Perfume (novel)

This article is about the novel. For the 2006 film adaptation, see Perfume: The Story of a Murderer (film).
Perfume: The Story of a Murderer

First edition (German)
Author Patrick Süskind
Cover artist Antoine Watteau detail from
"Nymphe et satyre", 1715-16[1]
Country Germany
Language German
Genre Horror fiction, mystery, magic realism, absurd
Publisher Diogenes (Germany)
Alfred A. Knopf (US)
Hamish Hamilton (UK)
Publication date
 1985
Media type Print (Hardback & Paperback)
Pages 263 p. (UK hardback edition)
ISBN 0-241-11919-7 (UK hardback edition)
OCLC 14130766

Perfume: The Story of a Murderer is a 1985 literary historical cross-genre novel (originally published in German as Das Parfum) by German writer Patrick Süskind. The novel explores the sense of smell and its relationship with the emotional meaning that scents may carry. It is a story of identity, communication and the morality of the human spirit.

The story centers on Jean-Baptiste Grenouille, an unloved 18th-century French orphan who is born with an exceptional sense of smell, being able to distinguish a vast range of scents in the world around him. Grenouille becomes a perfumer but is drawn to murder when he encounters a young girl with an unsurpassed wondrous scent. Later, living in isolation in a mountain cave, he is shaken after some years to discover his own complete lack of scent; the discovery draws him back to society in search of scents that are capable of changing how he will be perceived by others, and eventually to learn the highest level of the art in the Grasse region of France. Once again he encounters a remarkable scent from a teenage girl, and this time engages in serial murder in order to practice the preserving of her scent with his perfumier's art. He is caught red-handed after this murder, but his sentence is not carried out, because he has by now developed a scent that causes people to fall in helpless awe and adoration of him. However this power does not bring him happiness and he realizes he is a misanthrope - someone who hates people, and he is left disillusioned. Finally he returns to Paris, where he is torn to pieces by a crowd who are so drawn to him due to his scent, that they became compelled to obtain and consume pieces of him.

With translations into 48 languages and over 20 million copies sold to date worldwide, 'Perfume' is one of the largest book sales among 20th Century German novels.[2] The title remained in bestseller lists for about 9 years, and received almost unanimously positive national and international critical acclaim. The novel was translated into English by John E. Woods and won the PEN Translation Prize in 1987.

Some editions of Perfume, including the first, have as their cover image Antoine Watteau's painting Jupiter and Antiope, which depicts a sleeping woman.

The novel is widely seen as an allegory for Hitler and his dramatic rise for power.[3][4][5]

Plot

Grenouille (French for "frog") is born in Paris, France in 1738; his mother is almost immediately tried for previous infanticide leaving him an orphan. He is fostered but is a difficult solitary child and eventually apprenticed to a tanner. Unknown to the world around him, he has a remarkable sense of smell, and an extraordinary ability to discern odors; as a result he can perform apparently magical feats such as identifying bad vegetables by the worms they contain, or visitors as they approach the house, and can navigate in total darkness by the smell of objects around him.

On a day when he had memorized nearly all the smells of the city, he is surprised by a smell quite unlike the dirty. He then traces it with his nose, and finds that the source of this scent is a young virgin girl just passing puberty. She is not much younger than Grenouille. Entranced by her scent and under the belief that he alone must possess it, he kills her and stays with her body until the scent has left it. In his quest to learn more about the art of perfume-making, he becomes apprenticed to a once great perfumer, Baldini, and proves himself a wunderkind although this is not revealed to anyone except Baldini. Baldini eventually reveals to him that there are techniques other than distillation that can be used to preserve a wider range of odours, which can be found in the heartland of the perfumier's craft, in the region of Grasse, in the French Riviera.

On his way to Grasse, Grenouille travels the countryside and discovers that he is disgusted with the scent of humanity. Avoiding habitations, he comes instead to live in a mountain cave for many years, However his peace is broken when he realizes after some years that he himself has no scent. Travelling to Montpellier with a fabricated story about being kidnapped and kept in a cave to account for his appearance, he creates a body odour for himself from everyday materials, and finds that his new "disguise" tricks people into thinking that it is the scent of a human; he is now accepted by society instead of given a wide berth. Humanity being fooled by a simple scent, his hate turns into contempt. He realizes that it is within his ability to develop scents described as "superhuman" and "angelic", that will affect in an unprecedented way, how other people perceive and feel him.

