Volume 1 (Fabrizio De André album)

Vol. 1°
Studio album by Fabrizio De André
Released 1967
Recorded July 18–25, 1964
Genre Folk
Length 30:29
Label Bluebell Records (BBLP 39)
Producer Gian Piero Reverberi
A. Malcotti
Fabrizio De André chronology
Vol. 1°
(1967)		 Tutti morimmo a stento
(1968)
Reissue cover
Front cover of the 1967 reissue
Singles from Vol. 1°
  1. "Preghiera in Gennaio/Si chiamava Gesù"
    Released: 1967
  2. "Via del Campo/Bocca di rosa"
    Released: 1967
  3. "Caro amore/Spiritual"
    Released: 1967
  4. "La canzone di Barbara/Carlo Martello ritorna dalla battaglia di Poitiers"
    Released: 1968
  5. "Carlo Martello ritorna dalla battaglia di Poitiers/Il testamento"
    Released: 1968
  6. "La stagione del tuo amore/Spiritual"
    Released: 1971
Professional ratings
Review scores
SourceRating
Allmusic [1]

Volume 1 (Vol. 1°) is the second studio release by Italian singer-songwriter Fabrizio De André and his first true studio album. It was first issued in 1967 on Bluebell Records.

Track listing

All tracks written by Fabrizio De André, except where noted[notes 1].

Side one
No.TitleMusicLength
1."Preghiera in Gennaio"   3:28
2."Marcia nuziale"  Georges Brassens3:10
3."Spiritual"   2:34
4."Si chiamava Gesù"  De André, Vittorio Centanaro[notes 2]3:09
5."La canzone di Barbara"   2:17
Side two
No.TitleLyricsMusicLength
6."Via del Campo"   Enzo Jannacci2:31
7."Caro amore"   Joaquín Rodrigo3:57
8."Bocca di rosa"    3:05
9."La morte"   G. Brassens2:22
10."Carlo Martello ritorna dalla battaglia di Poitiers"  De André, Paolo Villaggio 5:21

Songs

"Preghiera in Gennaio"

("Prayer in January")

The song is dedicated to the memory of Fabrizio's longtime friend Luigi Tenco, who had committed suicide in January that year, after taking part in the Italian Song Festival of Sanremo and failing to advance to the final competition.[2] The lyrics deal with the theme of suicide and the Church's systematic condemnation of those who kill themselves.

"Marcia nuziale"

("Wedding March")

A translated version of the song "La Marche nuptiale", written in 1956 by Georges Brassens, who De André always considered a master as well as one of his greatest sources of inspiration.

"Spiritual"

A spiritual in which De André sings with a deep voice, similar to that of African American singers.

"Si chiamava Gesù"

("He Was Called Jesus")

The singer narrates the story of Jesus in an avanguardist way, saying that his goal isn't to glorify someone who he believes was "nothing but a man gone down in history as a god".[notes 4] While maintaining an atheist point of view, De André shows great respect and admiration toward the human figure of Jesus, who he defined "the greatest revolutionary of all history".

"La canzone di Barbara"

("The Song of Barbara")

A song about an unfaithful girl called Barbara. It was the last song from the album to be released as a single, with a different mixing and some guitar parts cut out.

"Via del Campo"

In this song, partly inspired by Genoan transvestite "Morena",[3] De André expresses his sympathy to the lower social classes. Via del Campo was an infamous street of Genoa, known in the 1960s as home to prostitutes, transvestites and poor people. This composition features the music of an Enzo Jannacci song, "La mia morosa la và alla fonte", which De André erroneously believed to be a medieval ballad rediscovered by Dario Fo. Jannacci recorded the song himself for his 1988 album Vengo anch'io. No, tu no.

"Caro amore"

("Dear Love")

When the album was reissued in 1971 under the newly-born Produttori Associati label, the song, whose music is taken from the second movement Adagio of Joaquín Rodrigo's 1939 Concierto de Aranjuez, was taken out of the album under request of Rodrigo himself, who did not approve the use of De André's lyrics with his music. The song was eventually replaced with "La stagione del tuo amore" ("The Season of Your Love"), which would be featured in every following reissue.

