Eudora Welty

Eudora Welty
Born Eudora Alice Welty
(1909-04-13)April 13, 1909
Jackson, Mississippi, United States
Died July 23, 2001(2001-07-23) (aged 92)
Jackson, Mississippi, United States
Nationality American
Occupation Author, photographer
Parent(s) Christian Webb Welty
Mary Chestina (Andrews) Welty
Awards Pulitzer Prize for Fiction
1973 The Optimist's Daughter

Eudora Alice Welty (April 13, 1909 – July 23, 2001) was an American short story writer and novelist who wrote about the American South. Her novel The Optimist's Daughter won the Pulitzer Prize in 1973. Welty was awarded the Presidential Medal of Freedom, among numerous awards including the Order of the South. She was the first living author to have her works published by the Library of America. Her house in Jackson, Mississippi has been designated as a National Historic Landmark and is open to the public as a house museum.


Eudora Welty was born in Jackson, Mississippi on April 13, 1909, the daughter of Christian Webb Welty (1879–1931) and Mary Chestina (Andrews) Welty (1883–1966). She grew up with younger brothers Edward Jefferson and Walter Andrews.[1] Eudora’s mother was a school teacher. Eudora soon developed a love of reading, reinforced by her mother who believed that "any room in our house, at any time in the day, was there to read in, or to be read to".[2] Her father, who worked as an insurance executive, was intrigued by gadgets and machines and inspired in Eudora a love of all things mechanical. She later would use technology for symbolism in her stories and would also become an avid photographer, like her father.[3]

Near the time of her high school graduation, Eudora moved with her family to a house built for them at 1119 Pinehurst Street, which would remain her permanent address until her death. Wyatt C. Hedrick designed the Weltys' Tudor Revival style home, which is now known as the Eudora Welty House.[4]

From 1925 to 1927, Welty studied at the Mississippi State College for Women, then transferred to the University of Wisconsin to complete her studies in English literature. She studied advertising at Columbia University at the suggestion of her father. Because Welty graduated at the height of the Great Depression, she struggled to find work in New York.

Soon after Welty returned to Jackson in 1931, her father died of leukemia. She took a job at a local radio station and wrote about Jackson society for the Memphis newspaper Commercial Appeal.[5] In 1935, she began work for the Works Progress Administration. As a publicity agent, she collected stories, conducted interviews, and took photographs of daily life in Mississippi. She gained a wider view of Southern life and the human relationships that she drew from for her short stories.[6] During this time she also held meetings in her house with fellow writers and friends, a group she called the Night-Blooming Cereus Club. Three years later, she left her job to become a full-time writer.[3]

In 1936, she published "The Death of a Traveling Salesman" in the literary magazine Manuscript, and soon published stories in several other notable publications, including The New Yorker.[7] She strengthened her place as an influential Southern writer when she published her first book of short stories, A Curtain of Green. Her new-found success won her a seat on the staff of The New York Times book review as well as a Guggenheim Fellowship, which enabled her to travel to France, England, Ireland, and Germany.[8] While abroad, she spent some time as a resident lecturer at Oxford and Cambridge. In 1960, she returned home to Jackson to care for her elderly mother and two brothers.[9]

After Medgar Evers, president of the NAACP in Mississippi, was assassinated, she published a story, "Where Is the Voice Coming From?" in The New Yorker. She wrote it in the first person as the assassin.

In 1973 she received the Pulitzer Prize for Fiction for her novel, The Optimist's Daughter.[8][10] In 1971 she published a collection of her photographs depicting the Great Depression, titled One Time, One Place.. She lectured at Harvard University and eventually adapted her talks as a three-part memoir entitled One Writer's Beginnings.[3][11] She continued to live in her family house in Jackson until her death from natural causes on July 23, 2001.[12] She is buried in Greenwood Cemetery in Jackson. Her headstone has a quote from The Optimist's Daughter: "For her life, any life, she had to believe, was nothing but the continuity of its love." [13]

Throughout the 1970s, Welty carried on a lengthy correspondence with novelist Ross Macdonald, creator of the Lew Archer series of detective novels.[14]


While Welty worked as a publicity agent for the Works Progress Administration, she took photographs of people from all economic and social classes in her spare time. From the early 1930s, her photographs show Mississippi's rural poor and the effects of the Great Depression.[15] Collections of her photographs were published as One Time, One Place (1971) and Photographs (1989). Her photography was the basis for several of her short stories, including "Why I Live at the P.O.", which was inspired by a woman she photographed ironing in the back of a small post office. Although focused on her writing, Welty continued to take photographs until the 1950s.[16]

Writing career and major works

Welty's first short story, "Death of a Traveling Salesman", was published in 1936. Her work attracted the attention of author Katherine Anne Porter, who became a mentor to Welty and wrote the foreword to Welty's first short story collection, A Curtain of Green, in 1941. The book established Welty as one of American literature's leading lights and featured the stories "Why I Live at the P.O.", "Petrified Man", and the frequently anthologized "A Worn Path". Excited by the printing of Welty's works in publications such as The Atlantic Monthly, the Junior League of Jackson, of which Welty was a member, requested permission from the publishers to reprint some of her works. She eventually published over forty short stories, five novels, three works of nonfiction, and one children's book.

