Zhu Dake

Zhu Dake
Born 1957
Shanghai, China
Occupation Scholar, culture critic and essayist
Nationality Chinese
Education PhD
Alma mater East China Normal University
University of Technology, Sydney
This is a Chinese name; the family name is Zhu.

Zhu Dake (Chinese: 朱大可; pinyin: Zhū Dàkě; born in 1957) is a Chinese scholar, cultural critic and essayist. He was born in Shanghai and his family was originally from Wuping, Fujian Province. He was educated in the department of Chinese language of East China Normal University and then was awarded a PhD in University of Technology, Sydney in Australia. He has also been a visiting scholar at the University of Sydney.[1]

Rising to prominence in the mid-1980s, he was an important spokesman of the avant-garde culture. As a professor at Tongji University, working in its graduate school of cultural criticism, he is now engaged in the study and criticism of Chinese culture. He is considered adept in expressing his rational knowledge and determination toward the maintenance and development of the current culture with his advanced and sharp thoughts as well as his unique style of language.[2] He was listed in "50 Top Chinese Influencing the World’s Future" by the weekly magazine Phoenix Life.[3]

Life

Zhu Dake was born to an intellectual family in Shanghai. He lived in the Taiyuan Housing Estate which had been the centre of the French Concession till 1977, spending his lonely childhood and early youth reading books and playing the piano, an instrument he began at age seven.[4] By the time he was sixteen years old, he had read and studied War and Peace, Dream of the Red Chamber, some works of Karl Marx and so on.[5]

He worked as a locksmith for three years after leaving middle school and technical school. In 1979, though his dream was to study at the Shanghai Conservatory of Music, he was admitted to East China Normal University. He spent most of his time reading in the public library outside the school.[6] Graduating in 1983, he was assigned to teach College Chinese at the Shanghai University of Finance and Economics. In 1985, he attracted interest for the first time in the field literary theory with The Worried Generation and Their City Dream (焦灼的一代和城市梦). In 1986, he wrote an article entitled "The Drawback of Xie Jin's Model"[7] (谢晋电影模式的缺陷) which was published in Wen Wei Po (文汇报）and which created quite a stir at home and abroad because he criticized the ways of filmmaking at that time. In the early 1990s, besides writing, he also broadcast music programs, organized painting exhibitions and worked on behavior art.[8]

Starting in 1994, Zhu spent 8 years in Australia,. During his stay in Australia, he established a Chinese website called Australia News (澳大利亚新闻网), which was renamed Pioneer of Culture (文化先锋). In 2002, upon his arrival, Zhu announced that he and literature had divorced, he thought that he could't get rid of the solitariness and desperation by literature. After that, Zhu turned into a scholar, a critic. He intervened in the field of cultural criticism, using a completely new style of writing. With the publication of a series of essays, including: Escapee’s Dossiers, The Festival of Liumang, Review of the 21st Century Chinese Culture, Zhu caused a storm in the intellectuals.[9] In September 2006, along with Li Ao, Yu Qiuyu, Wang Xiaohui (王小慧) and Cheng Bao (程抱一), Zhu, as a representative of Chinese culture, was elected in the list of Top 50 Chinese who will affect the future of world. (As selected by the magazine Phoenix Life).[10]

Works

The Burning Papañca

The Burning Papañca is Zhu Dake's first book.[11] In 1991,when published, it attracted attention both among scholars and the public. Xie Mian (谢冕)[12] claimed that it is a book full of wisdom, and it showed Zhu’s talent as a critic. In this book, Zhu explained some professional problems involving contemporary poetry, cultural history, religion and myth, movie category. Articles included: An Anxious Generation and Urban Dreams, Inflamed papanca, Sublimation and Vulgarization of Literature, A Dialogue Between Scientism and Religionism, The Process of Cinema, etc.[13] Zhu’s unique and radical analysis of cultural phenomena and the suffering in contemporary life aroused broad controversy in the cultural circles. Moreover, owing to this book, the Chinese Writers Association in Australia awarded him a prize as Outstanding Chinese Writer.[14] His statements were released abroad as a miniature of the ideologies of contemporary Chinese young people. As a representative of the young generation in the end of last century, Zhu thought extensively and deeply about the possibility of the existence of culture, inspiring the young readers’ thoughts on some fundamental issues concerning culture and education.[15]

Escapee’s Dossiers

(逃亡者档案).[16] The author is Zhu Dake, this book was published in 1999, (學林出版社), In the field of culture Criticism, Zhu Dake has his own style, that is always creating something new and original. In this book, there are 5 parts.[17] He tried to expose the cultural maze by sharp language. He try his best to find real history by his wisdom, when he faced all kinds of cultural phenomena. He confidently came to the front, pointing the mistakes and correcting it. He claimed that there was something behind the truth. He declared:”I want to try”. This book makes us reflect and let us think about the problems of that ear.

The Festival of Liumang

Liumang (流氓) is a word meaning the rovers who have an anxious state of mind and who take a position of social rebellion.[18] In this book, Zhu Dake divides Chinese society into the orthodox society and the Liumang’s society where order, faith, authority and ethics don't exist.[19] Examining three aspects, cool words (酷语), sexy words (色语) and abusive words (秽语),[20] Zhu Dake researches, analyzes and elucidates thoroughly the existence of Liumang in all kinds of cultural forms, such as novels, poetry, art, music, etc. Zhu Dake reveals the features of Liumang in a vivid way because in this book, there are a great many of illustrations, including portraits, photos, posters, and paintings. Wei Yingjie (魏英杰), a famous Chinese writer and commentator, said that this book is a sort of history of modern Chinese culture.[21] Before the publication of this book in November 2006, some passages had been published in many newspapers, for example, Dongfang Daily (zh:东方早报).[22]

