Candace Wheeler

Candace Wheeler (1827–1923), often credited as the "mother" of interior design, was one of America's first woman interior and textile designers. She is famous for helping to open the field of interior design to women, supporting craftswomen, and for encouraging a new style of American design. She founded both the Society of Decorative Art in New York City (1877) and the New York Exchange for Women's Work (1878). She was associated with the Colonial Revival, Aesthetic Movement, and the Arts and Crafts Movement throughout her long career, Wheeler was considered a national authority on home decoration. Wheeler is also noted for designing the interior of the Women's Building at the 1893 World's Columbian Exposition in Chicago, IL.

Early life

Principles of home decoration, with practical examples, Candace Wheeler, 1903

Candace Wheeler was born Candace Thurber on March 24, 1827 in Delhi, New York west of the Catskill Mountains. Her parents were Abner and Lucy Thurber. Candace was the third born of eight siblings: Lydia Ann Thurber(1824-?), Charles Stewart Thurber (1826–1888), Horace Thurber (1828–1899), Lucy Thurber (1834–1893), Millicent Thurber (1837–1838), Abner Dunham Thurber (1839–1899), and Francis Beattie Thurber (1842–1907).[1]

Wheeler led a happy a childhood, though she expressed annoyance at how their father raised them "a hundred years behind the time" (6, Peck and Irish).[1] Her father was strictly Presbyterian but also a strict abolitionist. He ensured that the family never used any product made by slaves. So concerned was this endeavor of Abner, that the family used homemade maple sugar instead of cane sugar and linen woven from flax they grew on their farm instead of southern cotton.[1] Looking back, Candace was convinced their farm had been a stop on the underground railroad.[1]

Candace attended an "infant school" where at age six she stitched her first sampler.[1] Around age 11 or 12, Candace began attending Delaware Academy in Delhi.[1]

On a trip to New York City in 1843, Candace met Thomas Mason Wheeler (1818-1895). Within a year, they married.[1] Eventually, the couple had four children.[2]

Society of Decorative Art in New York and the New York Exchange for Women's Work

In 1876, Wheeler visited the Philadelphia Centennial Exposition.[3] She was deeply impressed by the Royal School of Art Needlework's display.[3] But it was not the artistry of the needlework that inspired Wheeler. She was interested in needlework as a woman-run business that benefited women.[1]

While still in Philadelphia, Wheeler conceived of an American version of the Royal School that would include "all articles of feminine manufacture."[1] In her opinion, this model could help "educated" but impoverished women.[1] Years later, in a letter to her niece, Wheeler described herself as "jumping at the possibility of work for the army of helpless women of N.Y. who were ashamed to beg & untrained to work."[1]

Wheeler founded the Society of Decorative Arts in New York in 1877. Other founding members included Louis Comfort Tiffany, John LaFarge, and Elizabeth Custer.[4] The Society was meant to help women support themselves through handicrafts such as needlework, sewing, and other decorative arts. The Society had a special focus on the thousands of women who were left indigent at the end of the Civil War.[5] Wheeler called on prominent New York society matrons to support a shop in which the high-quality, custom-made goods could be sold to produce income.[5] The Society had five hundred subscribers within three years.[4]

Leading artists were hired to teach of judge exhibits at the Society of Decorative Arts in New York.[3] Wheeler helped to start related societies in Chicago, St. Louis, Hartford, Detroit, Troy, New York and Charleston, South Carolina.[6]

In 1878, Wheeler helped launch the New York Exchange for Women's Work, where women could sell any product that they could manufacture at home, including baked goods and household linens.[6] This new enterprise served a broader range of women as no artistic skills were required. The Exchange opened in March 1878 with a consignment sale of thirty items at the home of Exchange co-founder Mary Choate.[4] In April, the exchange moved to a rented facility and by May it as successful enough to employ to part-time sales women.[4] In its first year, the Exchange paid out nearly $14,000 in commissions.[4] By 1891, there were at least seventy-two Exchanges across the United States.[4]

In 1879, Wheeler resigned from the Society of Decorative Arts.[3]

Tiffany & Wheeler

In 1879, Candace Wheeler and Louis Comfort Tiffany co-founded the interior-decorating firm of Tiffany & Wheeler.[6] The firm decorated a number of significant late-19th-century houses and public buildings, including the Veterans’ Room of the Seventh Regiment Armory, the Madison Square Theatre, the Union League Club, the George Kemp house, and the drawing room of the Cornelius Vanderbilt II house. The firm also designed the interior of Mark Twain’s house.[5]

Tiffany & Wheeler as also known as Tiffany & Co., Associated Artists.[1] The partners were Louis Comfort Tiffany, Candace Wheeler, William Pringle Mitchell, and Lockwood de Forest.