The short story "Why I Live at the P.O." was published with two others in 1941 by The Atlantic Monthly.[17] It was republished later that year in Welty's first collection of short stories, A Curtain of Green. The story is about Sister, and how she becomes estranged from her family and ends up living at the post office where she works. Seen by critics as quality Southern literature, the story comically captures family relationships. Like most of her short stories, Welty masterfully captures Southern idiom and places importance on location and customs.[18] "A Worn Path" was also published in The Atlantic Monthly and A Curtain of Green. It is seen as one of Welty's finest short stories, winning the second place O. Henry Award in 1941.[19]

Welty's debut novel, The Robber Bridegroom (1942), deviated from her previous psychologically-inclined works, presenting static, fairy-tale characters. Some critics suggest that she worried about "encroaching on the turf of the male literary giant to the north of her in Oxford, Mississippi-William Faulkner",[20] and therefore wrote in a fairy-tale style instead of a historical one. Most critics and readers saw it as a modern Southern fairy-tale and noted that it employs themes and characters reminiscent of the Grimm Brothers' works.[21]

Immediately after the murder of Medgar Evers in 1963, Welty wrote Where Is the Voice Coming From?. As Welty later said, she wondered, "Whoever the murderer is, I know him: not his identity, but his coming about, in this time and place. That is, I ought to have learned by now, from here, what such a man, intent on such a deed, had going on in his mind. I wrote his story—my fiction—in the first person: about that character's point of view".[22] Welty's story was published in The New Yorker soon after Byron de la Beckwith's arrest.

Winner of the Pulitzer Prize for Fiction, The Optimist's Daughter (1972) is believed by some to be Welty's best novel. It was written at a much later date than the bulk of her work. As poet Howard Moss wrote in The New York Times, the book is "a miracle of compression, the kind of book, small in scope but profound in its implications, that rewards a lifetime of work". The plot focuses on family struggles when the daughter and the second wife of a judge confront each other in the limited confines of a hospital room while the judge undergoes eye surgery.

Welty gave a series of addresses at Harvard University, revised and published as One Writer's Beginnings (Harvard, 1983). It was the first book published by Harvard University Press to be a New York Times Best Seller (at least 32 weeks on the list), and runner up for the 1984 National Book Award for Nonfiction.[11][23]

In 1992, she was awarded the Rea Award for the Short Story for her lifetime contributions to the American short story. Welty was a charter member of the Fellowship of Southern Writers, founded in 1987. She also taught creative writing at colleges and in workshops. She lived near Jackson's Belhaven College and was a common sight among the people of her hometown.

Literary criticism related to Welty's fiction

Eudora Welty was a prolific writer who created stories in multiple genres. Throughout her writing are the recurring themes of the paradox of human relationships, the importance of place (a recurring theme in most Southern writing), and the importance of mythological influences that help shape the theme.

Welty said that her interest in the relationships between individuals and their communities stems from her natural abilities as an observer.[24] Perhaps the best examples can be found within the short stories in A Curtain of Green. "Why I Live at the P.O." comically illustrates the conflict between Sister and her immediate community, her family. This particular story uses lack of proper communication to highlight the underlying theme of the paradox of human connection. Another example is Miss Eckhart of The Golden Apples, who is considered an outsider in her town. Welty shows that this piano teacher’s independent lifestyle allows her to follow her passions, but also highlights Miss Eckhart's longing to start a family and to be seen by the community as someone who belongs in Morgana.[3] Her stories are often characterized by the struggle to retain identity while keeping community relationships.

Place is vitally important to Welty. She believed that place is what makes fiction seem real, because with place come customs, feelings, and associations. Place answers the questions, "What happened? Who's here? Who's coming?" Place is a prompt to memory; thus the human mind is what makes place significant. This is the job of the storyteller. “A Worn Path” is one short story that proves how place shapes how a story is perceived. Within the tale, the main character, Phoenix, must fight to overcome the barriers within the vividly described Southern landscape as she makes her trek to the nearest town. "The Wide Net" is another of Welty’s short stories that uses place to define mood and plot. The river in the story is viewed differently by each character. Some see it as a food source, others see it as deadly, and some see it as a sign that "the outside world is full of endurance".[25]

Welty is noted for using mythology to connect her specific characters and locations to universal truths and themes. Examples can be found within the short story "A Worn Path", the novel Delta Wedding, and the collection of short stories The Golden Apples. In "A Worn Path", the character Phoenix has much in common with the mythical bird. Phoenixes are said to be red and gold and are known for their endurance and dignity. Phoenix, the old Black woman, is described as being clad in a red handkerchief with undertones of gold and is noble and enduring in her difficult quest for the medicine to save her grandson. In "Death of a Traveling Salesman", the husband is given characteristics common to Prometheus. He comes home after bringing fire to his boss and is full of male libido and physical strength. Welty also refers to the figure of Medusa, who in "The Petrified Man" and other stories is used to represent powerful or vulgar women.

