Fifth-century Athens

Fifth-century Athens is the Greek city-state of Athens in the time from 480 BC-404 BC. This was a period of Athenian political hegemony, economic growth and cultural flourishing formerly known as the Golden Age of Athens with the later part The Age of Pericles. The period began in 478 BC after defeat of the Persian invasion, when an Athenian-led coalition of city-states, known as the Delian League, confronted the Persians to keep the liberated Asian Greek cities free. After peace was made with Persia in the mid 5th century BCE, what started as an alliance of independent city-states became an Athenian empire when Athens abandoned the pretense of parity among its allies and relocated the Delian League treasury from Delos to Athens, where it funded the building of the Athenian Acropolis and put half its population on the public payroll and maintained dominating naval power in the Greek world. With the empire's funds, military dominance and its political fortunes guided by statesman and orator Pericles, Athens produced some of the most influential and enduring cultural artifacts of the Western tradition. The playwrights Aeschylus, Sophocles and Euripides all lived and worked in 5th century BCE Athens, as did the historians Herodotus and Thucydides, the physician Hippocrates, and the philosopher Socrates. Athens' patron goddess was Athena, from whom they derived the name.

Overview

During the golden age, Athenian military and external affairs were mostly entrusted to the ten generals who were elected each year by the ten tribes of citizens, who could be relied on rather than the variable-quality magistrates chosen by lot under the democracy. These strategoi were given duties which included planning military expeditions, receiving envoys of other states and directing diplomatic affairs. During the time of the ascendancy of Ephialtes as leader of the democratic faction, Pericles was his deputy. When Ephialtes was assassinated for overthrowing the elitist Council of the Aeropagus, Pericles stepped in and was elected strategos in 445 BCE, a post he held continuously until his death in 429 BCE, always by election of the Athenian Assembly.

Pericles was a great speaker; this quality brought him great success in the Assembly, presenting his vision of politics. One of his most popular reforms was to allow thetes (Athenians without wealth) to occupy public office. Another success of his administration was the creation of the misthophoria (μισθοφορία, which literally means paid function), a special salary for the citizens that attended the courts as jurors. This way, these citizens were able to dedicate themselves to public service without facing financial hardship. With this system, Pericles succeeded in keeping the courts full of jurors (Ath. Pol. 27.3), and in giving the people experience in public life. As Athens' ruler, he made the city the first and most important polis of the Greek world, acquiring a resplendent culture and democratic institutions.

The sovereign people governed themselves, without intermediaries, deciding matters of state in the Assembly. Athenian citizens were free and only owed obedience to their laws and respect to their gods. They achieved equality of speech in the Assembly: the word of a poor person had the same worth as that of a rich person. The censorial classes did not disappear, but their power was more limited; they shared the fiscal and military offices but they did not have the power of distributing privileges.

The principle of equality granted to all citizens had dangers, since many citizens were incapable of exercising political rights due to their extreme poverty or ignorance. To avoid this, Athenian democracy applied itself to the task of helping the poorest in this manner:

Most importantly, and in order to emphasize the concept of equality and discourage corruption and patronage, practically all public offices that did not require a particular expertise were appointed by lot and not by election. Among those selected by lot to a political body, specific office was always rotated so that every single member served in all capacities in turn. This was meant to ensure that political functions were instituted in such a way as to run smoothly, regardless of each official's individual capacity.

These measures appear to have been carried out in great measure since the testimony has come to us from, (among others, the Greek historian Thucydides (c. 460 - 400 BCE), who comments: Everyone who is capable of serving the city meets no impediment, neither poverty, nor civic condition...

Institutions

The magistrates

The magistrates were people who occupied a public post and formed the administration of the Athenian state. They were submitted to rigorous public control. The magistrates were chosen by lot, using fava beans. Black and white beans were put in a box and depending on which color the person drew out they obtained the post or not. This was a way of eliminating the personal influence of rich people and possible intrigues and use of favors. There were only two categories of posts not chosen by lot, but by election in the Popular Assembly. These were strategos, or general, and magistrate of finance. It was generally supposed that significant qualities were needed to exercise each of those two offices. A magistrate's post did not last more than a year, including that of the strategoi and in this sense the continued selection of Pericles year after year was an exception. At the end of every year, a magistrate would have to give an account of his administration and use of public finances.

The most honored posts were the ancient archontes, or archons in English. In previous ages they had been the heads of the Athenian state, but in the Age of Pericles they lost their influence and power, although they still presided over tribunals.

Every year the citizens elected ten "strategoi" (singular "strategos"), or generals, who served as both military officers and diplomats. It was through this position that Pericles shaped 5th-century BCE Athens.

There were also more than forty public administration officers and more than sixty to police the streets, the markets, to check weights and measures and to carry out arrests and executions.