Associated Artists

Associated Artists embroidered card table cover, 44" x 44", silk thread embroidery on cloth, circa 1900

In 1883, Wheeler formed her own textile firm under the name Associated Artists.[3][6] The firm produced a wide range of textile goods including tapestries and curtains.[7] Associated Artists was particularly well-known for its "changeable" silks. oven out of two threads, these fabrics changed color depending on the light.[1]

Wealthy customers could create custom fabrics. Andrew Carnegie commissioned a Scotch thistle damask for his own use.[7] Lillie Langtry ordered a floral silver-grey brocade portiere for her bedroom.[1]

At the same time, Wheeler took care to make sure that her products were available to a wide audience by creating machine-ready patterns.[7] Between 1884 and 1894, Cheney Brothers turned out more than 500 fabrics for Associated Artists that were sold throughout the United States at all levels of the market.[8]

Associated Artists's signature tapestry style was a combination of loom and tapestry weaving that Wheeler had invented.[7] The technique made the stitches practical invisible and created a visually smoother tapestry.[1]

Onteora

In coordination with her husband and brother, Wheeler founded an artist colony in the Catskill Mountains called Onteora in 1887.[2][6] The colony eventually owned two thousand acres of land.[2]

Chicago World's Columbian Exposition

In 1893, at the age of 66, Wheeler was asked to serve as the interior decorator of the Woman's Building at the Chicago World's Fair, and to organize the State of New York's applied arts exhibition there.[6] The Woman's Building was overseen by Bertha Palmer and designed by architect Sophia Hayden. Artists featured in the Woman's Building included Alice Rideout, Mary Cassatt, and Wheeler's daughter Dora Wheeler Keith. The building was filled with exhibitions of women's fine arts, crafts, industrial products and regional and ethnic specialties from around the world.[9]

Panels lined the grand rotunda of the Woman's Building listing ''golden names of women who in past and present centuries have done honor to the human race,'' a roll-call echoed in the names on the floor of Judy Chicago's 1979 ''The Dinner Party.''[9]

Later life

Wheeler spent much of her later life writing books and articles on decorating and the textile arts, as well as fiction.[5] After she published her last book in 1921, Wheeler died in 1923 at the age of 96.[5]

Publications

References

  1. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 Peck, Amelia; Irish, Carol (2001-01-01). Candace Wheeler: The Art and Enterprise of American Design, 1875-1900. Metropolitan Museum of Art. ISBN 9781588390028.
  2. 1 2 3 Blanchard, Mary Warner (1998-01-01). Oscar Wilde's America: Counterculture in the Gilded Age. Yale University Press. ISBN 0300074603.
  3. 1 2 3 4 5 Banham, Joanna (1997-05-01). Encyclopedia of Interior Design. Routledge. ISBN 9781136787584.
  4. 1 2 3 4 5 6 Sander, Kathleen Waters (1998-01-01). The Business of Charity: The Woman's Exchange Movement, 1832-1900. University of Illinois Press. ISBN 9780252067037.
  5. 1 2 3 4 5 "Candace Wheeler, 1827-1923: Entrepreneur, Artist, and Founder of American Interior Design". AAUW: Empowering Women Since 1881. Retrieved 2016-11-21.
  6. 1 2 3 4 5 6 "Open Collections Program: Women Working, Candace Wheeler (1827–1923)". ocp.hul.harvard.edu. Retrieved 2016-11-21.
  7. 1 2 3 4 Zipf, Catherine W. (2007-01-01). Professional Pursuits: Women and the American Arts and Crafts Movement. Univ. of Tennessee Press. ISBN 9781572336018.
  8. ↑ "Candace Wheeler: Pioneer American Designer". UPI. Retrieved 2016-11-21.
  9. 1 2 Women., Nancy F. Cott; Nancy F. Cott, Who Teaches Women's History At Yale University, Recently Co-edited With Elizabeth Pleck a Heritage Of Her Own: Toward A. New Social History Of American (1981-07-19). "AN EXPERIMENT OF WOMEN, 1893". The New York Times. ISSN 0362-4331. Retrieved 2016-11-21.

External links

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