Ludwig Feuerbach

"Feuerbach" redirects here. For other uses, see Feuerbach (disambiguation).
Ludwig Feuerbach
Born (1804-07-28)28 July 1804
Landshut, Bavaria
Died 13 September 1872(1872-09-13) (aged 68)
Rechenberg near Nuremberg, German Empire
Alma mater University of Heidelberg
University of Erlangen
(Dr.phil.habil., 1828)
Era 19th-century philosophy
Region Western Philosophy
School Dialectical materialism[1][2]
Secular humanism[3]
Main interests
 Religion, Christianity
Notable ideas
 Religion as the outward projection of human inner nature

Ludwig Andreas von Feuerbach (28 July 1804 – 13 September 1872) was a German philosopher and anthropologist best known for his book The Essence of Christianity, which provided a critique of Christianity which strongly influenced generations of later thinkers, including both Karl Marx and Friedrich Engels.

An associate of Left Hegelian circles, Feuerbach advocated liberalism, atheism, and materialism. Many of his philosophical writings offered a critical analysis of religion. His thought was influential in the development of historical materialism,[1][2] where he is often recognized as a bridge between Hegel and Marx.[4]

Life and career

Feuerbach was the fourth son of the eminent jurist Paul Johann Anselm Ritter von Feuerbach, brother of mathematician Karl Wilhelm Feuerbach and uncle of painter Anselm Feuerbach.[5] Feuerbach's other brothers were almost all distinguished in scholarship or science:

He also had three sisters:

Education

Feuerbach matriculated in the University of Heidelberg with the intention of pursuing a career in the church. Through the influence of Prof. Karl Daub he was led to an interest in the then predominant philosophy of Hegel and, in spite of his father's opposition, enrolled in the University of Berlin in order to study under the master himself. After 2 years, the Hegelian influence began to slacken. Feuerbach became associated with a group known as the Young Hegelians, alternately known as the Left Hegelians, who synthesized a radical offshoot of Hegelian philosophy, interpreting Hegel's dialectic march of spirit through history to mean that existing Western culture and institutional forms—and, in particular, Christianity—would be superseded. "Theology," he wrote to a friend, "I can bring myself to study no more. I long to take nature to my heart, that nature before whose depth the faint-hearted theologian shrinks back; and with nature man, man in his entire quality." These words are a key to Feuerbach's development. He completed his education at Erlangen, at the University of Erlangen with the study of natural science. He earned his habilitation from Erlangen on 25 July 1828 with his thesis De ratione una, universali, infinita (The Infinity, Unity and Universality of Reason).[6]

Early writings

His first book, published anonymously, Gedanken über Tod und Unsterblichkeit (1830), contains an attack on personal immortality and an advocacy of the Spinozistic immortality of reabsorption in nature. These principles, combined with his embarrassed manner of public speaking, debarred him from academic advancement. After some years of struggling, during which he published his Geschichte der neueren Philosophie (2 vols., 1833–1837, 2nd ed. 1844), and Abelard und Heloise (1834, 3rd ed. 1877), he married in 1837 and lived a rural existence at Bruckberg near Nuremberg, supported by his wife's share in a small porcelain factory.

In two works of this period, Pierre Bayle (1838) and Philosophie und Christentum (1839), which deal largely with theology, he held that he had proven "that Christianity has in fact long vanished not only from the reason but from the life of mankind, that it is nothing more than a fixed idea."

Das Wesen des Christentums (The Essence of Christianity)

His most important work, Das Wesen des Christentums (1841), was translated by Mary Ann Evans (later known as George Eliot) into English as The Essence of Christianity.

Feuerbach's theme was a derivation of Hegel's speculative theology in which the Creation remains a part of the Creator, while the Creator remains greater than the Creation. When the student Feuerbach presented his own theory to professor Hegel, Hegel refused to reply positively to it.

In part I of his book Feuerbach developed what he calls the "true or anthropological essence of religion." Treating of God in his various aspects "as a being of the understanding," "as a moral being or law," "as love" and so on. Feuerbach talks of how humankind is equally a conscious being, more so than God because humans have placed upon God the ability of understanding. Humans contemplate many things and in doing so they become acquainted with themselves. Feuerbach shows that in every aspect God corresponds to some feature or need of human nature. As he states,

"In the consciousness of the infinite, the conscious subject has for his object the infinity of his own nature."

Instead, Feuerbach concludes, "If man is to find contentment in God," he claims, "he must find himself in God."

