Controversies surrounding Mortal Kombat

Noob Saibot performing his notorious[1][2][3][4] rip-in-half Fatality on Sonya Blade in 2011's Mortal Kombat. This installment's more realistic 3D graphics,[5] and Mortal Kombat's renewed popularity, brought the series back into a center of the controversy spotlight after years of a relative obscurity and being overshadowed by other violent games such as gangster-themed black comedy series Grand Theft Auto

The Mortal Kombat series of fighting games, created by Ed Boon and John Tobias, has been the subject of various controversies since its creation in the 1990s. In particular, Mortal Kombat has often been criticised from a broad spectrum of politicians and other critics for its unrestrained use of graphic and bloody violence (both in the game's regular combat scenes and its Fatalities—finishing moves which allow the player to kill or otherwise maim opponent characters). The violent nature of the series, one of the earliest of its kind, has led to the creation and continued presence of the Entertainment Software Rating Board and other ratings boards for video games. Various Mortal Kombat games have been censored or banned in several countries, and the franchise was the subject of several court cases.

Controversies and censorship

"In the past year, some very violent and offensive games have reached the mark, and of course I'm speaking about Mortal Kombat and Night Trap."

Nintendo of America president Howard Lincoln, discussing the video game violence controversy in 1993[6]

"On a couple of occasions there have been cheats which opened up taboo content and caused concern amongst the devout followers of Mary Whitehouse. Mortal Kombat had bloody violence as a standard feature in the arcades, but when it came home the ketchup needed to be activated with a code. Every version had this feature, with the exception of the versions on Nintendos consoles due to content guidelines. Mortal Kombat became one of the key games leading to the 1993 US Senate hearings on videogame violence, which led to the creation of the ESRB. While Nintendo had proudly trumpeted its less violent Mortal Kombat, the lure of the dollar was too much and Mortal Kombat II was released with blood on all formats."

"Sex and violence", Retro Gamer[7]

The Mortal Kombat series' violence, particularly its "Fatalities", was a source of major controversy during the early 1990s.[note 1] A moral panic over the series, fueled by outrage from the mass media,[9] resulted in a Congressional hearing and helped to pave the way for the creation of the Entertainment Software Rating Board (ESRB) game rating system in 1994.[10][11][12][note 2]

Congressional hearing and response

During the U.S. Congressional hearing on video game violence, Democratic Party Senator Herb Kohl attempted to illustrate why government regulation of video games was needed by showing clips from 1992's Mortal Kombat and Night Trap (another game featuring digitized actors).[6] Professor Eugene F. Provenzo commented that such games "have almost TV-quality graphics [but] are overwhelmingly violent, sexist and racist."[14] Senator Joe Lieberman also criticized Mortal Kombat's television advertisements. Referencing one of Sega's commercials for the game, Lieberman argued that the ad itself promoted violence. The video, as described by Weekly Reader, "shows a boy gaining the respect of his friends after winning Mortal Kombat. At the end of the commercial, the boy angrily knocks over a tray of cookies given to him by friends now frightened by the boy's fighting ability. The boy roars, 'I said I wanted chocolate chip!'"[15]

Nintendo, which had a policy of screening games for content like blood, had refused to allow gore in Mortal Kombat's release for their home system.[16] Meanwhile, their rival, Sega, released the game with their MA-13 rating, resulting in a great commercial success for them when millions of consumers chose their version over Nintendo's.[17] Nintendo's representatives attempted to use that fact to attack Sega during the hearings.[note 3] In response, Sega's Spanish division cancelled the release of their version of Mortal Kombat in Spain, fearing the game would stir up as much controversy there as it had in the United States and the United Kingdom.[18]

Senator Lieberman had been one of the first politicians to voice concerns over Mortal Kombat in 1993, and continued to be one of the most avid critics of violent video games. He later referenced the series and Doom in a 1996 statement, when he joined Kohl and the psychologist David Walsh in a campaign to inform Congress about the new wave of violent games such as Resident Evil.[19] During the 2000s, however, the controversy surrounding the series had wound down significantly. In 2006, Associated Press writer Lou Kesten wrote that Lieberman had remained "one of the video game industry's most persistent critic[s], but Mortal Kombat is no longer the flashpoint of the game violence debate. Its brand of mano-a-mano brawling is seen as kind of old-fashioned today, now that the likes of Grand Theft Auto are serving up the indiscrimate slaughter of innocent civilians."[20] TIME commented in 2012 that "the reason the 1992 classic remains seminal is because it broke an implicit taboo about what was okay to put in a game."[21]

