La Caricature (1830–1843)
Cover of an 1833 edition
|La Caricature morale, religieuse, littéraire et scénique etc|
|Edited by||Auguste Audibert|
La Caricature morale, politique et littéraire was published from 1830 to 1843. Auguste Audibert was editor and Charles Philipon (1800–61) was director. The journal was founded after the censorship laws had been relaxed following the July Revolution of 1830 in which Louis Philippe came to power. It covered both politics and art. 251 issues appeared between 1830 and 1835, each of four pages, with two or three lithographs.
Philipon was the owner of the largest printing house in Paris equipped with lithographic presses, and used them to print La Caricature and Le Charivari, another illustrated paper. He drew together a group of skilled artists who mostly worked for these two papers, through which they attacked the king and the system of government with growing violence. The major contributors were Honoré Daumier (1808–79) and Jean Ignace Isidore Gérard Grandville (1803–47), but there were many others. For example, a caricature by Jules David appeared in La Caricature of 31 May 1831. The king is depicted as an illusionist who uses the juste milieu and some poudre de non-intervention to make liberty and revolution vanish.
In 1830–31 there were revolutionary uprisings in Italy. The Austrians intervened to suppress the revolts, and the French did nothing to prevent them. The Pope broke his promise to grant the rebels in the Papal States an amnesty. La Caricature published a cartoon that showed the Pope on his throne surrounded by corpses. Similarly, Philipot published cartoons that associated the French government with that of Tsar Nicholas I when Russia suppressed a revolt in Poland. The fall of Warsaw was announced by Horace Sebastiani, the French foreign minister, as "L'order règne à Varsovie" (Order reigns in Warsaw). The phrase was used as a caption for one of the cartoons.
The journal became increasingly vocal in its opposition to Louis-Philippe, and was seized more than twelve times. The publishers were prosecuted, and Philipon was jailed for a year. In 1835 the government passed legislation that forced La Caricature to cease publication. The journal began publication again in 1838 and continued until 1843. Writing in 1840, William Makepeace Thackeray talked of the "curious contest between the State and M. Philipon's little army." Thackery wrote,
Half-a-dozen poor artists on the one side, and his Majesty Louis-Philippe, his august family, and the numberless placemen and supporters of his monarchy, on the other.... The King of the French suffered so much, his ministers were so mercilessly ridiculed, his family and his own remarkable figure drawn with such odious and grotesque resemblance, in fanciful attitudes, circumstances, and disguises, so ludicrously mean, and so often appropriate, that the King was obliged to descend into the lists and battle his ridiculous enemies in form.
Drawings and lithographies were contributed by the following artists, among others:
- Victor Adam
- Hippolyte Bellangé
- Nicolas Toussaint Charlet
- Honoré Daumier
- Jules David
- Alexandre-Gabriel Decamps
- Auguste Desperret (or Desperet)
- Achille Devéria
- Eugène Forest
- Paul Gavarni
- Jean Ignace Isidore Gérard Grandville
- Henry Monnier
- Charles Philipon
- Clément Pruche
- Auguste Raffet
- Benjamin Roubaud
Some of the authors of articles were:
|Wikimedia Commons has media related to La Caricature (1830–1843).|
- Kerr, David S. (7 September 2000). Caricature and French Political Culture 1830–1848 : Charles Philipon and the Illustrated Press: Charles Philipon and the Illustrated Press. Clarendon Press. ISBN 978-0-19-154304-3. Retrieved 19 June 2014.
- "La Caricature morale, politique et littéraire / réd. en chef A. Audibert ; dir. Charles Philipon". Gallica. Retrieved 19 June 2014.
- Mellby, Julie L. (4 February 2009). "Charles Philipon's La Caricature". Princeton University. Retrieved 19 June 2014.