Thus God is nothing else than human: he is, so to speak, the outward projection of a human's inward nature. This projection is dubbed as a chimera by Feuerbach, that God and the idea of a higher being is dependent upon the aspect of benevolence. Feuerbach states that, “a God who is not benevolent, not just, not wise, is no God,” and continues to say that qualities are not suddenly denoted as divine because of their godly association. The qualities themselves are divine therefore making God divine, indicating that humans are capable of understanding and applying meanings of divinity to religion and not that religion makes a human divine.

The force of this attraction to religion though, giving divinity to a figure like God, is explained by Feuerbach as God is a being that acts throughout humans in all forms. God, “is the principle of [man's] salvation, of [man's] good dispositions and actions, consequently [man's] own good principle and nature.” It appeals to humankind to give qualities to the idol of their religion because without these qualities a figure such as God would become merely an object, its importance would become obsolete, there would no longer be a feeling of an existence for God. Therefore, Feuerbach says, when humans remove all qualities from God, “God is no longer anything more to him than a negative being.” Additionally, because humans are imaginative, God is given traits and there holds the appeal. God is a part of a human through the invention of a God. Equally though, humans are repulsed by God because, “God alone is the being who acts of himself.”

In part 2 he discusses the "false or theological essence of religion," i.e. the view which regards God as having a separate existence over against humankind. Hence arise various mistaken beliefs, such as the belief in revelation which he believes not only injures the moral sense, but also "poisons, nay destroys, the divinest feeling in man, the sense of truth," and the belief in sacraments such as the Lord's Supper, which is to him a piece of religious materialism of which "the necessary consequences are superstition and immorality."

A caustic criticism of Feuerbach was delivered in 1844 by Max Stirner. In his book Der Einzige und sein Eigentum (The Ego and His Own), he attacked Feuerbach as inconsistent in his atheism. The pertinent portions of the books, Feuerbach's reply, and Stirner's counter-reply form an instructive polemics. (see External Links)

After "1848"

During the troubles of 1848–1849 Feuerbach's attack upon orthodoxy made him something of a hero with the revolutionary party; but he never threw himself into the political movement, and indeed lacked the qualities of a popular leader. During the period of the Frankfurt Congress he had given public lectures on religion at Heidelberg. When the diet closed he withdrew to Bruckberg and occupied himself partly with scientific study, partly with the composition of his Theogonie (1857).

In 1860 he was compelled by the failure of the porcelain factory to leave Bruckberg, and he would have suffered the extremity of want but for the assistance of friends supplemented by a public subscription. His last book, Gottheit, Freiheit und Unsterblichkeit, appeared in 1866 (2nd ed., 1890). In 1868 he read the first volume of Marx's Capital and joined the Social-Democratic Party.[7] After a long period of decline, he died on September 13, 1872. He is buried in Johannis-Friedhof Cemetery in Nuremberg, which is also where the artist Albrecht Dürer is interred.

Philosophy

Essentially the thought of Feuerbach consisted in a new interpretation of religion's phenomena, giving an anthropological explanation. Following Schleiermacher’s theses, Feuerbach thought religion was principally a matter of feeling in its unrestricted subjectivity. So the feeling breaks through all the limits of understanding and manifests itself in several religious beliefs. But, beyond the feeling, is the fancy, the true maker of projections of "Gods" and of the sacred in general.

Influence

Karl Marx and Friedrich Engels were strongly influenced by Feuerbach's atheism, though they criticised him for his inconsistent espousal of materialism.[1]

Works

See also

Notes

  1. 1 2 3 "Feuerbach, Ludwig" at marxists.org. Accessed 18 April 2016.
  2. 1 2 Nicholas Churchich, Marxism and Alienation, Fairleigh Dickinson University Press, 1990, p. 57: "Although Marx has rejected Feuerbach's abstract materialism," Lenin says that Feuerbach's views "are consistently materialist," implying that Feuerbach's conception of causality is entirely in line with dialectical materialism."
  3. ↑ Robert M. Price, Religious and Secular Humanism – What's the difference?
  4. ↑ Harvey, Van A., "Ludwig Andreas Feuerbach", The Stanford Encyclopedia of Philosophy (Winter 2008 Edition), Edward N. Zalta (ed.), http://plato.stanford.edu/archives/win2008/entries/ludwig-feuerbach/.
  5. ↑ Harvey, Van A., "Ludwig Andreas Feuerbach", The Stanford Encyclopedia of Philosophy (Winter 2008 Edition), Edward N. Zalta (ed.), http://plato.stanford.edu/archives/win2008/entries/ludwig-feuerbach/, Section 1.
  6. ↑ Francesco Tomasoni, Ludwig Feuerbach: Entstehung, Entwicklung und Bedeutung seines Werks, Waxmann Verlag, 2015, p. 58.
  7. ↑ Nürnberger Nachrichten, Wed. July 28, 2004, Kulturteil p. 1.

References

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