Titles of Mary

Our Lady of Good Counsel by Pasquale Sarullo, 19th century.

Mary is known by many different titles (Blessed Mother, Madonna, Our Lady), epithets (Star of the Sea, Queen of Heaven, Cause of Our Joy), invocations (Theotokos, Panagia, Mother of Mercy) and other names (Our Lady of Loreto, Our Lady of Guadalupe).

All of these titles refer to the same individual named Mary, the mother of Jesus Christ (in the New Testament) and are used variably by Roman Catholics, Eastern Orthodox, Oriental Orthodox, and some Anglicans. (Note: Mary Magdalene, Mary of Clopas, and Mary Salome are different individuals from Mary, mother of Jesus.)

Many of the titles given to Mary are dogmatic in nature. Other titles are poetic or allegorical and have lesser or no canonical status, but which form part of popular piety, with varying degrees of acceptance by the clergy. Yet more titles refer to depictions of Mary in the history of art.

Historical and cultural context

There are several stories on the significance of the relatively large number of titles given to Mary.[1][2] Some titles grew due to geographic and cultural reasons, e.g. through the veneration of specific icons. Others were related to Marian apparitions.

Mary's help is sought for a large spectrum of human needs in varied situations. This led to the formulation of many of her titles (good counsel, help of the sick, etc.). Moreover, meditations and devotions on the different aspects of the Virgin Mary's role within the life of Jesus led to additional titles such as Our Lady of Sorrows.[3] Still further titles have been derived from dogmas and doctrines, such as the Immaculate Conception.

Mary's cultus or "devotional cult" consolidated in the year 431 when, at the Council of Ephesus, the Theotokos, or Mary as bearer (or mother) of God, was declared dogma. Henceforth Marian devotion—which centered on the subtle and complex relationship between Mary, Jesus, and the Church—would flourish, first in the East and later in the West.

The Reformation diminished Mary's role in many parts of Northern Europe in the 16th and 17th centuries. The Council of Trent and Counter Reformation would intensify Marian devotion in the West. Around the same period, Mary would become an instrument of evangelization in the Americas and parts of Asia and Africa, e.g. via the apparitions at Our Lady of Guadalupe which resulted in a large number of conversions to Christianity in Mexico.

Following the Reformation, as of the 17th century, the baroque literature on Mary experienced unforeseen growth with over 500 pages of Mariological writings during the 17th century alone.[4] During the Age of Enlightenment, the emphasis on scientific progress and rationalism put Catholic theology and Mariology often on the defensive in the later parts of the 18th century, to the extent that books such as The Glories of Mary (by Alphonsus Liguori) were written in defense of Mariology.

Dogmatic titles

Early titles of Mary

“Our Lady” is a common title to give to Mary as a sign of respect and honor. In French she is called "Notre Dame" and in Spanish she is "Nuestra Señora".[9]

English Latin Greek Notes
Mary Maria Mariam (Μαριάμ), Maria (Μαρία) Arabic: Maryām (مريم), Chinese: (瑪利亞), Coptic: Mariam, French: Marie, German: Maria, Italian: Maria, Judeo-Aramaic: Maryām (מרים), Maltese: Marija, Portuguese: Maria, Russian: Marija (Мария), Spanish: María, Syriac: Mariam, Vietnamese: Maria
"Full of Grace", "Blessed", "Most Blessed" Gratia plena, Beata, Beatissima kecharitomene[11] (κεχαριτωμένη) from the angel's greeting to Mary in Luke 1:28;
"Virgin", "the Virgin" Virgo Parthenos[12][13] (Παρθένος) Greek parthenos used in Matthew 1:22; Ignatius of Antioch refers to Mary's virginity and motherhood (ca. 110);
"Cause of our Salvation" causa salutis[14] according to Irenaeus of Lyons (150–202);
"Mother of God" Mater Dei Meter Theou (Μήτηρ Θεοῦ) often abbr. ΜΡ ΘΥ in Greek iconography;
"God-bearer" Deipara, Dei genitrix Theotokos (Θεοτόκος) lit. "one who bears the One who is God"; a common title in Eastern Christianity with christological implications; adopted officially during Council of Ephesus (431) in response to Nestorianism, which questioned the Church's teaching that Jesus Christ's nature was unified;
"Ever-virgin" semper virgo aei-parthenos[12] (ἀειπάρθενος)
"Holy Mary", "Saint Mary" Sancta Maria Hagia Maria[12] (Ἁγία Μαρία) Greek invocation is infrequent in contemporary Eastern Christianity;[2]
"Most Holy" Sanctissima, tota Sancta[15] Panagia (Παναγία)
"Most Pure" Purissima
"Immaculate" immaculata akeratos[12] (ἀκήρατος)
"Lady", "Mistress" Domina Despoina[12] (Δέσποινα) related, "Madonna" (Italian: Madonna, from ma "my" + donna "lady"; from Latin domina); also, "Notre Dame" (French: Notre Dame, lit. "our lady");
"Queen of Heaven" Regina Coeli, Regina Caeli Mary is identified with the figure in Revelation 12:1;

