Join, or Die

For the television series, see Join or Die with Craig Ferguson.
"Join, or Die" by Benjamin Franklin was recycled to encourage the former colonies to unite against British rule
Join, or Die by Benjamin Franklin was recycled to encourage the former colonies to unite against British rule

Join, or Die is a well-known political cartoon, drawn by Benjamin Franklin and first published in his Pennsylvania Gazette on May 9, 1754.[1] The original publication by the Gazette is the earliest known pictorial representation of colonial union produced by a British colonist in America.[2] It is a woodcut showing a snake cut into eighths, with each segment labeled with the initials of one of the American colonies or regions. New England was represented as one segment, rather than the four colonies it was at that time. Delaware was not listed separately as it was part of Pennsylvania. Georgia, however, was omitted completely. Thus, it has eight segments of snake rather than the traditional 13 colonies.[3] The two northernmost British American colonies at the time, Nova Scotia and Newfoundland, were not represented, nor were any British Caribbean possessions. The cartoon appeared along with Franklin's editorial about the "disunited state" of the colonies, and helped make his point about the importance of colonial unity. This cartoon was used in the French and Indian War to symbolize that the colonies needed to join together with the Kingdom of Great Britain to defeat the French and Indians. It became a symbol of colonial freedom during the American Revolutionary War.

Role during the Seven Years' War

At that time, the colonists were divided on whether to fight the French and their Native-American allies for control of the land west of the Appalachian Mountains; in what came to be known as the French and Indian War. It became a symbol for the need of organized action against an outside threat posed by the French and Native-Americans in the mid 18th century. Writer Philip Davidson states that Franklin was a propagandist influential in seeing the potential in political cartoons.[4] Franklin had proposed the Albany Plan and his cartoon suggested that such a union was necessary to avoid destruction. As Franklin wrote:

The Confidence of the French in this Undertaking seems well-grounded on the present disunited State of the British Colonies, and the extreme Difficulty of bringing so many different Governments and Assemblies to agree in any speedy and effectual Measures for our common defense and Security; while our Enemies have the very great Advantage of being under one. Direction, with one Council, and one Purse....[5]

Role prior to and during the American Revolution

Massachusetts Spy, July 7, 1774

Franklin's political cartoon took on a different meaning during the lead up to the American Revolution, especially around 1765-1766, during the Stamp Act Congress. British colonists in America protesting British rule used the cartoon in the Constitutional Courant to help persuade the colonists. However, the Patriots, who associated the image with eternity, vigilance, and prudence, were not the only ones who saw a new interpretation of the cartoon. The Loyalists saw the cartoon with more biblical traditions, such as those of guile, deceit, and treachery. Franklin himself opposed the use of his cartoon at this time, but instead advocated a moderate political policy; in 1766, he published a new cartoon MAGNA Britannia: her Colonies REDUC'D,[6] where he warned against the danger of Britain losing her American colonies by means of the image of a female figure (Britannia) with her limbs cut off. Because of Franklin's initial cartoon, however, the Courant was thought of in England as one of the most radical publications.[4]

The difference between the use of Join or Die in 1754 and 1765 is that Franklin had designed it to unite the colonies for 'management of Indian relations' and defense against France, but in 1765 American colonists used it to urge colonial unity against the British. Also during this time the phrase "join, or die" changed to "unite, or die," in some states such as New York and Pennsylvania.

Soon after the publication of the cartoon during the Stamp Act Congress, variations were printed in New York, Massachusetts, and a couple of months later it had spread to Virginia and South Carolina. In some states, such as New York and Pennsylvania, the cartoon continued to be published week after week for over a year.[4] On July 7, 1774 Paul Revere altered the cartoon to fit the masthead of the Massachusetts Spy.[7]

Legacy of the cartoon

The cartoon has been reprinted and redrawn widely throughout American history. Variants of the cartoon have different texts, e.g. "Unite or Dead", and differently labeled segments, depending on the political bodies being appealed to. During the American Revolutionary War, the image became a potent symbol of Colonial unity and resistance to what was seen as British oppression. It returned to service, suitably redrawn, for both sides of the American Civil War.[8]

See also

References

  1. "Join, or Die". Pennsylvania Gazette. Philadelphia. May 9, 1754. p. 2. Retrieved January 19, 2014 via Newspapers.com.
  2. Margolin, Victor. "Rebellion, Reform, and Revolution: American Graphic Design for Social Change". Design Issues Vol. 5, No. 1, 1988
  3. "Join or Die Snake Historical Flag". Flags Unlimited. Retrieved May 13, 2011.
  4. 1 2 3 Olson, Lester C. Benjamin Franklin's George Washington Vision of American Community. University of South Carolina Press, Columbia, 2004
  5. "The Writings of Benjamin Franklin: Philadelphia, 1726 - 1757". historycarper.com. Retrieved May 1, 2006.
  6. "Political cartoon: MAGNA Britannia : her Colonies REDUC'D". Library Company of Philadelphia. Retrieved April 29, 2007.
  7. "A More Perfect Union: Symbolizing the National Union of States". Library of Congress. Retrieved November 3, 2010.
  8. "'Join, or Die' - the Political Cartoon by Benjamin Franklin". BBC. 2003. Retrieved December 13, 2006.
  9. "Philadelphia Major League Soccer Team Reveals Identity to the World". Major League Soccer. May 11, 2009. Retrieved November 3, 2010.
  10. "22 September 2009". The View. September 22, 2009. ABC. Retrieved November 3, 2010.
  11. "The Rallying Cry of the Robot Skeleton Army". Plixi. February 11, 2010. Retrieved November 3, 2010.
  12. "History Channel Shows".
  13. "NCIS Recap: Dead Air". CBS. Retrieved November 3, 2010.

Further reading

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