors of his work included Dame Iris Murdoch, Sir John Betjeman and Cecil Beaton. Poet Laureate Cecil Day-Lewis and his son Daniel Day-Lewis lived alongside Mann in the Amis’s house Lemmons for some time, and Daniel Day-Lewis went on to become an avid fan and collector of Mann's work.[3] Day-Lewis has said of Mann's work: "There is a freedom in his work, which only one with a supreme mastery of structure, light and colour could ever afford."

In 1973, Mann exhibited at the Salisbury Festival of Arts, organized by Elizabeth Jane Howard and Geraint Jones.[8] The exhibit featured his "Lemmons bathroom" works, depicting the room of his friends’ home. The show was met with success, and was proceeded with his "sketchbook" collection. [9]

Consistent success in an established gallery was not achieved until 1987, however, when Mann met gallery owner Christopher Burness of Cadogan Contemporary. Mann's first exhibition at the gallery spiked his levels of success and allowed him a loyal clientele. Mann's work has been featured in the gallery ever since his initial showing.

In 1994, Mann served as co-curator for the Bonnard at le Bosquet exhibition at the Hayward Gallery in London.[1] Throughout the 1990s, he served as a visiting lecturer in Italy at the Verocchio Art Centre, and in England at the Royal Drawing School.

In 1990 Mann moved with his wife and his four children to Suffolk, where he lived until his death in April 2015. His work continues to exhibited at Cadogan Contemporary.[1] Celebrities and key art collectors worldwide have acquired Mann's work.[10]

Sight and style

Mann's sight started to deteriorate in 1973. At 36 years of age, he developed cataracts in both eyes, followed by retinal detachments. Despite cataract surgery, retinal detachments and burst corneal ulcerations left one eye nearly blind, followed years later by a total loss of vision.[11] He was officially registered blind in 1988. It was at this point that Mann gave up his teaching career, now well protected by commercial success.[3]

Without his vision, Mann was forced to find new ways to approach painting. In the 2014 BBC News documentary on him, Mann describes the process of learning "how to reinvent painting for myself."[11] He first used a specifically modified telescope to enlarge images in the better eye.[3] Mann created form and composition through touch, employing strategically placed lumps of Blu-Tack and rubber bands to map out his canvases. His wife Frances, also an artist, assisted him by mixing the colours.[11]

Mann's technique changed not only in the physical sense of painting but also in his cognitive process of creating images.[5] His memory and imagination became his vision, replacing straightforward observation, and his paintings celebrate this subjectivity.[2] His son Peter created a documentary about his father’s adaptive techniques. The restrictions imposed by the reality of vision no longer applied to him, and he remarked that he had complete creative liberation. "I chose the colour chord for each painting intuitively, thinking in an overtly decorative way which, before, I would never have allowed myself to do. It seems that blindness has given me the freedom to use colour in ways that I would not have dared to when I could see."[10]

The colours featured in Mann's work reflect the stages of his changing vision and the effects of each eye operation. His first cataract operation left "his brain dazzling with blue light."[12] One eye saw differently from the other, and suddenly Mann was experimenting with single-eye versus double-eye vision.[12]

Before the onset of his blindness, Mann considered himself primarily a landscape painter.[11] Following his loss of vision, however, he became more oriented toward portraiture, as the depth is more easily comprehended of figures.

Success after blindness

After losing his sight, and prior to his death in April 2015, Mann had four solo shows exhibitions at Cadogan Contemporary. The first show, Frances, was held 13 May – 13 June 2008. The series featured his wife, Frances, whom he "saw" through touch.[13] In his artist statement, he recalled his method for seeing: "As I tried to understand her position and the chair in my totally blind state, by touch alone, I found that my brain… was busy turning this three dimensional understanding into the view that I would have seen, and the two dimensional pattern this would give."[13]

The second show, Gouaches, featured 22 colourful, abstract gouaches. The work was exhibited 1 December – 19 December 2009 at the gallery.