Reaching Grasse, he trains in the arts of scent extraction and preservation and one day encounters a second scent that is even more inspiring to him than his original victim. It is the scent of a young girl named Laure Richis. He decides this time that he will seek to preserve the scent physically and not just in his memory, and begins a campaign of serial killing of teenage girls to practice keeping and preserving their scent - the victims are not otherwise molested beyond the removal of their hair for scent preservation. Laure's father realizes his daughter must be the goal of the murderer's campaign and, telling nobody, takes her to a place of safety, but Grenouille follows them by following her scent, and when they stop for the night, he finally kills her and successfully preserves her scent.

He is caught red-handed shortly afterwards and sentenced to death. However, on the way to his execution he wears a new scent he has created, that causes awe and adoration in others, and although the evidence of his guilt is absolute, the crowd are so drawn to him, and a belief in the innocence he now exudes, that he is freed; even Laure's father asks if he would consider being adopted as his son. Grenouille however now realizes how much he hates people, and that even this degree of control does not make him happy. Returning to Paris, he is torn to pieces by a crowd who are so drawn to him due to his scent, that they became compelled to obtain and consume pieces of him. The story ends with the reflection of those in the crowd, who are left embarrassed by their own action, but are also left "uncommonly proud. For the first time they had done something out of Love."

Characters (in order of appearance)

In France, before meeting Baldini:

  • Grenouille's mother – Jean-Baptiste Grenouille was her fifth baby. She had claimed her first four were stillbirths or "semi-stillbirths". In her mid-twenties, with most of her teeth left, "some hair on her head", and a touch of gout, syphilis and consumption (tuberculosis), she was still quite pretty.
  • Jean-Baptiste Grenouille – Protagonist. Born 17 July 1738, with an innate prodigious sense of smell (and also for unexplained reasons no personal scent of his own). His awareness of scent eventually leads him to conceive of capturing human scents, specifically, those able to inspire love, which he lacks in his life. When he does succeed in this goal, he discovers it gives him no pleasure, and leads him only to despise others for being easily fooled. Unable to find happiness, he dies at the hands of a crowd after he pours his final perfume over himself.
"Grenouille let it go at that. He refrained from overpowering some whole, live person ... that sort of thing would have ... resulted in no new knowledge. He knew he was master of the techniques needed to rob a human of his or her scent, and knew it was unnecessary to prove this fact anew. Indeed, human odour was of no importance to him whatsoever. He could imitate human odour quite well enough with surrogates. What he coveted was the odour of certain human beings: that is, those rare humans who inspire love. Those were his victims."
- Grenouille's motivation for killing is described in the novel as purely the result of his desire to possess those rare scents capable of inspiring love towards their possessor.[6]
  • Jeanne Bussie – One of Grenouille's many wet-nurses. She is the first person to realise he has no scent and claims he is sucking all the life out of her.
  • Father Terrier – He is in charge of the church's charities and distribution of its money to the poor and needy. He first thinks Grenouille is a cute baby, but once Grenouille begins to sniff Terrier, the priest is highly disturbed and sends the baby to a boarding house.
  • Madame Gaillard – She has no sense of smell, due to being hit across the face with a poker in her younger years, so she does not know that Grenouille has no scent. In charge of a boarding house, her goal in life is to save enough money to have a proper death and funeral. Madame's poor sense of smell and ignorance about Grenouille's gifts, coupled with his assistance in finding her hidden money through his olfactory ability, caused Madame to believe he had second sight (psychic). She believed that people with second sight bring bad luck and death. Out of this fear, Madame sells Grenouille to the tanner, Grimal. She loses all her money in old age, dies a miserable death in the Hôtel Dieu (Hotel of God) and is not even buried after her death, but rather thrown into a mass grave.
  • Children at the Boarding House – They are repulsed by Grenouille and even try, in vain, to suffocate him with rags and blankets while Grenouille is asleep.
  • Grimal – A tanner who lives near the river in the rue de la Mortellerie. Grenouille works for him from age eight into his early youth until Baldini pays for him to be released. With this immense new income of money, he wastes it on an alcoholic binge; his drunkenness causes him to fall into to a river and die.
  • The Plum Girl – Her natural scent is that of sea breeze, water lilies, and apricot blossoms; it is a rich, perfectly balanced and magical scent. She has red hair and wears a gray, sleeveless dress. She is halving plums when Grenouille kills her as his first victim. Unable to retain her scent, her death motivates his quest to learn how human scent may be preserved.

