Buddhadeb Bosu

Buddhadeb Bosu

Buddhadev Bose at his residence on 27 March 1968.
Born 1908
Comilla, Bengal (today Bangladesh)
Died 1974
Lucknow, India
Occupation Writer, poet, playwright, essayist[1]
Nationality Indian
Children
  • Damayanti Basu Singh, Meenakshi Datta, late Suddhashil Bose

Buddhadeva Bose (also spelt Buddhadeb Bosu) (Bengali: বুদ্ধদেব বসু) (1908–1974)[2] was a major Indian Bengali writer of the 20th century. Frequently referred to as a poet, he was a versatile writer who wrote novels, short stories, plays and essays in addition to poetry.[3] He was an influential critic and editor of his time. He is recognized as one of the five poets who moved to introduce modernity into Bengali poetry. It has been said that since Tagore, perhaps, there has been no greater talent in Bengali literature.[4]

Biography

Buddhadeva Bose (BB) was born in Comilla, Bengal (now Bangladesh), on 30 November 1908. His ancestral home was in the village (which is now Taite pakhi's residence) of Malkhanagar in the Bikrampur region (in Munshiganj District, Bangladesh). His father's name was Bhudeb Chandra Bose and mother's name was Benoy Kumari. His mother died just few hours after his birth and his father for a year became a bereaved wanderer. He remarried few years later and settled down. So, Buddhadeva was brought up and raised by his maternal grandparents Chintaharan Sinha and Swarnalata Sinha. Literally they remained his soul parents. He was schooled at the Dhaka Collegiate School in Dhaka, in addition to high schools in Comilla and Noakhali. He passed the Matriculation examination in 1925. He secured the second place in the Intermediate examination. His early life was associated with Dhaka where he lived in a simple house at 47 Purana Paltan.

BB went to the University of Dhaka for studying English language and literature. He was a resident of the Jagannath Hall. After completing his MA in English from the University of Dhaka with distinction marks that remains unsurpassed as yet (2007), he moved to Calcutta in 1931. Initially he had no regular job and resorted to 'private tuition' for livelihood.

While a student he became associated with the famous poetry magazine Kallol. The modernist literary movement of 1930s is often referred to as the Kallol era. He was also worked as an editor of the literary magazine Progoti (started 1926).

He married Pratibha Basu (1914/1915 - 4 October 2006) (née Shome) in 1934. They had three children, Meenakshi Dutta (b. 1936), Damayanti Basu Singh (b. 1940) and Suddhashil Bose (1945–1987). Pratibha Bosu was an accomplished singer in her teens but later concentrated on literature and became a distinguished writer in her own right.

Buddhadeva Bose taught at the Ripon College (now Surendranath College) an affiliated college of the University of Calcutta. In 1956 he set up the Department of Comparative literature in Jadavpur University,[5] and was on its faculty for a number of years. He was also a visiting professor at many universities in the United States.

One of his most important contributions to the Bengali literary scene was the establishment of the Kavita (tr. Poetry) - the flagship poetry magazine in Bengali, which he edited and published for 25 years.

BB has been described as a disciplined, almost obsessed, worker by Nabaneeta Dev Sen.[6] After meeting Buddhadeva Bose, Clinton B. Seely remarked that Buddhadeva was a very intense person. He spoke quickly, with emotion. He laughed wonderfully. He was interested in everything... He was what I would come to refer to as "jyanto," "alive," "vibrant," "energetic." Conversations were often at fever pitch. He was bubbling over with things to say.[7]

BB who grew up almost as an orphan showed deep since of love and care for his children. In a letter to his daughter Damayanti Basu Singh who just flew to the USA for studies he wrote: "Rumi, since this morning, I am really worried. Have you kept your money and traveler’s cheques in a safe and handy place? I should’ve checked everything at the airport, but just didn’t remember to do so. Exchange the pounds I gave you in England. For your small expenditures spend the loose change that you have in dollars. With the money I gave you and the first installment of your scholarship, open an account in Bloomington. Don’t deposit the traveler's cheques in the account. You’ll need those for your trips across the country. And make sure you don’t lose the slip with the cheque numbers written on it. ...Baba."[8] Damayanti wrote that '... And I remember that Dad used to write late into the night. He used to place books beside the table lamp to block the light so that it wouldn’t disturb our sleep.'[9]

