Dashiell Hammett

Dashiell Hammett
Born Samuel Dashiell Hammett
(1894-05-27)May 27, 1894
St. Mary's County, Maryland, United States
Died January 10, 1961(1961-01-10) (aged 66)
New York City, New York, United States
Occupation Novelist
Nationality American
Period 1929–1951
Genre Crime and detective fiction
Spouse Josephine Dolan (1921–1937; divorced; 2 children)[1]
Partner Lillian Hellman (1931–1961)
Children Mary Jane Hammett (b. 1921)
Josephine Hammett (b. 1926)

Samuel Dashiell Hammett (/ˈsæmjʊəl dəˈʃiːl ˈhæmət/; May 27, 1894 – January 10, 1961) was an American author of hard-boiled detective novels and short stories, screenwriter, and political activist. Among the enduring characters he created are Sam Spade (The Maltese Falcon), Nick and Nora Charles (The Thin Man), and the Continental Op (Red Harvest and The Dain Curse).

Hammett "is now widely regarded as one of the finest mystery writers of all time".[2] In his obituary in The New York Times, he was described as "the dean of the... 'hard-boiled' school of detective fiction."[3] Time magazine included Hammett's 1929 novel Red Harvest on its list of the 100 best English-language novels published between 1923 and 2005.[4] His novels and stories also had a significant influence on films.

Early life

Hammett was born on a farm in Saint Mary's County, Maryland.[5] His parents were Richard Thomas Hammett and Anne Bond Dashiell; his mother belonged to an old Maryland family, whose name in French was De Chiel. Known as Sam, Hammett was baptized a Catholic,[6] and grew up in Philadelphia and Baltimore.

He left school when he was 13 years old and held several jobs before working for the Pinkerton National Detective Agency. He served as an operative for Pinkerton from 1915 to February 1922, with time off to serve in World War I. The agency's role in union strike-breaking eventually left him disillusioned.[7]

Hammett enlisted in the Army in 1918 and served in the Motor Ambulance Corps. He was afflicted during that time with the Spanish flu and later contracted tuberculosis. He spent most of his time in the Army as a patient at Cushman Hospital in Tacoma, Washington, where he met a nurse, Josephine Dolan, whom he later married.

Marriage and family

Hammett and Dolan had two daughters, Mary Jane (born 1921) and Josephine (born 1926).[8] Shortly after the birth of their second child, Health Services nurses informed Dolan that due to Hammett's TB, she and the children should not live with him full-time. Dolan rented a home in San Francisco, California, where Hammett would visit on weekends. The marriage soon fell apart, but he continued to financially support his wife and daughters with the income he made from his writing.[9]

Career and personal life

Lillian Hellman in 1935

Hammett was first published in 1922 in the magazine The Smart Set.[10] Known for the authenticity and realism of his writing, he drew on his experiences as a Pinkerton operative.[11] Hammett wrote most of his detective fiction while he was living in San Francisco in the 1920s, and streets and other locations in San Francisco are frequently mentioned in his stories. He said that "All my characters were based on people I've known personally, or known about."[12]

Raymond Chandler, often considered Hammett's successor, summarized his accomplishments in The Simple Art of Murder:

Hammett was the ace performer... He is said to have lacked heart; yet the story he himself thought the most of, The Glass Key, is the record of a man's devotion to a friend. He was spare, frugal, hard-boiled, but he did over and over again what only the best writers can ever do at all. He wrote scenes that seemed never to have been written before.

In 1929 and 1930, he was romantically involved with Nell Martin, a writer of short stories and several novels. He dedicated The Glass Key to her, and in turn, she dedicated her novel Lovers Should Marry to him.

In 1931, Hammett embarked on a 30-year affair with the playwright Lillian Hellman. Though he sporadically continued to work on material, he wrote his final novel in 1934, more than 25 years before his death. It is not certain why he moved away from fiction; Hellman speculated in a posthumous collection of Hammett's novels that "I think, but I only think, I know a few of the reasons: he wanted to do new kind of work, he was sick for many of those years and getting sicker."[13]

Politics and service in World War II

Hammett devoted much of his life to left-wing activism. He was a strong anti-fascist throughout the 1930s and in 1937 joined the Communist Party.[14] He suspended his anti-fascist activities when, as a member (and in 1941 president) of the League of American Writers, he served on its Keep America Out of War Committee in January 1940 during the period of the Molotov–Ribbentrop Pact.[15]

In early 1942, following the attack on Pearl Harbor, Hammett again enlisted in the United States Army. He was a disabled veteran of World War I, a victim of tuberculosis, and a Communist, but he pulled strings in order to be admitted. He served as a sergeant in the Aleutian Islands, where he edited an Army newspaper. In 1943, still a member of the military, he co-authored The Battle of the Aleutians with Cpl. Robert Colodny, under the direction of an infantry intelligence officer, Major Henry W. Hall. While in the Aleutians he developed emphysema.

