|Location||201 Renmin Avenue, People's Square, Shanghai, 200003|
|Coordinates||31°13′49″N 121°28′14″E / 31.230278°N 121.470556°E|
1.9 million (2013)|
Ranking 23rd globally (2013)
|Director||Ma Chengyuan (1985–99)|
|Public transit access||People's Square Station on Lines 1, 2, and 8 (Shanghai Metro)|
The Shanghai Museum is a museum of ancient Chinese art, situated on the People's Square in the Huangpu District of Shanghai, China. Rebuilt at its current location in 1996, it is considered one of China's first world-class modern museums.
The museum was founded in 1952 and was first open to the public in the former Shanghai Racecourse club house, now at 325 West Nanjing Road. The museum's founding collections came principally from three sources: a batch of artefacts gathered by the Communist 3rd Field Army during the civil war from accidental finds and confiscations of private property and brought to Shanghai upon the Communists' conquest of the city; artefacts confiscated by the customs service; items sold by private collectors due to political pressure during political purges and purchased by the government. The former Shanghai Municipal Museum was also merged into the new Shanghai Museum. In the next few years, the museum's collections were further enriched from other private and institutional collections in Shanghai, including the collection of the former Shanghai Museum of the Royal Asiatic Society, which were moved to the museum as "foreign" institutions gradually left the city in the 1950s. In 1959 the museum moved into the Zhonghui Building at 16 South Henan Road, which previously housed insurance companies and bank offices. During the metal-gathering campaign of the Great Leap Forward, Shanghai Museum participated in rescuing bronzeware from metal that had been confiscated or donated and were sent to be melted down. Before the Cultural Revolution, a tradition formed whereby Shanghai's wealthy collectors would make annual donations to the museum.
The museum's work largely halted as a result of the Cultural Revolution. After the end of the Cultural Revolution, as one of China's most important museums, the museum's collections have continued to be enriched with the fruit of donations, government purchases and important finds from archaeological excavations.
The growth of its collections put enormous pressure on the museum's cramped premises. For his role in ensuring that the museum has a large, purpose-built home, it is said that Shanghai Museum owes much of its current existence to Ma Chengyuan, its director from 1985 until his retirement in 1999. When a new museum was omitted from Shanghai's five-year reconstruction plan in 1992, Ma lobbied Mayor Huang Ju for its rebuilding. After seeing the dilapidated rooms of the Zhonghui Building, Huang agreed to allocate a prime site on the People's Square, but the museum had to raise its own building funds. Ma raised US$25 million by leasing the old building to a Hong Kong developer. He also made many trips abroad to solicit donations, mainly from the Shanghai diaspora who had fled to Hong Kong after the Communist revolution, raising another $10 million. The money still ran short, but he eventually won another 140 million yuan from the city government to complete the building.
Construction of the current building started in August 1993. It was inaugurated on October 12, 1996 to wide acclaim. It is 29.5 meters high with five floors, covering a total area of 39,200 m². Designed by local architect Xing Tonghe, the building is designed in the shape of an ancient bronze cooking vessel called a ding. It is said that the inspiration for the design was specifically provided by the Da Ke Ding, now on exhibit in the museum. The building has a round top and a square base, symbolizing the ancient Chinese perception of the world as "round sky, square earth" (Chinese: 天圆地方).
The museum has a collection of over 120,000 pieces, including bronze, ceramics, calligraphy, furniture, jades, ancient coins, paintings, seals, sculptures, minority art and foreign art. The Shanghai Museum houses several items of national importance, including one of three extant specimens of a "transparent" bronze mirror from the Han Dynasty.
- Gallery of Ancient Chinese Bronze
- Gallery of Ancient Chinese Sculpture
- Gallery of Ancient Chinese Ceramics
- Gallery of Ancient Chinese Jades
- Gallery of Ancient Chinese Paintings
- Gallery of Ancient Chinese Calligraphy
- Gallery of Ancient Chinese Seals
- Gallery of Ancient Chinese Numismatics
- Gallery of Chinese furniture in Ming and Qing dynasties
- Gallery of Arts and Crafts by Chinese Minorities
- Ruyao (汝窑) porcelain wares from the Northern Song Dynasty
- Ming Dynasty style furniture and room arrangement
- Colour lacquered Tiaoshen (跳神) Mask of Tibetan ethnicity
- Bianzhong of Marquis Su of Jin, from Western Zhou
- Ancient Chinese Ceramic Gallery The Shanghai Museum. Shanghai: Shanghai Classics Publishing House, 1996. (English & Mandarin Chinese edition.) ISBN 7-5325-1721-7
- Shanghai Museum
- American Friends of the Shanghai Museum
- Service Installation - Visitor's Information
- Top 100 Art Museum Attendance, The Art Newspaper, 2014. Retrieved on 13 July 2014.
- Jasper Becker (3 January 2001). "Ma Chengyuan and the creation of Shanghai Museum". South China Morning Post. Retrieved 12 September 2013.
- "Ma Chengyuan, 77, President of Shanghai Museum, Dies". New York Times. 15 October 2004. Retrieved 9 September 2013.
- Shanghai Museum
- Chen, Doo, and Wang, 2006
Chen Xiejan, Doo R, Wang Yue (2006) Shanghai Museum's Collection of Ancient Coins from the Silk Road
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