Literary life

His first book of poetry, namely, "Bandir Bandona" was published when he was only seventeen years old. Although he worked as a teacher at different colleges and universities, he devoted his whole life to literature. This is symbolized by the name of his residence in Calcutta which was Kavita Bhavan (tr. 'The House of Poetry').[10] His first novel, "SaDa", was published when he was 18, in 1930. He wrote more than 40 novels, but his epic novel "Tithidore", published in 1949, became his most admired novel which is now considered a classic. He published more than 160 titles during his lifetime. So far 200 books have been published.[11] However, many pieces remain to be anthologized as yet. He was a hard worker and writing was his life. He began his day at 9 in the morning and would regularly work until 10 at night. Work, for him, meant writing.[12]

Literary style

Buddhadeva Bose wrote poetry essentially under the influence of Western literature, although in his early works he showed the clear influence of Rabindranath Tagore. But both in terms of theme and style, he reflected the marked influence of renowned Western poets, especially Baudelaire. He was also influenced by Ezra Pound, William Butler Yeats, Rilke and T. S. Eliot. Allegedly, he believed in ‘arts for arts sake’. He was a perfectionist as a writer and emphasized technical perfection in his works. Although he mostly wrote in free verse, his command of rhyme and rhythm was great. As an editor of his historical magazine Kavita (Poetry), the first magazine in India devoted only to the cause of modern Bengali Poetry, he demonstrated his ability to identify the best talents of 20th century Bengal. His prose style was also established on a diction developed by himself. His novels remain modern even by the standards of the 21st century. He established a style of appreciative literary criticism that remains unparalleled. Also, his verse plays, written at the end phase of his life, created a poetic style all his own.

Accusation of obscenity

While the literary circles of Bengal did not hesitate to recognize him as a leading post-Tagore literary personality, Buddhadeva Bose achieved mass popularity when his novel Raat bha're brishhti was banned by the government on charges of obscenity. It depicted a love triangle which explicitly allowed sex to play a critical role in human relationships. Eventually, the High Court absolved the novel of the charges of obscenity. Raat bha're brishhti has been translated by Clinton B. Seely[13] with the title Rain through the Night.[14]

Literary organizations

In his school days BB took various literary initiatives. He was the editor, principal contributor and scriptor of the Pataka, a hand-written literary magazine published by the school students.[15] Since then he was continuously engaged and involved in many literary organizations including publications of literary journals and books. While studying at the Dhaka University he was elected as the literary secretary of the students' association of his hall of residence, namely the Jagannath Hall. In this capacity he edited the Bashontika, the annual literary magazine of the Jagannath Hall. BB published one of his memorable poems, namely, 'Kankaboti' in the Bashontika.

BB actively participated in the Progressive Writers' Association in the late 1930s. He also joined the Anti-Fascist Writers and Artists' Association in the early 40s.[16]

Pragati

The Pragoti was first published as an occasional hand-written literary journal. The print-version was launched as a literary monthly in 1929 when BB received a monthly scholarship of 20 rupees for distinctive result in the pre-university examination. The first issue was the June–July issue of 1927. Cost of publishing a literary magazine was estimated to be 100 rupees per month. So, BB organized a group of ten like-minded fellows who agreed to pay ten rupees a month for publishing the Pragoti. The Pragoti was published from Dhaka. At that time BB was residing at 47 Purana Paltan which became the office of the Pragoti. BB distinguished himself by his commitment to modernity as reflected in the post-first-World War western literature. At the same time he firmly asked his colleagues to refrain from following Rabindranath Tagore and to cultivate their own creativity. He published a number of poems of poet Jibanananda Das in the Pragoti. Also, he published a highly appreciative article on this promising poet to draw attention of the literary circle. The Pragoti was continued for about two years. The last issue was published in 1929.

