Silkwood

Silkwood

Theatrical release poster
Directed by Mike Nichols
Produced by Michael Hausman
Mike Nichols
Written by Nora Ephron
Alice Arlen
Starring
Music by Georges Delerue
Cinematography Miroslav Ondříček
Edited by Sam O'Steen
Production
company
Distributed by 20th Century Fox
Release dates
  • December 14, 1983 (1983-12-14)
Running time
 131 minutes
Country United States
Language English
Budget $10 million
Box office $35,615,609[1]

Silkwood is a 1983 American biographical drama film directed by Mike Nichols starring Meryl Streep, Cher and Kurt Russell. The screenplay by Nora Ephron and Alice Arlen was inspired by the life of Karen Silkwood. Silkwood was a nuclear whistleblower and a labor union activist who died in a suspicious car accident while investigating alleged wrongdoing at the Kerr-McGee plutonium plant where she worked. In real life, her death was vindicated in a victorious 1979 lawsuit, Silkwood v. Kerr-McGee, led by attorney Daniel Sheehan and other founding members of the Christic Institute. The jury rendered its verdict of $10 million in damages to be paid to the Silkwood estate (her children), the largest amount in damages ever awarded for that kind of case at the time. The Silkwood estate eventually settled for $1.3 million.[2]

Silkwood was shot largely in both New Mexico and Texas on a budget of $10 million. Factual accuracy was maintained throughout the script, with some incidents exactly parallel to the real-life experiences of Karen Silkwood. One scene in particular involved the activation of a radiation alarm at the plant. Silkwood herself had forty times the legal limit of radiation in her system. Streep had just finished filming Sophie's Choice (1982) when production began. The film also marked a departure for some of its stars: it is noted for being one of the first "serious" works of Cher, who had been previously known mostly for her singing, and for Kurt Russell, who was at the time widely known for his work in the action genre.

The film received critical acclaim and was a box office success, with particular attention focused on the performances by the three leading actors. At the 56th Academy Awards, Silkwood received five nominations in total. Streep was nominated for a Best Actress award, while Cher received a nomination for Supporting Actress. Director Mike Nichols received a nomination in the Best Director category. As of 2016, the film has not yet received a Blu-ray Disc release and is currently out of print on DVD in the United States.

Plot

Karen Silkwood (Meryl Streep), a worker at the Kerr-McGee Cimarron Fuel Fabrication Site (near Crescent, Oklahoma), shares a ramshackle house with two co-workers, her boyfriend Drew Stephens (Kurt Russell) and her lesbian friend Dolly Pelliker (Cher). She makes plutonium fuel rods for nuclear reactors, where she deals with the threat of exposure to radiation. She has become a union activist, concerned that corporate practices may adversely affect the health of workers. She is also engaged in a conflict with her former common-law husband in an effort to have more time with their three children.

Because the plant has fallen behind on a major contract—ostensibly to provide fuel rods for a breeder reactor at the Hanford Site—employees are required to work long hours of overtime. She believes that managers are falsifying safety reports and cutting corners wherever possible, risking the welfare of the personnel. Karen approaches the union with her concerns and becomes active in lobbying for safeguards. She travels to Washington, D.C. to testify before the Atomic Energy Commission. She interacts with union officials who appear to be more interested in the publicity she is generating than her welfare and that of her co-workers.

When Silkwood and other workers become contaminated by radiation, plant officials try to blame her for the incident. When she discovers that negatives of photographs of faulty fuel rods have been retouched and records of inadequate safety measures have been altered, she decides to conduct an investigation of her own. Complications arise in her personal life when Angela, a funeral parlor beautician, joins the household as Dolly's lover. Unable to deal with Silkwood's obsession with gathering evidence, Drew moves out.

Once she feels she has gathered sufficient documentation, Silkwood contacts a reporter from The New York Times and arranges a nighttime meeting. In the film's final moments, the scene fades out as Silkwood, on her way to the meeting, sees approaching headlights in her rear-view mirror, which draw up so close that they blind her and make her unable to watch the road ahead. The scene fades in on the aftermath of her fatal one-car crash, and the viewer is left to decide whether the crash was an accident.

Cast

Production

The film was shot on location in Albuquerque and Los Alamos in New Mexico, and Dallas, Howe, Texas City, and Tom Bean in Texas. Arthur Hirsch and Larry Cano were the producers of the film and received Executive Producer credits. They began working on the movie while graduate film students at UCLA. Their involvement in the making of Silkwood set a precedent in the U.S. Supreme Court regarding the protection under the First Amendment of confidential sources for film-makers, as is done for journalists.