Papal actions

Descriptive titles of Mary related to visual arts

Image Type Typical Art Style Description

Hodegetria
"She Who Shows the Way"

 Byzantine Mary holds Christ in her left hand and with her right hand she "shows the way" by pointing to Him;

Sedes Sapientiae
"Throne of Wisdom"

 Romanesque Christ is seated in His mother Mary's lap, symbolically the "Throne of Wisdom";

"Gothic Madonna"

 Gothic Based loosely on Byzantine Hodegetria iconography; typically depicts a standing, smiling Mary and playful Christ Child; considered one of the earliest depictions of Mary that is strictly Western;[16]

Madonna Lactans
"Our Lady Nursing"

 Gothic and Renaissance The Virgin is depicted breastfeeding the Holy Infant. One of the earliest depictions (if not the earliest depiction) of Mary, is Our Lady nursing, as painted in the Catacomb of Priscilla in Rome, c. A.D. 250;[17] Discouraged by the Council of Trent and rare subsequently.

Mater Misericordiae
"Virgin/Mother of Mercy"

 Gothic, Renaissance, Baroque A regal, celestial Mary is depicted covering the faithful in her protective mantle; first arose in the late 13th century in Central Europe and Italy; depiction is commonly associated with plague monuments.[18]

Maestà
"Majesty"
of the Virgo Deipara
"Virgin God-bearer"

 Gothic Mary is seated in majesty, holding the Christ Child; based on Byzantine Nikopoia iconography;

Pietà
"Pity"
of the Mater Dolorosa
"Mother of Sorrows"

 Gothic, Renaissance, Baroque Mary cradles the dead body of Jesus Christ after his crucifixion; this type emerged first in the 13th century in Germany as an Andachtsbild or devotional icon relating to grief; Italian Pietàs appeared in the 14th century;[19] Michelangelo's Pietà (1498–1499) is considered a masterpiece;

Mater Amabilis
"Loving Mother"
commonly, "Madonna and Child"

 Renaissance, Baroque Iconic Western depiction with many variations; based loosely on Byzantine Glykophilousa ("sweet kisses") iconography; Mary turns her gaze away from the Christ Child as she contemplates His future Passion; Renaissance emphasis on classical ideal types, realistic human anatomy, and linear perspective are evident;

Devotional titles

In the Loreto Litanies Mary's prayers are invoked under more than fifty separate titles, such as "Mother Most Pure", "Virgin Most Prudent", and "Cause of Our Joy".[20]

Other devotional titles include:

Titles associated with devotional images

Mother Thrice Admirable Madonna by, Luigi Crosio, 1898
See also: Black Madonna

Other titles related to images include:

