Pinocchio and the Emperor of the Night

Pinocchio and the Emperor of the Night

Theatrical release poster
Directed by Hal Sutherland
Produced by Lou Scheimer
Written by Robby London
Barry O'Brien
Dennis O'Flaherty
Carlo Collodi (Novel)
Based on The Adventures of Pinocchio
by Carlo Collodi
Starring Scott Grimes
Tom Bosley
Edward Asner
Frank Welker
Jonathan Harris
James Earl Jones
William Windom
Don Knotts
Rickie Lee Jones
Music by
Edited by Rick Gehr
Jeffrey C. Patch
Production
company
Distributed by New World Pictures
Release dates
  • December 25, 1987 (1987-12-25)
Running time
 87 min.
Country United States
Language English
Budget $10 million[1]
Box office $3,261,638[2]

Pinocchio and the Emperor of the Night is an American animated fantasy adventure film that was released on December 25, 1987 by New World Pictures. According to producer Lou Scheimer, the movie was not a sequel to the Disney classic "Pinocchio", but rather a continuation of Carlo Collodi's original story.[3] Created by the now-defunct Filmation, the movie underperformed at the box office, costing $10 million but making $3.2 million in its entire run.

Plot

A bumblebee named Lieutenant Grumblebee is woken from his sleep by the arrival of a large sinister looking ship. A man named Puppetino remarks that this is the ideal spot for the carnival. Stakes and ropes fly from the ship and a circus tent forms. Grumblebee hastily leaves the area.

A year after being made human by the Good Fairy, Pinocchio celebrates his first birthday with Mister Geppetto. The Good Fairy appears and teaches Pinocchio that love is his most powerful gift. She brings to life one of Pinocchio's own carvings, a wooden glow worm, to act as Pinocchio's conscience. Pinocchio, surprised, accidentally names it Gee Willikers. After the party Pinocchio offers to deliver a jewel box to the mayor for Geppetto. En route he encounters Scalawag and Igor, who trick him into trading the box for the "Pharaoh's Ruby". The ruby turns out to be a fake and Geppetto is furious. Pinocchio runs away, leaving Gee Willikers behind.

Pinocchio looks for work at the carnival and is entranced by a blonde marionette named Twinkle. Puppetino recognises Pinocchio and uses Twinkle to lure him into joining the carnival. Puppetino starts playing an organ grinder, causing Pinocchio to dance uncontrollably and slowly transform back into a puppet. Puppetino attaches strings to Pinocchio's hands and feet, completing the transformation, and hangs the now lifeless Pinocchio alongside Twinkle. The Good Fairy appears and awakens Pinocchio, explaining that he lost his freedom because he took it for granted. She reminds him of the importance of choice before restoring him to human form.

Pinocchio decides to retrieve the jewel box. Willikers objects, so Pinocchio sets him aside and travels alone. He finds Scalawag the Raccoon and Igor the Monkey, who inform him that the box is at the carnival, which has returned to the ship. The trio pursue the carnival ship by boat. Unbeknown to Pinocchio, they plan to hand him over to Puppetino in return for a reward, but after Pinocchio saves them from a giant barracuda, they change their minds. The carnival ship suddenly opens up, swallowing the boat. Willikers, carried to the river by Grumblebee, latches onto Pinocchio's pocket as they drift into the ship.

Scalawag recognizes the ship as the Empire of the Night. A boatman offers Pinocchio a ride to the jewel box, leaving Scalawag and Igor behind. The boatman says the box is in the opposite, darker end of a cavern. Pinocchio prefers the brighter path, and they row to the "Neon Cabaret". A doorman says that Pinocchio can play inside if he signs a contract. He impulsively agrees, runs inside and finds a room full of partying children. Pinocchio drinks from a fountain of green liquid that causes him to hallucinate and black out. He awakens on a stage; a ringmaster tells him his fans are waiting and he begins dancing. Scalawag and Igor, who have followed Pinocchio, try to get his attention, but are drawn offstage while he is distracted by Twinkle. Pinocchio bows to thunderous applause.

Puppetino appears and Pinocchio turns to find the boatman, who transforms into the doorman and then the ringmaster. He tells Pinocchio that he has reached the "Land Where Dreams Come True" and then morphs into a floating being with four arms called the Emperor of the Night. He demands Pinocchio sign a contract that will make him a puppet again, a choice that will weaken the Good Fairy. Pinocchio refuses and is imprisoned with Scalawag and Igor. Scalawag laments that they have succumbed to their desires without considering the consequences. The Emperor reveals to Pinocchio that Geppetto has been shrunk to fit inside the jewel box. Pinocchio offers to sign the contract if the Emperor frees Geppetto and the others. Pinocchio signs away his freedom, transforming back into a living puppet.

The Emperor betrays Pinocchio, telling him that the freedom of choice gives him his power. Pinocchio turns on the Emperor and a blue aura—the light of the Good Fairy—surrounds him. The Emperor shoots bolts of flame at Pinocchio, but the blue light protects him as the ship catches fire. The Emperor promises to make Geppetto pay for Pinocchio's choices, and Pinocchio plunges into the Emperor's flaming figure, destroying him and his ship. On the shore, Geppetto has returned to his original size. Scalawag and Igor find Pinocchio, who is once again a real boy. The Good Fairy appears, proudly telling Pinocchio that he no longer needs her. She presents the jewel box to Geppetto. She reveals the now human Twinkle awakening nearby before fading away, leaving the group to celebrate.

Cast

Release

Critical reception

The movie received generally negative reviews from critics during its initial release. Writing for the Chicago Tribune, Dave Kehr labelled it a "wooden effort" and concluded there was "little reason to bother with Pinocchio and the Emperor of the Night given that the genuine article is readily available on videotape".[5] Janet Maslin of the New York Times called it "Saturday morning animation at best" and also compared it unfavorably with Disney's version.[6] Charles Solomon of the Los Angeles Times wrote that the script and direction lacked focus and felt the movie "illustrates just how badly the American animated feature has degenerated".[7][8] Juan Carlos Coto praised the performances of Rickie Lee Jones and James Earl Jones, but felt the plot was mostly "Saturday-morning rehash" and also urged readers to watch the Disney movie instead.[9] The Morning Call's reviewer was more favorable, opining that "it does dazzle and sparkle in all the right places", adding "there is much to recommend the new film".[10] M. J. Simpson praised the "engaging story, likeable characters... genuine tension and horror, reasonable songs and... terrific animation" and gave it a B+ rating.[11]

Pinocchio and the Emperor of the Night was described as a "thinly veiled sequel" to Disney's 1940 classic Pinocchio; one reviewer noted its many similarities to the original and imagined "legions of lawyers poring over every frame".[5] Disney sued Filmation for copyright infringement, but Filmation won the lawsuit by successfully arguing that Carlo Collodi's characters were in the public domain. However, in the years since its initial release, the film has become well known by the general public and has since retained a cult following.[12]

Box office

The film opened on Christmas in 1987 in 1,182 theaters, and made $602,734 on its opening weekend for an average of $510 per theater,[13] 18.48% percent of the final gross of $3,261,638 in the United States.[1][14]

Songs

The music of the film was supervised by Lou Scheimer's daughter, Erika.

1. "Love is the Light inside your Heart"
words by: Will Jennings
music by: Barry Mann
performed by: Rickie Lee Jones

2. "You're A Star"
words and music by: Will Jennings
performed by: Kid Creole and The Coconuts

3. "Do What Makes You Happy"
words by: Will Jennings
music by: Steve Tyrell
performed by: Lana Beeson

4. "Neon Cabaret"
composed and performed by: Anthony Marinelli and Brian Banks

References

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