Game ratings and bans

The games shocked many with their brutality. Pictured, Jax's "Arm Rip" Fatality in 1993's Mortal Kombat II, which was featured on the list of ten best gore effects in gaming's history by IGN in 2006[22]

As with the first Mortal Kombat game, the extremely bloody content of Mortal Kombat II became the subject of a great deal of controversy regarding violent video games. In 1994, Mortal Kombat II was added to the index of works deemed harmful to young people by Germany's Federal Department for Media Harmful to Young Persons (Bundesprüfstelle für jugendgefährdende Medien, or BPjM). The next year, all versions of the game, except for Game Boy's, were confiscated from the German market for violating §131 of the country's penal code, which prohibited showing gruesome violence against humans. (The ban ended in 2005, due to the ten-year limitation for confiscations.) The game's violence was censored in Japan. There, Nintendo insisted on changing the blood shown in the game from red to green. It also made the screen turn black-and-white for all character-specific Fatality moves.[23][24] Years later, Midway Games was also later forced to tone down the Joker's finishing move to secure the ESRB T-rating for Mortal Kombat vs. DC Universe.[25]

In 2010, Swiss Social Democrat politician Evi Allemann campaigned to outlaw Mortal Kombat, Manhunt, and video games displaying interactive "cruel acts of violence" in Switzerland.[26] The series' 2011 reboot game Mortal Kombat was banned in Australia, Germany, and South Korea.[27][28][29] The Australian Minister for Home Affairs, Brendan O'Connor, asked to be briefed on the decision, citing "public disquiet on the issue."[30]

Legislation

In 1998, the Florida House of Representatives' Barry Silver sponsored a bill to regulate video game violence, which he stated "[has] affected the moral fiber of our youth." The bill's initial proponents included Florida's Democratic Governor, Lawton Chiles (who alleged that violent video games can become "an instruction manual for murder and mayhem"[31]) and Florida State University Professor Murray Krantz, a specialist in child development. Eventually, the bill garnered support from more than 50 lawmakers and various groups ranging from the Florida Parent-Teacher Association to the Christian Coalition of America. After seeing a videotape of gameplay from one of the Mortal Kombat games, the House Governmental Rules and Regulation Committee passed the bill unanimously. An Associated Press reporter described the tape's content as follows: "After a male warrior repeatedly pummels a female opponent, the game urges him to 'finish her'. He then punches his hand into her chest and rips out her heart as blood gushes to the floor. At other times, the winning warrior instead pulls out the entire spine." Opponents, such as the Interactive Digital Software Association's founder and president, Doug Lowenstein, regarded the bill as unconstitutional, violating the First Amendment's free speech provision. Video game magazine Next Generation called the bill "a serious threat to video games in Florida" and expressed concern that the measure "might lead to the removal of all public video games in the state and possibly start a national trend."[32]

The Australian Senate had set up an inquiry in response to the original Mortal Kombat, Time Killers, and Night Trap, and the surrounding media coverage; the Senate's inquiry led to the Commonwealth Classification Act, which came into force on March 1, 1995, and introduced the Australian Classification Board. Almost exactly 18 years later, the Board finally banned the 2011 Mortal Kombat game its "explicit depictions of dismemberment, decapitation, disembowelment and other brutal forms of slaughter."[33] The game's publisher, Warner Bros. Interactive, appealed, but the appeal was rejected.[34] However, following the introduction of an adults-only rating system in 2013, the ban was overturned in Australia and the game re-rated R18+ uncensored.[35]