Titles associated with apparitions

Our Lady of the Rosary as Madonna di Pompei

Latin America

A number of titles of Mary found in Latin America pertain to cultic images of her represented in iconography identified with a particular already existent title adapted to a particular place. Our Lady of Luján in Argentina refers to a small terracotta image made in Brazil and sent to Argentina in May, 1630. Its appearance seems to have been inspired by Murillo's Immaculates. Our Lady of Copacabana (Bolivia): is a figure related to devotion to Mary under the title "Most Blessed Virgin de la Candelaria, Our Lady of Copacabana". About four feet in height, the statue was made by Francisco Tito Yupanqui around 1583 and is garbed in the colors and dress of an Inca princess.[23]

Titles in the Orthodox Church

Theotokos of Pochayiv

Theotokos means "God-bearer" and is translated as "Mother of God". This title was given to Mary at the Third Ecumenical Council in Ephesus in 431 AD.(cf. Luke 1:43).[24]

Names and titles of Mary in Islam

The Qur'an refers to Mary by the following titles:

See also

Citations

  1. ↑ Duricy, Michael P., "Why does Mary have so many different titles?", Marian Library. University of Dayton, October 26, 2010
  2. 1 2 The Titles of Saints, Orthodox Holiness, December 18, 2005
  3. ↑ Tavard, George Henry, The thousand faces of the Virgin Mary 1996 ISBN 0-8146-5914-4 p. 95
  4. ↑ Roskovany, A., conceptu immacolata ex monumentis omnium seculrorum demonstrate III, Budapest 1873
  5. ↑ by Braaten, Carl E. and Jenson, Robert W., Mary, Mother of God, 2004 ISBN 0802822665 p. 84
  6. ↑ Maas, Anthony. "Virgin Birth of Christ." The Catholic Encyclopedia Vol. 15. New York: Robert Appleton Company, 1912. 10 April 2016
  7. ↑ Wuerl, Donald W. and Stubna, Kris D., The Teaching of Christ: A Catholic Catechism for Adults, Our Sunday Visitor Publishing, 2004, ISBN 9781592760947
  8. ↑ "In Honor of Nuestra Señora de Guia", De AnDA (2009-11-22),
  9. ↑ Hargett, Malea. "Marian titles chosen for one out of four churches in diocese", Arkansas Catholic, Diocese of Arkansas, May 20, 2006
  10. ↑ Mauriello, Matthew R., "Mary, the New Eve", Marian Library, University of Dayton, August 3, 3009
  11. ↑ "...Byzantine inscriptions from Palestine...in the sixth [century]....fourteen inscriptions invoke "Holy Mary" (Hagia Maria), eleven more hail her as Theotokos; others add the attribution of "Immaculate" (Akeratos), "Most Blessed" (Kecharitomene), "Mistress" (Despoina), "Virgin" or "Ever-Virgin" (Aei-Parthenos)." (Frend 1984, p. 836)
  12. 1 2 3 4 5 Frend 1984, p. 836.
  13. ↑ "Blue Letter Bible" lexicon results for parthenos Retrieved December 19, 2007.
  14. ↑ Irenaeus of Lyons (Adversus Haereses 3.22.4).
  15. ↑ http://www.uni-mannheim.de/mateo/camenaref/hofmann/p/books/p_408.html
  16. ↑ Madonna. (2008). In Encyclopædia Britannica. Retrieved February 17, 2008, from Encyclopædia Britannica Online:
  17. ↑ http://www.catacombepriscilla.com/pagine-eng/regina.htm
  18. ↑ Jeep 2001, p. 393.
  19. ↑ Watts, Barbara. "Pietà". Grove Art Online. Oxford University Press, Retrieved February 17, 2008, http://www.groveart.com/
  20. ↑ "The Loreto Litanies". The Holy See. Retrieved 2011-11-07.
  21. ↑ "Black Madonnas--Introduction". udayton.edu.
  22. 1 2 3 "Titles of Mary", Regis University
  23. 1 2 3 "Latin American Titles of Mary", Las Advocaciones Marianas en la Religiosidad Popular Latinoamericana
  24. 1 2 3 "Titles of the Holy Theotokos, Saint Mary", Coptic Orthodox Church of Alexandria, Diocese of Los Angeles

References

External links

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