Locations can also allude to mythology, as Welty proves in her novel Delta Wedding. As Professor Veronica Makowsky from the University of Connecticut writes, the setting of the Mississippi Delta has "suggestions of the goddess of love, Aphrodite or Venus-shells like that upon which Venus rose from the sea and female genitalia, as in the mound of Venus and Delta of Venus".[26] The title The Golden Apples refers to the difference between people who seek silver apples and those who seek golden apples. It is drawn from W.B. Yeats' poem, "The Song of Wandering Aengus". It also refers to myths of a golden apple being awarded after a contest. Welty used the symbol to illuminate the two types of attitudes her characters could take about life.[27]



Welty's headstone at Greenwood Cemetery in Jackson, Mississippi


Short story collections




  1. Welty's Collected Works won the 1983 award for paperback Fiction. From 1980 to 1983 in National Book Awards history there were dual hardcover and paperback awards in most categories. Most of the paperback award-winners were reprints, including this one.


  1. "Eudora Welty Biography". Retrieved November 28, 2011.
  2. Welty, p. 841
  3. 1 2 3 4 5 6 Johnston, Carol Ann. "Mississippi Writer's Page: Eudora Welty". MWP: University of Mississippi. Retrieved November 28, 2011.
  4. "House". Eudora Welty Foundation. Retrieved November 28, 2011.
  5. Makowsky, pp. 341–342
  6. Marrs, p. 52
  7. Marrs, p. 50
  8. 1 2 "House". Eudora Welty Foundation. Retrieved November 28, 2011.
  9. Makowsky, p. 342
  10. 1 2 "Fiction". Past winners & finalists by category. The Pulitzer Prizes. Retrieved 2013-11-19.
  11. 1 2 3 "Welty Book is First Harvard U. Best Seller", Edwin McDowell, The New York Times, March 13, 1984, page C16.
  12. Makowsky, p. 341
  13. Eudora Welty at Find a Grave
  14. Louis Bayard (2015) Review: Eudora Welty and Ross Macdonald, Conjoined by a Torrent of Words, The New York Times JULY 13, 2015, accessed 14 April 2016
  15. T.A. Frail, "Eudora Welty as Photographer", Smithsonian magazine, April 2009. Retrieved 20 May 2013.
  16. Rosenberg, Karen (January 14, 2009). "Eudora Welty's work as a young writer: Taking pictures". The New York Times. Retrieved May 26, 2009.
  17. Marrs, p. 70
  18. Hauser, Marianne. (November 16, 1941.) "A Curtain of Green". The New York Times. Retrieved November 28, 2011.
  19. Makowsky, p. 345
  20. Makowsky, p. 347
  21. Hauser, Marianne. (November 1, 1942.) "Miss Welty's Fairy Tale". The New York Times. Retrieved November 28, 2011.
  22. Welty, p. xi
  23. "Three Writers Win Book Awards", The New York Times, November 16, 1984, page C32.
  24. Welty, p. 862
  25. Welty, p. 220
  26. Makowsky, p. 349
  27. Makowsky, p. 350
  28. 1 2 Dawidoff, Nicholas. (August 10, 1995.) "At Home with Eudora Welty: Only the Typewriter Is Silent". The New York Times. Retrieved November 28, 2011.
  29. "Book of Members, 1780–2010: Chapter W" (PDF). American Academy of Arts and Sciences. Retrieved July 24, 2014.
  31. "National Book Awards – 1983". National Book Foundation. Retrieved 2012-01-26.
    (With essay by Robin Black from the Awards 60-year anniversary blog.)
  32. Website of St. Louis Literary Award
  33. Saint Louis University Library Associates. "Recipients of the Saint Louis Literary Award". Retrieved July 25, 2016.
  34. "Distinguished Contribution to American Letters". National Book Foundation. Retrieved 2012-03-11.
    (With acceptance speech by Welty.)
  35. 1 2 Marrs, p. 547
  36. Dana Sterling, "Welty reads to audience at Helmerich award dinner", Tulsa World, December 7, 1991.
  37. 1 2 3 4 Marrs, p. 549
  38. "Historical Backgrounder". Retrieved November 28, 2011.
  39. Thomas, Jo (1997-01-21). "For Inventor of Eudora, Great Fame, No Fortune". The New York Times. Retrieved 10 August 2014.
  40. "". Mississippi Writers and Musicians, Retrieved March 17, 2012
  41. "Eudora Welty Writers' Symposium" Mississippi University for Women. Retrieved November 28, 2011.

External links

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