In 2005, California passed a statewide ban on selling violent video games to minors. The ban had been proposed and championed by former Governor of California Arnold Schwarzenegger. However, in 2011, in the Supreme Court case Brown v. Entertainment Merchants Association, the ban was struck down by a 7-2 vote. The Court ruled that "video games qualify for First Amendment protection," making the ban unconstitutional. The Justices' majority opinion declared: "Reading Dante is unquestionably more cultured and intellectually edifying than playing Mortal Kombat. But these cultural and intellectual differences are not constitutional ones. Crudely violent video games, tawdry TV shows, and cheap novels and magazines are no less forms of speech than The Divine Comedy, and restrictions upon them must survive strict scrutiny."[36] Justice Elena Kagan was quoted as calling Mortal Kombat "an iconic game, which I am sure half of the clerks who work for us spent considerable amounts of time in their adolescence playing."[37]

Advertisement censorship

Mortal Kombat's advertisements have also received criticism and were subjected to censorship. The 2011 edition of Guinness World Records Gamer's Edition awarded the Mortal Kombat series the world record for the earliest video game poster to be censored: "On April 22, 2003, Britain's Advertising Standards Authority (ASA) took the then unprecedented step of condemning the poster campaign promoting Mortal Kombat: Deadly Alliance. They claimed that the poster - which showed a 'hoodie' wiping his bloodstained hand on a businessman above the words 'It's in us all' – was 'irresponsible' and 'condoned violence'. The poster was unsurprisingly withdrawn."

Two years later, Blood on the Carpet, a TV commercial for 2005's Mortal Kombat: Shaolin Monks created by London-based company Maverick Media, was "slammed by the Advertising Standards Authority as condoning and glorifying violence." The video, as described by The Register, "features a boardroom scene in which a Mr Linn, the mysterious trouble-shooter at a sales meeting, instructs two men to fight. Punches lead to a pen being stabbed into an arm; then a water jug is smashed over an executive's head – before his heart is ripped from his chest. Mr Linn concludes proceedings by decapitating another executive with his hat."[38] The result of the complaint, according to the ASA's report, was: "We told Midway not to repeat the approach and told them to consult CAP Copy Advice before producing future ads."[39]

Studies on video game violence

Real-life violence

In the aftermath of the Columbine High School massacre in 1999, United States President Bill Clinton stated that "video games like Mortal Kombat, Killer Instinct, and Doom, the very game played obsessively by the two young men who ended so many lives in Littleton, make our children more active participants in simulated violence."[48] Attorney Jack Thompson, a Republican and Christian conservative activist against sexual themes and violence in video games and other entertainment media, represented the families of three of the Columbine victims. Thompson unsuccessfully sued the producers of Doom, Quake and Mortal Kombat, stating he intended "to hurt" the video game industry.[49] In 2006, Thompson also sent a cease and desist letter to Mortal Kombat developer and publisher Midway Games, writing: "It has today come to my attention that the newly recently [sic] Mortal Kombat: Armageddon contains an unauthorized commercial exploitation of my name, photograph, image, and likeness within the game."[50][51] Midway did not respond. In fact, what Thompson thought was an official character was in fact the creation of an individual player. That player used the game's "Kreate-a-Fighter" mode to construct a likeness of Thompson and demonstrated it in a video clip posted online.[52][53] Instructions on how to make a "Jack Thompson" character, described there as "the most violent man in America," were published two days earlier by video game website Gaming Target.[54][55] Thompson succeeded in having the offending video removed,[56] but the article remained online in unaltered form.[54]

Some critics have alleged that the Mortal Kombat series influenced particular cases of real-life lethal violence other than the Columbine massacre:

Feminist and racial perspectives

Some critics have condemned the Mortal Kombat series as sexist and/or racist. Guy Aoki, the president of the advocacy group Media Action Network for Asian Americans, rebuked Mortal Kombat II in 1994 for allegedly perpetuating existing stereotypes of Asians as martial arts experts, with the game's portrayal of characters such as Kitana, Kung Lao, Liu Kang, Mileena, Raiden, Scorpion, Shang Tsung and Sub-Zero. Allyne Mills, publicist for Acclaim Entertainment, answered: "This is a fantasy game, with all different characters. This is a martial arts game which comes from Asia. [sic] The game was not created to foster stereotypes."[76][77]