The Assembly of the People

The Assembly (in Greek, ἐκκλησία, that is to say, an assembly by summons), was the first organ of the democracy. In theory it brought together in assembly all the citizens of Athens, however the maximum number which came to congregate is estimated at 6,000 participants. The gathering place was a space on the hill called Pnyx, in front of the Acropolis. The sessions sometimes lasted from dawn to dusk. The ecclesia occurred forty times a year.

The Assembly decided on laws and decrees which were proposed. Decisions relied on ancient laws which had long been in force. Bills were voted on in two stages: first the Assembly itself decided and afterwards the Council or βουλή gave definitive approval.

The Council or Boule

The Council or Boule (βουλή) consisted of 500 members, fifty from each tribe, functioning as an extension of the Assembly. These were chosen by chance, using the system described earlier, from which they were familiarly known as "councillors of the bean"; officially they were known as prytaneis (πρύτανις, meaning "chief" or "teacher").

The council members examined and studied legal projects, supervised the magistrates and saw that daily administrative details were on the right path. They oversaw the city state's external affairs. They also met at Pnyx hill, in a place expressly prepared for the event. The fifty prytaneis in power were located on grandstands carved into the rock. They had stone platforms which they reached by means of a small staircase of three steps. On the first platform were the secretaries and scribes; the orator would climb up to the second.

Finances

Reproduction of an Athenian tetradrachma with the image of Pallas Athena —protector of the city— on the front and an owl —symbol of wisdom— on the back (c. 490 BC)

The economic resources of the Athenian State were not excessive. All the glory of Athens in the Age of Pericles, its constructions, public works, religious buildings, sculptures, etc. would not have been possible without the treasury of the Delian League. The treasury was originally held on the island of Delos but Pericles moved it to Athens under the pretext that Delos wasn't safe enough. This resulted in internal friction within the league and the rebellion of some city-states that were members. Athens retaliated quickly and some scholars believe this to be the period wherein it would be more appropriate to discuss an Athenian Empire instead of a league.

Other small incomes came from customs fees and fines. In times of war a special tax was levied on rich citizens. These citizens were also charged permanently with other taxes for the good of the city. This was called the system of liturgy. The taxes were used to maintain the triremes which gave Athens great naval power and to pay and maintain a chorus for big religious festivals. It is believed that rich Athenian men saw it as an honor to sponsor the triremes (probably because they became leaders of it for the period they supported it) or the festivals and they often engaged in competitive donating.

Athenians in the Age of Pericles

The Athenian elite lived modestly and without great luxuries, compared to the elites of other ancient states. There were very few great fortunes and land ownership was not concentrated: 71-73% of the citizen population owned 60-65% of the land, whereas the Gini coefficient for citizen population has been calculated as 0.708.[1] The economy was based on maritime commerce and manufacturing, according to Amemiya's estimates, 56% of Athens' GDP was derived from manufacturing.[2] Agriculture was also important, but it did not produce enough to feed the populace, so most food had to be imported (it is estimated that the carrying capacity of Attica's soil was between 84,000 and 150,000,[3] while the population was 300,000 to 350,000 in 431 BC).

The state oversaw all the major religious festivals. The most important one was the Panathenaia in honor of the goddess Athena, a ritual procession carried out once a year in May and once every four years in July, in which the town presented a new veil (peplos) to the old wooden statue of Athena Poliada. Phidias immortalized this procession in the frieze of the Parthenon, which is currently at the British Museum. In the July Panathenaia (Great Panathenaia), large competitions were organized which included gymnastics and horseback riding, the winners of which received amphoras full of sacred olive oil as a prize. The other important festival was the dramatic Dionysia in honour of Dionysus where tragedies and comedies were performed.

Education

The education of boys began in their own home up until the age of seven when they had to attend school. There, they had several teachers who taught them to read and write, as well as subjects such as mathematics and music. Boys also had to take part in physical education classes where they were prepared for future military service with activities such as wrestling, racing, jumping and gymnastics. At eighteen they served in the army and were instructed on how to bear arms. Physical education was very intense and many of the boys ended up becoming true athletes. In addition to these compulsory lessons, the students had the chance to discuss and learn from the great philosophers, grammarians and orators of the time. Some poor people had to stay at home and help their parents. However Aristophanes and Socrates, though they were poor, became famous and successful.

Women

The Athenian woman dedicated herself solely to the care of the home. Family homes contained a space, called the gynaeceum, especially for women, where they would spend the day with their servants and young children. Athenian society was a patriarchy in which men held all the rights and advantages, and had access to education and power.

However, some women, known as hetaeras, received a careful education so that they could have more complex conversations with men. The closest historical comparison for these women who were regarded higher than normal women, but lower than men, are the geisha of Japan. Among these was Aspasia of Miletus, who was the mistress of Pericles and is said to have debated with prominent writers and thinkers, including Socrates.