After the war, Hammett returned to political activism, "but he played that role with less fervor than before." He was elected President of the Civil Rights Congress (CRC) on June 5, 1946, at a meeting held at the Hotel Diplomat in New York City, and "devoted the largest portion of his working time to CRC activities".[16]

In 1946, a bail fund was created by the CRC "to be used at the discretion of three trustees to gain the release of defendants arrested for political reasons."[17] Those three trustees were Hammett, who was chairman, Robert W. Dunn, and Frederick Vanderbilt Field, "millionaire Communist supporter."[17] On April 3, 1947, the CRC was identified as a Communist front group on the Attorney General's List of Subversive Organizations, as directed by U.S. President Harry S. Truman's Executive Order 9835.[18]

Imprisonment and the blacklist

The CRC's bail fund gained national attention on November 4, 1949, when bail in the amount of "$260,000 in negotiable government bonds" was posted "to free eleven men appealing their convictions under the Smith Act for criminal conspiracy to teach and advocate the overthrow of the United States government by force and violence." On July 2, 1951, their appeals exhausted, four of the convicted men fled rather than surrender themselves to Federal agents and begin serving their sentences. The United States District Court for the Southern District of New York issued subpoenas to the trustees of the CRC bail fund in an attempt to learn the whereabouts of the fugitives.[17]

Hammett testified on July 9, 1951, in front of United States District Court Judge Sylvester Ryan, facing questioning by Irving Saypol, the United States Attorney for the Southern District of New York, described by Time as "the nation's number one legal hunter of top Communists". During the hearing, Hammett refused to provide the information the government wanted, specifically the list of contributors to the bail fund, "people who might be sympathetic enough to harbor the fugitives."[17] Instead, on every question regarding the CRC or the bail fund, Hammett declined to answer, citing the Fifth Amendment, refusing to even identify his signature or initials on CRC documents the government had subpoenaed. As soon as his testimony concluded, Hammett was found guilty of contempt of court.[17][19][20][21]

Hammett served time in a West Virginia federal penitentiary where, according to Lillian Hellman, he was assigned to clean toilets.[22][23] Hellman noted in her eulogy of Hammett that he submitted to prison rather than reveal the names of the contributors to the fund because "he had come to the conclusion that a man should keep his word."[24]

Later years and death

Hammett's grave, in Arlington National Cemetery, section 12, site 508)

During the 1950s, Hammett was investigated by Congress. He testified on March 26, 1953, before the House Un-American Activities Committee about his own activities but refused to cooperate with the committee. No official action was taken, but his stand led to his being blacklisted, along with others who were blacklisted as a result of McCarthyism.

Hammett became an alcoholic before working in advertising[11] and alcoholism continued to trouble him until 1948, when he quit after his doctor's orders. However, years of heavy drinking and smoking worsened the tuberculosis he contracted in World War I, and then according to Hellman "jail had made a thin man thinner, a sick man sicker ... I knew he would now always be sick."[25]

Hellman wrote that during the 1950s Hammett became "a hermit", his decline evident in the clutter of his rented "ugly little country cottage", where "signs of sickness were all around: now the phonograph was unplayed, the typewriter untouched, the beloved foolish gadgets unopened in their packages."[26] He may have meant to start a new literary life with the novel Tulip but left it unfinished, perhaps because he was "just too ill to care, too worn out to listen to plans or read contracts. The fact of breathing, just breathing, took up all the days and nights."[27] Hammett could no longer live alone, and they both knew it, so he spent the last four years of his life with Hellman. "Not all of that time was easy, and some of it very bad", she wrote, but, "guessing death was not too far away, I would try for something to have afterwards."[28]

Death

Hammett died in Lenox Hill Hospital, in New York City, on January 10, 1961, of lung cancer, diagnosed just two months before. As a veteran of two world wars, he was buried at Arlington National Cemetery.

Legacy

Hammett's relationship with Lillian Hellman was portrayed in the film Julia. Jason Robards won an Oscar for his depiction of Hammett, and Jane Fonda was nominated for her portrayal of Lillian Hellman.

Hammett was portrayed semi-fictionally as the protagonist in the film Hammett.