In 1995, critical studies professor Marsha Kinder denounced Mortal Kombat II and Mortal Kombat 3 for allegedly allowing players to have what she termed "a misogynist aspect to the combat." Kinder was quoted as saying that in Mortal Kombat II, "some of the most violent possibilities are against women. Also, their fatality moves are highly eroticised. One of the women characters kills her opponent by inflating him until he explodes, another by sucking him in and spitting out his bones. Talk about Spider Woman!"[78] In a 2011 review of Mortal Kombat 9, Maddy Myers of The Boston Phoenix wrote "Mortal Kombat represents everything that's awful about video games. It's trashy, it's corny, it's gory, it's sexist, it's racist — and it's deceptively addictive. (...) The entire game is an alienating reminder that if you're not a white, heterosexual male, it's not 'for' you. Or perhaps the intended message is, 'Violence is sexy'? Either way, I'm uncomfortable."[79]

In a 1999 book titled From Barbie to Mortal Kombat, written by media scholars Justine Cassell and Henry Jenkins, the series was used to represent "the basic boy cyberworld of aggression, action and dead bodies." While reporting about the book, liberal journalist Ellen Goodman commented: "Much as we want little girls in the computer circle, it's hard to lament the fact that our daughters are not drawn to Kombat bootstraps."[80] In another 1999 article, Goodman also mentioned the game negatively by writing that while "you're worrying about violence and gratitious sex" and "may want to get Mortal Kombat off your computer," the "folks on your right" are "worrying about [issues such as] keeping the sexes in their designated roles," when arguing that left-wingers should not join up with conservatives into a common "anti-entertainment, anti-Hollywood brigade and assume that we are all singing the same key."[81]

On the other hand, U.S. Appeals Court Judge Richard Posner considered Ultimate Mortal Kombat 3 to be "a feminist violent video game". Finding that Indianapolis' attempt to ban Ultimate Mortal Kombat 3 violated the First Amendment, Judge Posner wrote "the game is feminist in depicting a woman as fully capable of holding her own in violent combat with heavily armed men. It thus has a message, even an 'ideology' just as books and movies do." Judge Posner further marveled that "the woman wins all the duels. She is as strong as the men, she is more skillful, more determined, and she does not flinch at the sight of blood."[82]

In 2013, video game commentator TotalBiscuit took to Twitter and reddit to defend Mortal Kombat from accusations of misogyny, citing the term's dictionary definition and other arguments.[83] On the other hand, game journalist Patrick Klepek (Giant Bomb) argued that "designs might not be misogynistic if we’re going by the baseline definition of 'hatred of women,' but they’re certainly tainted with sexism. (Of which the second Oxford Dictionary definition is 'attitudes, conditions, or behaviors that promote stereotyping of social roles based on gender.') Every single woman in Mortal Kombat is wearing the equivalent of a bikini."[84]

Court cases

Daniel Pesina v. Midway Manufacturing Co.

In 1996, actor Daniel Pesina (who had portrayed Johnny Cage, Sub-Zero, Scorpion, Reptile, Smoke and Noob Saibot) sued Midway Games, Williams Electronics Games, Inc, Acclaim Entertainment, Nintendo, and Sega. He alleged "that all defendants used his persona, name, and likeness without authorization in the home version of Mortal Kombat and Mortal Kombat II and the related products." The case was tried in the United States District Court for the Northern District of Illinois with Judge Elaine E. Bucklo presiding. The court concluded that "alleged use of martial artist's name, likeness or persona in a martial arts video game did not violate his common-law right of publicity."[85]

Philip Ahn, Elizabeth Malecki, and Katalin Zamiar v. Midway Manufacturing, et al.

In 1997, Mortal Kombat and Mortal Kombat II actors Philip Ahn (Shang Tsung), Elizabeth Malecki (Sonya Blade), and Katalin Zamiar (Kitana, Mileena, and Jade) jointly sued Midway Games, Williams Electronics Games, Acclaim, Nintendo and Sega for using their likenesses in an unauthorized way. They sought "a constructive trust on all monies defendants received and continued to receive from their alleged breach of their duties to [the] plaintiffs."[86] Ahn, Zamiar, and Malecki alleged "that they were only modeling for the coin-operated video game, not the subsequent home video, home computer, and hand-held versions of the game." With Judge Robert William Gettleman presiding in the Northern District of Illinois Court "the plaintiffs lost on all counts because they had all consented to the videotaping and because the choreography and choice of movements used in the game were not jointly 'authored' by the individuals."[87]

Wilson v. Midway Games, Inc.