Arts and literature

View of the Acropolis

Historians consider the Athenian 5th and 6th centuries BCE as the Golden Age of sculpture and architecture. In this period the ornamental elements and the technique employed did not vary from the previous period. What characterizes this period is the quantity of works and the refinement and perfection of the works. Most were religious in nature, mainly sanctuaries and temples. Some examples from this period are:

Sculptors

Phidias is considered the greatest sculptor of this era. He created colossal gold-plated marble statues ("chryselephantine statues"), generally face and hands, which were highly celebrated and admired in his own time: Athena, situated in the interior of the Parthenon, whose splendor reached the faithful through the open doors, and Zeus in the Sanctuary of Olympia, considered in its age and in later ages to be one of the marvels of the world. The Athenians were assured that after they had contemplated this statue it was impossible to feel unlucky ever again.

According to Pliny the Elder's Natural History, in order to conserve the marble of these sculptures, oil receptacles were placed in the temples so that the ivory would not crack.

The other great sculptors of this century were Myron and Polycletus.

Ceramics

During this age, the production of ceramic pieces was abundant. Amphorae were produced in mass quantity due to the heavy trading with other cities all around the Mediterranean. Large evidence of amphorae from this era can be found around every major ancient port as well as in the Aegean sea. During this period is also seen an abundance of white background ceramics which are much more delicate than the previously popular yellow and black background ceramics. These ceramics were often used to keep perfume or for mortuary rites, including decorations on graves. It is also known that there were many great painters, but their works are lost, both frescos and free-standing paintings.

Theatre

The theatre reached its greatest height in the 5th century BCE. Pericles promoted and favored the theatre with a series of practical and economic measures. The wealthiest families were obligated to care for and to sustain the choruses and actors. By this means, Pericles maintained the tradition according to which theatrical performances served the moral and intellectual education of the people. Plays were made by men and usually for men, and this platform was often used to reinforce the patriarchy.[4]

Athens became the great city of Greek theatre. Theatrical performances lasted eight consecutive hours and were performed as part of a competition in which a jury proclaimed a winner. While the decor of the provisional theatres was very simple, the permanent theatrical venues of ancient Athens eventually became more sumptuous and elaborate. No matter the performance venue, plays were performed by, at most, three actors, who wore masks to identify them with the characters they portrayed; they were accompanied by a chorus who sang and danced.

The dramatic poets from this era whose plays have survived are:

Philosophers and writers

The Golden Age featured some of the most renowned Western philosophers of all time. Chief among these were Socrates, whose ideas exist primarily in a series of dialogues by his student Plato, who mixed them with his own; Plato; and Plato's student, Aristotle.

Other notable philosophers of the Golden Age included Anaxagoras; Democritus (who first inquired as to what substance lies within all matter, the earliest known proposal of what is now called the atom or its sub-units); Empedocles; Hippias; Isocrates; Parmenides; Heraclitus; and Protagoras.

In the second half of the 5th century BCE the name of sophist (from the Greek sophistês, expert, teacher, man of wisdom) was given to the teachers that gave instruction on diverse branches of science and knowledge in exchange for a fee.

In this age, Athens was the "school of Greece." Pericles and his mistress Aspasia had the opportunity to associate with not only the great Athenians thinkers of their day, but also other Greek and foreign scholars. Among them were the philosopher Anaxagoras, the architect Hippodamus of Miletus, who reconstructed Peiraeus, as well as the historians Herodotus (484–425), Thucydides (460–395), and Xenophon (427–335).

Athens was also the capital of eloquence. Since the late 5th century BC, eloquence had been elevated to an art form. There were the logographers (λογογράφος) who wrote courses and created a new literary form characterized by the clarity and purity of the language. It became a lucrative profession. It is known that the logographer Lysias (460–380 BC) made a great fortune thanks to his profession. Later, in the 4th century BCE, the orators Isocrates and Demosthenes also became famous.

End of the Age of Pericles

Pericles governed Athens throughout the 5th century BC bringing to the city a splendour and a standard of living never previously experienced. All was well within the internal regiment of government, however discontent within the Delian League was ever increasing. The foreign affairs policies adopted by Athens did not reap the best results; members of the Delian League were increasingly dissatisfied. Athens was the city-state that dominated and subjugated the rest of Greece and these oppressed citizens wanted their independence.

Previously, in 550 BC, a similar league between the cities of the Peloponnessus—directed and dominated by Sparta—had been founded. Taking advantage of the general dissent of the Greek city-states, this Peloponnesian League began to confront Athens. After long lasting series of poorly managed, hawkish policies, (ca. 431 B.C.E.) the city of Athens finally lost its independence in 338 BC, when Philip II of Macedonia conquered the rest of Greece.

See also

References

  1. ↑ http://www.princeton.edu/~pswpc/pdfs/ober/051001.pdf
  2. ↑ “Economy and Economics of Ancient Greece,” Routledge, 2007
  3. ↑ http://www.princeton.edu/~pswpc/pdfs/morris/120509.pdf
  4. ↑ Allan, Davin (27 March 2013). "The Ideal Image: The Depiction of Women in Fifth Century Drama". Literatured. Retrieved 29 March 2014.
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