The Devil Wears Prada (novel)

The Devil Wears Prada
Author Lauren Weisberger
Cover artist
  • Evan Gaffney (design)
  • Nick Dewar (illustration)
Country US, UK, France
Language English
Genre Chick lit
Published October 6, 2003 (Broadway Books)
Media type Print (Hardback and Paperback)
Pages 360
ISBN 0-7679-1476-7
OCLC 55053886

The Devil Wears Prada (2003) is a best-selling novel by Lauren Weisberger about a young woman who is hired as a personal assistant to a powerful fashion magazine editor, a job that becomes nightmarish as she struggles to keep up with her boss's grueling schedule and demeaning demands. It spent six months on the New York Times bestseller list and became the basis for the 2006 film of the same name, starring Meryl Streep, Anne Hathaway, and Emily Blunt. The novel is considered by many to be an example of the "chick lit" genre.[1][2]

The book's sequel, titled Revenge Wears Prada: The Devil Returns, was published on June 4, 2013.[3][4]

Plot summary

Andrea Sachs, a recent graduate of Brown University with a degree in English, moves to New York City with her best friend, Lily, a graduate student at Columbia. Andrea hopes to find a career in publishing and blankets the city with her résumé. She believes she'll be closer to her dream of working for The New Yorker if she can get a job in the magazine industry. She gets a surprise interview at the Elias-Clark Group and is hired as junior assistant for Miranda Priestly, editor-in-chief of the fashion magazine Runway. Although she knows little of the fashion world, everyone tells her that "a million girls would die for [her] job". If she manages to work for Miranda for a year, people tell her, she can have her choice of jobs within the magazine industry.

At a celebrity party, Andrea meets Christian Collinsworth, a charismatic Yale graduate who is considered one of the hot, new up-and-coming writers of their generation. They are attracted to each other, which complicates her relationship with her boyfriend, Alex.

Andrea's relationships become entangled because of her new job. Lily increasingly turns to alcohol and picks up dubious men to relieve the pressure of graduate school. Alex, struggling with his own demanding job as an inner-city schoolteacher, grows frustrated with Andrea's long hours and constant stress. Andrea's relationship with her family also suffers. Matters finally come to a head when her co-worker, Emily, gets mononucleosis and Andrea must travel to Paris with Miranda in her stead. In Paris, she has a surprise encounter with Christian. Later that night, Miranda finally lets down her guard and asks Andrea what she has learned, and where she wants to work afterwards. She promises to place phone calls to people she knows at the New Yorker on Andrea's behalf once her year is up and suggests she take on some small writing assignments at Runway.

Back at the hotel, Andrea gets urgent calls from Alex and her parents asking her to call them. She does and learns that Lily is comatose after driving drunk and wrecking a car. Though her family and Alex pressure her to return home, she tells Miranda she will honor her commitment to Runway. Miranda is pleased, and says her future in magazine publishing is bright, but phones with another impossible demand at Christian Dior's Paris fashion show. Andrea decides that her family and friends are more important than her job, and realizes to her horror that she is becoming more and more like Miranda. She refuses to comply with Miranda's latest outrageous request, and when Miranda scolds her publicly, Andrea replies, "Fuck you, Miranda. Fuck you." She is fired on the spot, and returns home to reconnect with friends and family. Her romantic relationship with Alex is beyond repair, but they remain friends. Lily recovers and is lucky to receive only community service for her DUI charge.

In the last chapter Andrea learns her dispute with Miranda made her a minor celebrity when the incident made "Page Six". Afraid she has been blacklisted from publishing for good, she moves back with her parents. She works on short fiction and finances her unemployment with profits made from reselling the designer clothing she was provided for her Paris trip. Seventeen buys one of her stories. At the novel's end, she returns to the Elias-Clark building to discuss a position at one of the company's other magazines and sees Miranda's new junior assistant, who looks as harried and put-upon as she once did.