Critical reception

Silkwood received a consistently positive critical response. Vincent Canby of The New York Times called the film "a precisely visualized, highly emotional melodrama that's going to raise a lot of hackles" and "a very moving work." He added, "There are, however, problems, not unlike those faced by Costa-Gavras in his State of Siege and Missing, and they are major. Mr. Nichols and his writers ... have attempted to impose a shape on a real-life story that, even as they present it, has no easily verifiable shape. We are drawn into the story of Karen Silkwood by the absolute accuracy and unexpected sweetness of its Middle American details and then, near the end, abandoned by a film whose images say one thing and whose final credit card another. The muddle of fact, fiction and speculation almost, though not quite, denies the artistry of all that's gone before." He concluded, "I realize that films shouldn't be judged in bits and pieces, but it's difficult not to see Silkwood in that way. For most of its running time it is so convincing—and so sure of itself—that it seems a particular waste when it goes dangerously wrong. It's like watching a skydiver execute all sorts of graceful, breathtaking turns, as he appears to ignore gravity and fly on his own, only to have him smash to earth when the chute doesn't open."[3]

Roger Ebert of the Chicago Sun-Times rated the film four stars and commented, "It's a little amazing that established movie stars like Streep, Russell and Cher could disappear so completely into the everyday lives of these characters."[4]

David Sterritt of The Christian Science Monitor called the film "a fine example of Hollywood's love-hate attitude toward timely and controversial subject matter." He continued, "The movie sides with Silkwood as a character, playing up her spunk and courage while casting wry, sidelong glances at her failings. When it comes to the issues connected with her, though, the filmmakers slip and slide around, providing an escape hatch ... for every position and opinion they offer. This makes the movie less polemical than it might have been, and a lot more wishy-washy ... This is too bad, because on other levels Silkwood is a strong and imaginative film. Meryl Streep gives the year's most astounding performance by an actress, adding vigor and complexity to almost every scene with her endlessly inventive portrayal of the eccentric heroine. The supporting players skillfully follow her lead."[5]

The film holds a 75% rating on Rotten Tomatoes based on 28 reviews with the consensus: "Silkwood seethes with real-life rage -- but backs it up with compelling characters and trenchant observations."[6]

The American Film Institute included Karen Silkwood as the #47 hero in AFI's 100 Years...100 Heroes and Villains and the film as #66 in AFI's 100 Years...100 Cheers.

Box office

The film opened on a limited release in 257 theaters in the United States on December 14, 1983. It grossed $1,218,322 on its opening weekend, ranking #12 at the box office. The film opened widely on January 27, 1984 during which, in its seventh week of release, it had expanded to 816 screens and reached #1. It eventually earned $35,615,609 in the U.S. and Canada.[1]

Awards

56th Academy Awards

-Nominations

41st Golden Globe Awards

-Wins

-Nominations

Others

Home media

Anchor Bay Entertainment released the film on DVD in Region 1 on June 15, 1999. Viewers had the option of anamorphic widescreen or fullscreen formats. The Anchor Bay release is long out of print. A Region 2 DVD was released by PT Video on April 8, 2002. A second Region 1 DVD was released by MGM Home Entertainment on October 7, 2003 and a Region 4 DVD was released on October 14, 2004 by MRA Entertainment. It is in anamorphic widescreen format with subtitles in English, Spanish, and French.

The film was broadcast in high definition (1080i) on SkyHD.[7] As of May 2015, Silkwood has not yet received a Blu-ray release.

See also

References

  1. 1 2 "BoxOfficeMojo.com". BoxOfficeMojo.com. Retrieved 2013-12-05.
  2. ↑ Windell, James O. (2015). Looking Back in Crime: What Happened on This Date in Criminal Justice History?. Boca Raton, Florida: CRC Press. p. 43. ISBN 9781498704144.
  3. ↑ Canby, Vincent (1983-12-14). "''New York Times'' review". Movies.nytimes.com. Retrieved 2013-12-05.
  4. ↑ White, Anath (1983-12-14). "''Chicago Sun-Times'' review". Rogerebert.suntimes.com. Retrieved 2013-12-05.
  5. ↑ David Sterritt. "''Christian Science Monitor'' review". Csmonitor.com. Retrieved 2013-12-05.
  6. ↑ "Silkwood". 14 December 1983.
  7. ↑ "Silkwood".
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