Kavita

Four years after migrating from Dhaka to Calcutta in 1931, BB again embarked upon publishing a literary magazine. He was then living in 'Golam Mohammad Mansion' in Calcutta city. The first issue of the Kavita was published from there in the month of October 1935. For the first two years, Kavita was co-edited by BB and Premendra Mitra while poet Samar Sen worked as an assistant editor. Kavita was a poetry magazine styled after the Poetry published by Harriet Monroe from Chicago. While discussing Bengali poetry, Edward Thomson referred to the first issue of Kavita in the Times Literary Supplement of 1 February 1936. Kavita continued for twenty-five long years. Its last issue was brought out in March, 1961.[17]

Kavita Bhavan

Literally Kavita Bhavan (tr. 'The House of Poetry') is the name of the house at 202 Rasbihari Avenue where BB lived for a long time since 1937 (till 1966). 'Kavita Bhavan' which soon became a coveted hang-out for literary personalities including poets, novelists, magazine editors, publishers, intellectuals and professors, eventually emerged as a publishing house. After settling in Calcutta in 1931 BB realized that hardly there was any publishing house that was eager to publish a book of poetry. He himself published two poetry books, one of his own and the other of Achintyakumar Sengupta. Then he introduced a publishing house styled Granthakar Mandoli. However, books published later on by BB carried the name Kavita Bhavan as the publishing house.[17] Books published from Kavita Bhavn included BB's Kankaboti, Padatik of Subhas Mukhopadhyay, Koyekti Kobita of Samar Sen and Avijnan Basanta by poet Amiya Chakravarty. While Kavita Bhavan published many other books, most remarkable was the slim poetry books of the Ek poishay Ekti series. These were a 16-page poetry book, the price being 1 rupee (16 poisha). The series continued for three years from 1942 to 1944 and published as many as 18 poetry books. The first version of Banalata Sen by Jibanananda Das belonged to this series, sponsored by BB.

Translation of Baudelaire

In 1961, BB published a carefully selected poems of French poet Charles Baudelaire translated by him into Bengali. It was titled Charles Baudelaire O Taar Kobita. In the introduction to the translations, BB made a notable analysis of modernism in Western literature.

Bengali gastronomy

It may sound bizarre that a scholar like BB could write a book on Bengali gastronomy. In fact it was a long essay that BB wrote in the Ananda Bazar Patrika, serialised in 1971 (1–4 January) under the title Bhojon Rashik Bangali. It is his daughter Damayanti Basu Singh who in 2005 published the essay in the form a small book and herself provided recipes of the dishes referred to by BB.[18] Damayanti said, 'My father, Buddhadeva Bose, was a small man and a frugal eater. He was never greedy for food, but used to be upset if there wasn’t a generous spread on the dining table.' Quoting Goethe, BB would say, 'my eyes are larger than my appetite'. So there was always both variety and excess of food even for the daily meals.[19] The essay was translated by BB himself into English and was published in Hindustan Standard, published from Calcutta.[18]

Playwright

In his early days in the school in Noakhali, BB with his fellow mates had formed a 'drama group'. No wonder that he took special interest in writing plays. He wrote more than five plays. However, recognition as a playwright came late, after the death of the playwright in 1974. It is Salil Bhandopadhyaya of Theatron Theatre Group, Calcutta, who produced some of BB's plays like Tapaswi-O-Tarangini, Kolkatara Electra and Anamni Angana and drew attention of people to BB as a playwright. The Hindi translation of BB's Protham Partho, produced by Circle Theatre Company, has been described to be one of the best presentations on the Delhi theatre.[20]

Recognition

Apart from formal recognition mentioned below, BB remains one of the most important literary personalities of the 20th century Bengali literature. Buddhdaeb became the central figure in a cluster of poets who came to embody Bengali modernism in early 20th century.[3] In emphasizing BB's importance, Ashok Mitra commented, 'These days we buy tickets to hear a poet. There was a time 60–70 years ago when a poet was considered to be unemployed and mad. If Buddhadeva Bose had not come up with a poetry magazine, things would not have been the same. There would have been no Jibanananda Das but for Buddhadeva Bose.'[21]

Buddhadeva Bose received the Sahitya Akademi Award in 1967 for his verse play Tapaswi-O-Tarangini, received the Rabindra Puraskar in 1974 for Swagato Biday(poetry) and was honoured with a Padma Bhushan in 1970.[22]

Works

So far about 200 titles have been published, including 'collected works' in several volumes. Some of them are mentioned below.