New Paintings was Mann's third show as a blind artist, and was featured at Cadogan Contemporary, 19 October – 13 November 2010. This show featured 17 pieces. Daniel Day-Lewis lends an enthusiastic introduction in the exhibit's catalogue, describing Mann's exhibitions as "gorgeously sensual works."[14]

Most recently, the show Sargy Mann was held at Cadogan Contemporary (21 May – 14 June 2013), featuring 12 new, vibrant portraits and landscapes.[15]

Media coverage

Mann has been the feature of a number of documentaries. In 2006, son Peter Mann created a documentary of his life, entitled Sargy Mann.[10] The video is accompanied by a book, co-written by Peter and Sargy Mann, entitled Sargy Mann: Probably the Best Blind Painter in Peckham. Mann was also featured on the BBC News in 2014, in the story "Blind painter Sargy Mann: Painting with inner vision".[11]

A number of interviews and stories have also investigated his storyn. An October 2006 piece, "Ways of Seeing" by Virginia Boston appeared in Artists and Illustrators Magazine.[16] On 21 November 2010, reporter Tim Adams of The Observer wrote "Sargy Mann: the blind painter of Peckham".[3] In March 2013, Laura Barber published an interview in Port Magazine, entitled "10,000 Hours: Sargy Mann".[2] Mann's painting "See the Girl with the Red Dress On" was featured on UN Stamps for the 2013 "Breaking Barriers" Collection.[17] (Mann was one of six artists chosen for the collection.) Mann's spring exhibitions at Cadogan Contemporary in both 2008 and 2013 were featured in the "Where to Buy" section of The Week.

Most recently, Sargy Mann is featured in the BBC interactive project, The Story of Now. The "art" section of the interactive film follows his artistic journey.

References

  1. 1 2 3 4 "Sargy Mann" Cadogan Contemporary. Retrieved 9 March 2015.
  2. 1 2 3 4 Barber, Laura, "10,000 Hours: Sargy Mann", Port Magazine, 6 March 2013. Retrieved 30 March 2015.
  3. 1 2 3 4 5 6 Adams, Tim, "Sargy Mann: the blind painter of Peckham", The Guardian, 21 November 2010. Retrieved 9 March 2015.
  4. ↑ "Sargy Mann". The Times. 10 April 2015. (subscription required (help)).
  5. 1 2 Suffolk Painters. Retrieved 9 March 2015.
  6. 1 2 Edwards, Zachary, "Sargy Mann: A Blind Painter Who's Changing the Way We All See Painting", Mural Form, 17 February 2015. Retrieved 9 March 2015.
  7. 1 2 3 4 Peter, Mann (2008). Sargy Mann: Probably the Best Blind Painter in Peckham, p. 16.
  8. ↑ Peter, Mann (2008). Sargy Mann: Probably the Best Blind Painter in Peckham, p. 34.
  9. ↑ Peter, Mann (2008). Sargy Mann: Probably the Best Blind Painter in Peckham, pp. 34–36.
  10. 1 2 3 Mann, Peter. Sargy Mann. Peter Mann Pictures. 2006. Film.
  11. 1 2 3 4 5 Blind painter Sargy Mann: Painting with inner vision - BBC News. YouTube. 26 October 2014. Retrieved 11 April 2015.
  12. 1 2 Peter, Mann (2008). Sargy Mann: Probably the Best Blind Painter in Peckham, p. 52.
  13. 1 2 Sargy Mann: Frances. Cadogan Contemporary Catalogue, May 2008, p. 5.
  14. ↑ Day-Lewis, Daniel. "Foreward: Sargy", in Sargy Mann: New Paintings. Cadogan Contemporary, 19 October 2010. Catalogue.
  15. ↑ Sargy Mann. Cadogan Contemporary. 21 May 2013. Catalogue.
  16. ↑ Virginia Boston, "Ways of Seeing", Artists and Illustrators Magazine, October 2006.
  17. ↑ "Breaking Barriers" Collection, 2013.

External links

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