Characters

Conception

Weisberger stated in publicity materials that Priestly's demands are partial fiction and a composite of actual experiences she and her friends had in their first jobs.[5] Some reviewers state that Anna Wintour, editor-in-chief of Vogue, was the inspiration for Priestly.[6]

Commercial and critical reception

Kate Betts, a former editor of Harper's Bazaar who also worked for Wintour at one point in her career, spared no barb in the Times Book Review, stressing the main character's ingratitude at the unique opportunity of working at Vogue: "[I]f Andrea doesn't ever realize why she should care about Miranda Priestly, why should we care about Andrea, or prize the text for anything more than the cheap frisson of the context?"[7] Janet Maslin, in the daily paper, joined in: "a mean-spirited Gotcha! of a book, one that offers little indication that the author could interestingly sustain a gossip-free narrative ...".[8]

Maslin avoided naming either the magazine where Weisberger actually worked or the woman she allegedly modeled her main character on.[9] The Times continued this practice when the film was released.[10]

Critics who favored the book admitted it had problems, as any first novel might, but praised it as a "fun, frivolous read".[11]

No Condé Nast Publications reviewed or otherwise mentioned The Devil Wears Prada.

Film adaptation

The film version was released on June 30, 2006 by 20th Century Fox. It was produced by Wendy Finerman (Forrest Gump), freely adapted for the screen by Aline Brosh McKenna and directed by David Frankel. Anne Hathaway played Andrea, Meryl Streep earned critical praise, a win for a Golden Globe and an Academy Award for Best Actress nomination as Miranda, and Emily Blunt played Emily.

Production took place during fall 2005, on location in New York and Paris. Weisberger herself made a very brief non-speaking cameo appearance as the twins' nanny.

It was very successful, taking in over $300 million worldwide, making it the highest-grossing film for both lead actresses up to that date. In September, Weisberger and Frankel jointly accepted the first-ever Quill Variety Blockbuster Book to Film Award.

Sequel

The book's sequel, Revenge Wears Prada: The Devil Returns, is set a decade after the events of the first novel. In it, Andy is the editor for a new bridal magazine. But as she plans her own wedding, she remains haunted by her experience with Miranda until the two meet again.[12]

Kate Erbland from MSN.com called the story disconcerting, saying, "Readers who have warm and fuzzy memories of indefatigable Andy might not be so inclined to pick it up."[13]

References

  1. Memmott, Carol (June 21, 2006). "Chick lit, for better or worse, is here to stay". USA Today. Retrieved May 5, 2014. Industry observers and booksellers say a glut of pedestrian chick lit has new fans returning to proven, now-classic novels such as Nanny Diaries (2002), Bergdorf Blondes by Plum Sykes (2004) and The Devil Wears Prada.
  2. Wells, Juliette (2006). "Chapter 3: Mothers of Chick Lit? Women Writers, Readers and Literary History". In Ferriss, Suzanne & Young, Malloy. Chick Lit: The New Woman's Fiction. Routledge. p. 54. ISBN 9780415975025. Retrieved May 5, 2014. Heroines' professional identities and workday experiences are certainly important to the texture of chick-lit novels, and sometimes central to their plot: Weisberger's The Devil Wears Prada, for instance, is built around the young heroine's relationship with her fashion-magazine boss ...
  3. "'The Devil Wears Prada' is getting a sequel!— Exclusive". Entertainment Weekly. May 31, 2012. Retrieved May 31, 2012.
  4. "Revenge Wears Prada: The Devil Returns Gets A Very Red Cover". Cinemablend.com. March 17, 2013. Retrieved August 23, 2014.
  5. "'The Devil Wears Prada'". Author Q&A. Random House. Retrieved July 4, 2009.
  6. Smith, Kyle (June 30, 2006). "Guy at the Movies". The New York Post. Retrieved May 26, 2009.
  7. Betts, Kate (April 13, 2003). "'The Devil Wears Prada': Anna Dearest". The New York Times Book Review. Retrieved February 7, 2007.
  8. Maslin, Janet (April 14, 2003). "Books of the Times: Elegant Magazine, Avalanche of Dirt". The New York Times.
  9. Colford, Paul (April 15, 2003). "Wintour of Discontent". Daily News. New York. Archived from the original on April 17, 2003.
  10. Scott, A.O. (June 30, 2006). "'The Devil Wears Prada': Review". The New York Times. Retrieved August 23, 2014.
  11. Krauss, Jennifer (April 14, 2003). "It's Working Girl Meets Cruella de Ville". Newsday. New York. Archived from the original on April 23, 2003.
  12. Lee, Stephan (March 15, 2013). "See the Cover of 'Revenge Wears Prada', Sequel to 'Devil Wears Prada'—Exclusive". Entertainment Weekly. Retrieved March 20, 2013.
  13. Erbland, Kate (March 19, 2013). "Fan of the Ending of 'Devil Wears Prada'? You Might Not Be Wild About Its New Sequel". Retrieved March 20, 2013.
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