Works

Novels

All the novels except The Thin Man were originally serialized in three, four, or five parts in various magazines.[29]

Short fiction
Collected short fiction
Screenplays
Other publications

Unpublished stories

In 2011, magazine editor Andrew Gulli found fifteen previously unknown short stories by Dashiell Hammett in the archives of the Harry Ransom Center at the University of Texas in Austin.[31]

Published as

References

  1. ↑ Profile, nytimes.com; accessed March 1, 2016.
  2. ↑ Layman, Richard (1981). Shadow Man: The Life of Dashiell Hammett. Harcourt Brace Jovanovich. p. 239. ISBN 0-15-181459-7.
  3. ↑ Layman, Richard; Bruccoli, Matthew J. (2002). Hardboiled Mystery Writers: A Literary Reference. Carroll & Graf. p. 225. ISBN 0-7867-1029-2.
  4. ↑ Grossman, Lev; Lacayo, Richard (October 31, 2005). "TIME's Critics Pick the 100 Best Novels 1923 to the Present". Time. Retrieved October 19, 2008.
  5. ↑ Shoemaker, Sandy. "Tobacco to Tomcats: St. Mary's County since the Revolution". StreamLine Enterprises, Leonardtown, Maryland: 160. Retrieved 2008-01-01.
  6. ↑ Dashiell Hammett: Lost Stories. San Francisco: Vince Emery Productions, 2005, p. 197.
  7. ↑ Heise, Thomas, "'Going Blood-Simple Like the Natives': Contagious Urban Spaces and Modern Power in Dashiell Hammett's Red Harvest" (paid access only), Modern Fiction Studies 51, no. 3 (Fall 2005), p. 506. The Project MUSE access provides a no-charge excerpt but the excerpt does not cover the cited information.
  8. ↑ Layman, Richard with Rivett, Julie M. (2001). "Review" of Selected Letters of Dashiell Hammett 1921-1960; retrieved June 2, 2009.
  9. ↑ Gores in Emery, editor, pp. 240 and 336.
  10. ↑ "Dashiell Hammett – About Dashiell Hammett". PBS. December 30, 2003. Retrieved June 11, 2013.
  11. 1 2 Gores in Emery, ed., pp. 18–24.
  12. ↑ Chandler, Nightmare Town, p. ix; ISBN 0-375-70102-8/ISBN 978-0-375-70102-3.
  13. ↑ Hammett, Dashiell (1980). Five Complete Novels. New York: Avenel Books.
  14. ↑ "FAQ". Cpusa.org. Retrieved July 19, 2012.
  15. ↑ Folsom, Franklin (1994). Days of Anger, Days of Hope. University Press of Colorado. ISBN 0-87081-332-3.
  16. ↑ Layman, Richard (1981). Shadow Man: The Life of Dashiell Hammett. Harcourt Brace Jovanovich. p. 206. ISBN 0-15-181459-7.
  17. 1 2 3 4 5 Shadow Man: The Life of Dashiell Hammett, pp. 219–223.
  18. ↑ Nemy, Enid (February 7, 2000). "Frederick Vanderbilt Field, Wealthy Leftist, Dies at 94". New York Times. Retrieved November 27, 2007.
  19. ↑ Metress, Christopher (1994). The Critical Response to Dashiell Hammett. Greenwood Press.
  20. ↑ Johnson, Diane (1983). Dashiell Hammett, a Life. Random House.
  21. ↑ Liukkonen, Petri. "Dashiell Hammett profile". kirjasto.sci.fi. Finland: Kuusankoski Public Library. Archived from the original on February 10, 2015.
  22. ↑ Hellman, Lilian (1962). Introduction to Dashiell Hammett, The Big Knockover: Selected Stories and Short Novels. Houghton Mifflin. (Published posthumously; Hammett had turned down offers to republish his stories, and Hellman published them only after his death, as a tribute.) pp. vii–viii,
  23. ↑ Hellman, Lilian. Introduction to The Big Knockover. pp. xi–xii. Hellman wrote that there began an "irritating farce" that Hammett told her he was cleaning bathrooms "better than [she] had ever done" and "learned to take pride in the work", which she called his form of boasting, or humor, "to make fun of trouble or pain."
  24. ↑ Johnson, Diane (1987). Dashiell Hammett: A Life. Fawcett Columbine. Cited in King Laurie R. (2010). Afterword. Locked Rooms. Random House. p. 403.
  25. ↑ Introduction to The Big Knockover, pp. xi, xii.
  26. ↑ Introduction to The Big Knockover, p. xx.
  27. ↑ Hellman's introduction to The Big Knockover, p. viii (Hellman speculated that Hammett turned down republishing offers because he hoped for a fresh start and "didn't want the old work to get in the way.")
  28. ↑ Introduction to The Big Knockover, p. xxvi.
  29. ↑ Checklist of Dashiell Hammett Fiction Checklist of Dashiell Hammett Fiction
  30. ↑ Bleiler, Everett (1948). The Checklist of Fantastic Literature. Chicago: Shasta Publishers. p. 140.
  31. ↑ Harris, Paul (February 4, 2011). "Dashiell Hammett's lost works found in Texas". The Guardian. London.

Further reading

Bibliography

Biography and criticism

External links

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