In 1997, thirteen-year-old Noah Wilson was killed by Yancy Salazar, also thirteen. Salazar stabbed Wilson in the chest with a kitchen knife and severed his aorta, leaving Wilson to die after an hour of massive blood loss. The victim's mother, Andrea Wilson, alleged that her son was killed due to Salazar's strong interest in Mortal Kombat. She claimed that Salazar was so "obsessed" with the game that he thought he was actually the Mortal Kombat character Cyrax, who she claimed used a Fatality in which he grabs the opponent in a headlock and stabs his opponent in the chest. In fact, this Fatality did not exist and was never performed by the character Cyrax. With Judge Janet Bond Arterton presiding, the case was tried in the United States District Court for the District of Connecticut. The Court ruled that "Wilson's complaint fail[ed] to state a claim upon which relief can be granted."[88]

Bankruptcy and royalties lawsuits

In 2009, Lawrence Kasanoff, producer of the Mortal Kombat films, TV series, soundtracks, and live tour, and his company, Threshold Entertainment, sued Midway in bankruptcy court. Kasanoff sued over what he claimed were his intellectual property (IP) interests in the franchise. He was attempting to preserve his IP rights, including copyrights to certain Mortal Kombat characters, and to retain the right to create derivative film and television projects based on the franchise. Kasanoff attempted to block a $33-million bid for Mortal Kombat assets by Warner Bros. company. Kasanoff's complaint stated: "The Mortal Kombat series, as it stands today, is far more a creation of Threshold and Kasanoff than of Midway. Midway's creative input was almost entirely limited to the videogames. On their own, the video games provided only minimal backstory and mythology, and only flat, 'stock' characters. ... Kasanoff and Threshold were responsible for virtually all of the creative input that went into turning the videogame concept into a multimedia enterprise."[89][90]

Two other lawsuits related to millions of dollars of unpaid royalties were filed during the periods of 2000-2004 and 2005-2008. In 2011, Los Angeles County Superior Court Judge Ronald M. Sohigian awarded Kasanoff only $14,981 and dismissed his other claims. He also ordered Threshold to pay Warner Bros. $25,412 in legal fees after determining that Warner Bros. was the "prevailing party." Kasanoff appealed the ruling and the denial of a jury trial.[91][92][93]

Notes

  1. ↑ According to The Realm of Mortal Kombat editor-in-chief and site manager, Jeff Greeson, as cited by GameSpot, "everything was over the top. From the pools of blood spewing from your character, to the outrageous gruesomeness of the game's fatalities. Mortal Kombat not only shocked anyone who had ever played the game, but those who simply walked by the game were mesmerized by its gore. Mortal Kombat was generally quiet in the arcades, at least as far as lawmakers were concerned. Once Acclaim received the rights to bring the game to the home console markets, they brought [it] into the spotlight of the general public. The media picked up on the fears that the public had of bringing such violent imagery into their homes through a device that children played with. ... When you pinpoint and highlight the game's violence and nothing else, it was hard to be a defender of the game during that time."[8]
  2. ↑ Years later, in 2010, Ed Boon revealed that he had actually sympathised with much of the outrage and admitted, "I wouldn't want my ten-year-old kid playing a game like that."[13]
  3. ↑ As narrated by Greeson, "in the hearing, a Nintendo representative attacked Sega for its release of violent games and said his own company had tried to mitigate the industry's worst excesses. In response, the Sega representative pulled out a prop - a bazooka-style gun accessory used by some Nintendo games - and asked if that was the appropriate means to teach nonviolence to children."[8]
  4. ↑ Video game website Destructoid editor Jonathan Holmes commented: "So, if you are anything like me, the first thing you thought when you read that headline is 'Who the hell still plays Mortal Kombat?' A natural reaction, even in the face of such a evocative and depressing news story. But it's not a reaction that most adult Americans will share. Most adult Americans will think 'When the hell are they going to ban those terrible things, how many more children must die?' Those terrible things, or course, are not stupid teenagers, or liquor stores that sell to minors. Those terrible things are video games."[65]

References

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