"Bocca di Rosa"

("Rose Mouth")

Possibly based on Brassens' song "Brave Margot" (1952), it is one of De André's most well-known songs and, as stated by the singer himself, the one that "resembles him the most".[4]
The song tells the story of a foreign girl (Bocca di rosa, who is not a prostitute since -as the song states- she never asks for money), whose passional and libertine behaviour upsets the women of the small town of Sant'Ilario. Seeing her conduct as unacceptable, the women turn to the Police commissioner, who sends four gendarmes to put her on the first train out of town. All the men in town gather at the station to send her their regards to the woman who "brought love to the town". At the following station, she is greeted by even more people, including the priest, who wants her to be by his side during the subsequent procession, not far from the statue of the Virgin Mary, thus "carrying around town sacred love and profane love".[notes 5]
Bocca di rosa's character was reproposed, with different connotations, in the novel Un destino ridicolo, co-written by De André and writer Alessandro Gennari.
According to newspaper Il Secolo XIX,[5] the inspirer of the song died June 14, 2010, aged 88, in Sampierdarena hospital, in Genoa. De André's widow, Dori Ghezzi, and his longtime friend Paolo Villaggio both denied De André ever meeting her, despite the singer having stated otherwise to newspaper Repubblica in 1996.[6]

Controversy

"Bocca di rosa" was re-recorded with different lyrics for the first reissue of the album. The fictional town of Sant'Ilario, named after an actual suburb of Genoa, was renamed "San Vicario". Also, after "polite pressures from the corps of Carabinieri", a line was taken out of the lyrics which criticized the law enforcement corps (with explicit mention of the Carabinieri). This "censored" version of the song would be featured in every following reissue. The original version was included in the posthumous 2005 compilation album In direzione ostinata e contraria.

"La morte"

("Death")

The music for this song is taken from "Le verger de Roi Louis", composed by Georges Brassens with lyrics by Théodore de Banville. The main theme is the inevitability of death, which strikes without any warning, regardless of the identity of the victim, unstoppable.

"Carlo Martello ritorna dalla battaglia di Poitiers"

("Charles Martel Returns from the Battle of Poitiers")

The song is a parody of the Christian medieval tradition based on the historical figure Charles Martel.
Martel, returning victorious after the Battle of Tours, is "feeling love yearnings more than body wounds"[notes 6] and uses his position as king to obtain sexual favors from a beautiful peasant girl. Then, when the girl demands payment for her "services" afterwards, Martel quickly hops on his horse and rides away in a comical fashion.
The song imitates an ancient Occitan lyric genre, the "Pastorela", which revolved around the meeting of knights with shepherdesses in bucolic sets such as brooks and stretches of water.
The idea for the song was born on a day of November 1962, when De André and Paolo Villaggio were at Villaggio's house in Genoa, both waiting for their wives to give birth. De André played the melody on a guitar and Villaggio, very fond of history, immediately thought of writing lyrics to it about Charles Martel. A week later, the lyrics were ready.[7]
Several poetic licenses are used in the lyrics:

The song had been first released as the B-side of a single in 1963 and was re-recorded for the album with some differences, namely the marked Bolognese accent of the De André's interpretation of the girl and trumpet solos between each verse.

Release history

Year Label Format Catalog number
1967 Bluebell Records mono LP BBLP 39
stereo LP BBLPS 39
1970 Produttori Associati stereo LP PA-LPS 39
Tonycassette stereo cassette 3 TC 1008
Produttori Associati stereo cassette PA 1008
8-track PA 9003
Ricordi stereo LP SMRL 6236
1983 stereo LP ORL 8898
stereo cassette ORK 78898
1987 CD CDMRL 6236
1991 CD CDOR 8898
1995 BMG-Ricordi stereo cassette RIK 76493
CD CDMRL 6493
2002 CD 74321974572
2009 Sony BMG CD 88697454692
Sony Music red-coloured vinyl LP 88697599751
2010 double 45 rpm vinyl record 88697668851

Notes

  1. ↑ All arrangements and orchestral conducting by Gian Piero Reverberi (uncredited)
  2. ↑ Uncredited on the album.
  3. ↑ Uncredited on the album.
  4. ↑ Original lyrics: "[...]di chi penso non fu altri che un uomo/come Dio passato alla storia[...]"
  5. ↑ Original lyrics: "[...] e con la Vergine in prima fila/e Bocca di rosa poco lontano,/si porta a spasso per il paese/l'amore sacro e l'amor profano"
  6. ↑ Original lyrics: [...] ma più che del corpo le ferite/da Carlo son sentite le bramosie d'amor [...]
  7. ↑ Original lyrics: "[...]al sol della calda primavera[...]"

References

  1. ↑ Allmusic review
  2. ↑ "Festival Loser Kills Himself". The New York Times. January 28, 1967. Retrieved 22 April 2009.
  3. ↑ (Italian) "È morta Morena, ispirò «Via del Campo» di De André" at Repubblica.it, January 4, 2001.
  4. ↑ (Italian) Interview with Fabrizio De André at Rai.it
  5. ↑ (Italian) "Addio Bocca di Rosa, ma eri davvero tu?, June 15, 2010.
  6. ↑ (Italian) "Addio Bocca di rosa, musa di De André", June 15, 2010.
  7. ↑ (Italian) Andrea Monda. De André nel ricordo di Paolo Villaggio
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