Mass in G major, K. 140 "Pastoral"

The Missa brevis No. 6^[1] in G major, K. 140, K³ Anh. 235d, K⁶ Anh. C 1.12, was probably composed by Wolfgang Amadeus Mozart shortly after returning to Salzburg, in March 1773, from his third trip to Italy.^[2]

Walter Senn, who published the Mass in 1968 for the Neue Mozart-Ausgabe, notes that this Mass is the only one Mozart composed along the lines of the Pastoral Mass type.^[2]

Attribution to Mozart - time of origin

Ludwig von Köchel, in the first edition of his catalog of Mozart's music, thought the Mass roughly contemporary with Lucio Silla and "Exsultate, jubilate" (1772-1773). Alfred Einstein thought its original composition to be closer to that of the sixth Serenade (1776) with his revision of Köchel's catalog in 1937. Otto Jahn, Franz Giegling and others thought it not to be by Mozart at all.

The work was accepted as genuine by Walter Senn: he published the Mass as No. 5 in the Neue Mozart-Ausgabe in 1968.^[2] The earliest surviving score and parts, found in a cloister in Augsburg, Germany, were prepared by a copyist, with completions and corrections in Mozart's hand.^[3] Senn assumes the Mass was composed in 1773, after Mozart had returned from Italy in March.^[2]

Movements and orchestration

The mass is scored for soloists, choir, strings and organ, the latter playing from figured bass. The setting is divided into six movements:

1. "Kyrie" Andantino, G major, 3/4
2. "Gloria" Allegro, G major, 6/8

   —"Laudamus te..." Andantino, 3/8

3. "Credo" Allegro, G major, common time

   —"Et incarnatus est..." Andantino, E-flat major, 3/4

   —"Et resurrexit..." Allegro, G major, common time

4. "Sanctus" Andante, G major, 3/4

   —"Pleni sunt caeli..." Allegro vivace, 2/4

5. "Benedictus" Andante, C major, 2/4

   —"Osanna..." Allegro vivace, G major

6. "Agnus Dei" Andante, G major, common time

   —"Dona nobis pacem..." Allegro, G major, 3/8

References

1. David Humphreys. "Sacred Music" in The Mozart Compendium: A Guide to Mozart's Life and Music, H. C. Robbins Landon (ed.). New York: Schirmer; London: Thames and Hudson. 1990. pp. 312–314.
2. Senn 1968, pp. XIII-XV
3. Green 2002, p. 104

Sources

• Jonathan D. Green (2002). A Conductor's Guide to Choral-Orchestral Works, Classical Period: Volume 1: Haydn and Mozart New York: Scarecrow Press
• Daniel Heartz (1995). Haydn, Mozart, and the Viennese School: 1740 — 1780 New York: W. W. Norton & Co.
• (German) Ludwig Ritter von Köchel. Chronologisch-Thematisches Verzeichniss sämmtlicher Tonwerke Wolfgang Amade Mozarts. Breitkopf & Härtel: Leipzig, 1862.
• (German) Walter Senn (1968). Neue Mozart-Ausgabe. Series I (Sacred vocal music), Workgroup 1 (Masses and Requiem), Part 1: Masses, Volume 1. Bärenreiter.

External links

• Free scores by Missa Brevis in G Major, KV 140 (Wolfgang Amadeus Mozart) in the Choral Public Domain Library (ChoralWiki)
• Missa brevis in G, KV 140: Score and critical report (German) in the Neue Mozart-Ausgabe
• Pajot, Dennis. "K140 --"Pastoralis" Mass in G--Are We Dealing with Authentic Mozart?". Mozartforum.com. Archived from the original on 8 August 2007.