Poetry
  • Mormorani [1924]
  • Bondir Bondona [1930]
  • Prithibir Pothe [1933]
  • Konkaboti [1937]
  • Notun Pata [1940]
  • Domoyonti [1943]
  • Droupodir Sari [1948]
  • Sreshto Kobita [1953]
  • Sheter Prarthona: Bosonter Uttor [1955]
  • Je Adhar Alor Odhik [1958]
  • Morche Pora Pereker Gan [1966]
  • Bloomington, Indiana [?]
Novels
  • Shara [1930]
  • Akormonnya [1931]
  • Mono Deya Neya [1932]
  • Jobonika Poton [1932]
  • Rhododrendron Guchho [1932]
  • Sanonda [1933]
  • Amar Bondhu [1933]
  • Jedin Futlo Komal [1933]
  • He Bijoyi Bir [1933]
  • Dhusor Godhuli [1933]
  • Lalmegh [1934]
  • Bashor Ghar [1935]
  • Kalo Haoa [1942]
  • Tithi Dore [1949]
  • Nirjon Swakhor [1951]
  • Moner Moto Meye [1951]
  • Moulinath [1952]
  • Sonpangshu [1959]
  • Shesh Pandulipi [1956]
  • Ratvor Brishti [1967]
  • Golap Keno Kalo [1967]

Short story collections

Ovinoy, Ovinoy Noy, Rekhachitro, Era Ar Ora, Abong Aro Oneke, Odrisho Satru, Misses Gupta, Premer Bichitra Goti, Ghorete Bhromro Elo, Notun Nesha, Feriwala O Onnano Golpo, Khatar Shhesh Pata, Ekti Sokal O Ekti Shyandhya, Golpo Songkolon, Shreshtho Golpo, Hridoyer Joyogan, Vashao Amar Vela.

Plays

Mayamalancha, Taposhi O Torongini, Kalshandhya(from Mahabharat), Punormilon, Kolkatar Electra

Essay

Hothat Alor Jhalkani, Uttor Tirish, Kaler Putul, Sahityacharcha, Rabindranath: Kotha Sahitya, Sanga Nishangata Rabindranath, Prabandha Sonkolon, Mohavarater Kotha, An acre of green grass — a review of modern Bengali literature, Tagore — portrait of a poet.

Works of translation

Kalidasa's Meghdut, Charles Baudelaire O Tar Kobita. Bose also translated works by Friedrich Hölderlin, and Rilke into Bengali.

Works in translation

See also

References

  1. ↑ Sisir Kumar Das (1991). A History of Indian Literature: 1800-1910, Western impact : Indian response. Sahitya Akademi. pp. 751–. ISBN 978-81-7201-006-5. Retrieved 8 January 2013.
  2. ↑ Vasudha Dalmia; Rashmi Sadana (5 April 2012). The Cambridge Companion to Modern Indian Culture. Cambridge University Press. pp. 118–. ISBN 978-0-521-51625-9. Retrieved 8 January 2013.
  3. 1 2 OUP: UK General Catalogue
  4. ↑ Ashoke Mitra, Calcutta Diary, 1977, India.
  5. ↑ ::Home:: ComplitJU Archived 24 December 2007 at the Wayback Machine.
  6. ↑ http://www.labourfile.org/ArticleMore.aspx?ID=873
  7. ↑ "KAURAB Online :: Clinton Seely and Bengali Poetry". Kaurab.com. Retrieved 2012-07-11.
  8. ↑ Letter from a father to a daughter
  9. ↑ Letters from a father to a daughter, Buddhdeva Bose, 2006, Calcutta.
  10. ↑
  11. ↑ Discovering a genius
  12. ↑ KAURAB Online :: Clinton Seely and Bengali Poetry
  13. ↑
  14. ↑ Rain through the Night, New Delhi: Hind Pocket Books, 1973.
  15. ↑ Buddhadeva Bose, Amaar Chelebela, M.C. Sarkar, Calcutta, 1st Ed. 1973.
  16. ↑ Archived 24 December 2007 at the Wayback Machine.
  17. 1 2 Amaader Kobitabhavan, Buddhadeva Bose, 1973.
  18. 1 2 Bengali Gastronomy - by Buddhadeva Bose (Parabaas - Buddhadeva Bose Section)
  19. ↑ Tuppence Worth
  20. ↑ Discovering a genius by Romesh Chander
  21. ↑ Buddhadeva Bose - another subcontinent forums
  22. ↑ "Padma Awards" (PDF). Ministry of Home Affairs, Government of India. 2015. Archived from the original (PDF) on 15 November 2014. Retrieved July 21, 2015.

Further reading

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