Paris perfumers:

  • Giuseppe Baldini – An old traditional perfumer with his once-great reputation now fading. He yearns for the old days when tastes in perfume did not change much over the decades, and is angry at what he feels are upstarts in the fast-moving perfume trade of his later life. Secretly he knows that he never had a gift for creating and analyzing new scents; rather he had obtained the recipes from which he made his reputation, from other sources. Lacking a gift for it, he merely knows the art of perfumery and maintains a strict mystique about it to conceal the truth. His shop is so intoxicating that it scares away most potential customers; it is located in the middle of the Pont-au-Change bridge. He allows Grenouille's plea to demonstrate the copying of a competitor's perfume and is about to throw Grenouille out when he realizes the copy is a faithful one, and then tests an exceptionally improved version of the original created on the spot by Grenouille. Recognizing Grenouille's genius for scent, he buys Grenouille from Grimal as his apprentice and starts to rebuild his dying business. He becomes rich and famous once again from the new perfumes that Grenouille creates for him. He ends up giving Grenouille journeyman papers, which will help Grenouille be accepted as a perfumer in his future travels. After Grenouille leaves him, his house and warehouses plunge into the river below as the bridge finally collapses, and the recipes he has taken for hundreds of Grenouille's perfumes are lost.
  • Chénier – Baldini's assistant and apprentice for over 30 years. He is somewhat younger than Baldini. He knows Baldini is talentless, but still boasts Baldini's skills in the hope that one day he will inherit Baldini's perfume shop.
  • Pélissier – Never actually appears in novel. He is only talked about because he is considered the most innovative perfumer in Paris, despite not having any formal training.

In Pierrefort, after emerging from his isolation in the mountains:

  • Taillade-Espinasse – Marquis, liege lord of a town of Pierrefort and a member of parliament, is an amateur scientist who develops indulgent and ridiculous theses (fluidal theory), which he supposedly demonstrates on Grenouille—feeding him, providing him with new clothes and giving him the opportunity to create a perfume. The Marquis dies soon after Grenouille's "disappearance" while pursuing his fluidal theory by attempting to live alone on a secluded mountain.

In Grasse, France:

  • Madame Arnulfi – A lively, black-haired woman of around thirty. She has been widowed for almost a year. She owns the perfume business of her dead husband and has a journeyman named Druot, who is also her lover. She hires Grenouille as her second journeyman.
  • Dominique Druot – Arnulfi's journeyman and lover. He is the size of a Hun and is of average intelligence. Grenouille works under him as second journeyman. Druot is later hanged for Grenouille's crimes.
  • Antoine Richis – Second consul and the richest man in Grasse, Laure's father.
  • Laure Richis – A beautiful red-headed girl, daughter of Antoine Richis, the second girl whose scent is perceived as demanding capture by Grenouille, and his final victim.

Possible Inspiration

The real story of the serial killer Manuel Blanco Romasanta, also known as the wolfman, who killed several women and children and extracted their body fat to make soap and sold their clothes, bear resemblance to the character.

Adaptations

References

  1. ↑ http://www.blogartnu.com/tag/rococo/ Retrieved 2014-02-24
  2. ↑ Pressedossier Patrick Süskind. Diogenes Verlag Zürich, Stand November 2012
  3. ↑ Cocks, Geoffrey (2004). The Wolf at the Door: Stanley Kubrick, History, & the Holocaust. Peter Lang. p. 150. ISBN 9780820471150.
  4. ↑ Arizona State University (2008). Surviving in Post-Soviet Russia: Magical Realism in the Works of Viktor Pelevin, Ludmila Petrushevskaya, and Ludmila Ulitskaya. ProQuest. p. 39. ISBN 9780549489054.
  5. ↑ Shafi, Monika (2008). Approaches to Teaching Grass's The Tin Drum. Modern Language Association of America. p. 42. ISBN 9780873528122.
  6. ↑ Novel, chapter 38 (p.195 in Woods translation, paperback edition)
  7. ↑ Yelena, Andrusenko (December 7, 2010). ""Perfumer": Russian Version". Voice of Russia. Archived from the original on December 29, 2010. Retrieved December 29, 2010.
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