Review of the 21st Century Chinese Culture (multi-volume)

Review of the 21st Century Chinese Culture, issued under Zhu Dake and Zhang Hong’s (张闳, culture critic and essayist) general editorship and published by Guangxi Normal University Press from 2003 to 2008, is an annual presentation of the cultural achievement of Mainland China.[23] There are 7 volumes up to now. It includes the essence of documents on cultural criticism of the year, popular key words and their explanations, lists of cultural events of the year and so on.[24] To highlight the spirit of humanist culture, the book was edited from with a unique stand and the spirit of criticism as the coordinate system of "culture map": "cultural events" as its meridians to show the important events of different cultural domains, "key words" as its parallels to penetratingly explain the key words in the public cultural space, plus "critical literary selections" to note the annual high mental standard of culture criticism.[25]

In terms of the graphic design, the book is always simple and plain, while every article in it is extremely exclusive and trenchant.[26]

The majority of the theses of cultural criticism that the editors selected, are fruits of folk language. They demonstrate the general popular state of narration through text and maintained the original creation of the language and different critics’ unique styles.[27]

The two editors took a more popular stand and more inclined to free individuals. They strove to break through the style of traditional yearbooks to present a more open state with more perspectives and tightly trace the flowing deformation and the future trend of Chinese culture. It is a significant "memorandum book" to learn local practices and customs.[28]

References

  1. ↑ Intro of Zhu Dake (朱大可简介), written by Wei Wei (魏巍), 26 July 2009.
  2. ↑ A Feast for Eyes and Ears (眼与耳的盛宴), written by Zhu Dake (朱大可), Fujian People's Publishing House (福建人民出版社), page 1, May 2012
  3. ↑ Phoenix Life, September 2006 (凤凰生活, 2006年9月刊)
  4. ↑ Zhu Dake is watching the world in the marginalised village (朱大可，在边缘人的村庄，旁观世界) Archived May 1, 2011, at the Wayback Machine., Xiaoxiang Morning News, written by Xu Changyun (徐长云), 11 May 2010
  5. ↑ Zhu Dake: Silence is my last line (朱大可：沉默是我的最后底线), QQ.com, written by Liu Liu (刘溜), 4 May 2009, para 5 and para 6
  6. ↑ Zhu Dake: My marriage with Literature is already a gone case (朱大可：我跟文学的离婚以无可挽回), People's Daily, written by Gu Yun (孤云), 1 September 2003, para 9 and para 10
  7. ↑ Contemporary film theory in China Archived March 18, 2012, at the Wayback Machine.. Screening The Past. 25 March 1998.
  8. ↑ Zhu Dake: Silence is my last line (朱大可：沉默是我的最后底线), QQ.com, written by Liu Liu (刘溜), 4 May 2009, para 15
  9. ↑ Zhu Dake: Silence is my last line (朱大可:沉默是我最后的底线), Douban.com. 18 June 2009
  10. ↑ Tongji University Newspapers (同济报), News.Tongji.edu.cn 20 September 2006
  11. ↑ Zhu Dake's book chronology (朱大可著作年表), Douban.com 4 Novembre 2009
  12. ↑ Columnist: Xie Mian (谢冕), Chinawriter.com
  13. ↑ Catalogue of The Burning Papañca, Douban.com. 19 October 2008
  14. ↑ School of Liberal Arts Tongji University, department of cultural industry: Zhu Dake (朱大可), Sal. tongji.edu.cn, line 13
  15. ↑ The Burning Papañca (燃烧的迷津), written by Zhu Dake (朱大可), Xuelin Press (学林出版社), Novembre,1991
  16. ↑ “Zhu Dake, The file of fugitives(逃亡者档案) Hudong(互动百科)
  17. ↑ “The file of fugitives, (逃亡者档案), written by Zhu Dake(朱大可)April 1999
  18. ↑ The Festival of Liumang (流氓的盛宴), written by Zhu Dake (朱大可), New Star Press, November 2006, page 14, line 5
  19. ↑ The Festival of Liumang: Stories of Liumang (流氓的盛宴：当代中国的流氓叙事). China.com.cn. 12 December 2006. Para 2.
  20. ↑ The Festival of Liumang (流氓的盛宴), written by Zhu Dake (朱大可), New Star Press, November 2006, page 92
  21. ↑ The Revolution of Liumang’s Language (话语的革命). Southen.com. 13 February 2007. para 1.
  22. ↑ The Festival of Liumang (流氓的盛宴), written by Zhu Dake (朱大可), New Star Press, November 2006, page 415, line 2
  23. ↑ Review of the 21st Century Chinese Culture, volume 2008 (21世纪中国文化地图, 2008年卷), edited by Zhu Dake (朱大可) and Zhang Hong (张闳), Tongji University Press, October 2001, cover page
  24. ↑ About Review of the 21st Century Chinese Culture, wolume 2005 (21世纪中国文化地图, 2005年卷简介), written by Wu Jingyu (無竟寓), 21 December 2006, para 3, line 1
  25. ↑ About Review of the 21st Century Chinese Culture, volume 2005 (21世纪中国文化地图, 2005年卷简介), 11 October 2006, para 1, line 4
  26. ↑ To Find the Lost Passion in Criticism (在批评中寻找遗失的激情), written by Xi He (西河), from Wenhui Book Review (文汇读书报), August 2006, para 1, line 1
  27. ↑ To Left or to Right (向左走向右走), written by Wang Jing (王静), 19 December 2003, para 5, line 1
  28. ↑ Zhu Dake Raised the "National Customs" of New Century (朱大可掀起新世纪"国风"), written by Wang Yan (王焱), 14 January 2004, para 2, line 3
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