Rex Stout

Rex Stout

Portrait photograph of author Rex Stout at age 35, photographed by Arnold Genthe

Rex Stout in 1931
Photograph by Arnold Genthe
Born Rex Todhunter Stout
(1886-12-01)December 1, 1886
Noblesville, Indiana,
United States
Died October 27, 1975(1975-10-27) (aged 88)
Danbury, Connecticut,
United States
Occupation Writer
Genre Detective fiction
Notable works Nero Wolfe corpus
1934–1975
Spouse
Children
  • Barbara Stout Selleck
    (b. 1933)
  • Rebecca Stout Bradbury
    (b. 1937)

Rex Todhunter Stout (/stt/; December 1, 1886 October 27, 1975) was an American writer noted for his detective fiction. His best-known characters are the detective Nero Wolfe and his assistant Archie Goodwin, who were featured in 33 novels and 39 novellas between 1934 and 1975.

In 1959, Stout received the Mystery Writers of America's Grand Master Award. The Nero Wolfe corpus was nominated Best Mystery Series of the Century at Bouchercon XXXI, the world's largest mystery convention, and Rex Stout was nominated Best Mystery Writer of the Century.

In addition to writing fiction, Stout was a prominent public intellectual for decades. Stout was active in the early years of the American Civil Liberties Union and a founder of the Vanguard Press. He served as head of the Writers' War Board during World War II, became a radio celebrity through his numerous broadcasts, and was later active in promoting world federalism. He was the long-time president of the Authors Guild, during which he sought to benefit authors by lobbying for reform of the domestic and international copyright laws, and served a term as president of the Mystery Writers of America.

Biography

Early life

Stout was born in Noblesville, Indiana, in 1886, but shortly afterwards his Quaker parents John Wallace Stout and Lucetta Elizabeth Todhunter Stout moved their family (nine children in all) to Kansas.

His father was a teacher who encouraged his son to read, and Rex had read the entire Bible twice by the time he was four years old. He was the state spelling bee champion at age 13. Stout attended Topeka High School, Kansas, and the University of Kansas, Lawrence. His sister, Ruth Stout, also authored several books on no-work gardening and some social commentaries.

He served in the U.S. Navy from 1906 to 1908 (including service as a yeoman on Theodore Roosevelt's presidential yacht) and then spent about the next four years working at a series of jobs in six states, including cigar-store clerk.

In 1910–11, Stout sold three short poems to the literary magazine The Smart Set. Between 1912 and 1918, he published about 40 works of fiction in various magazines, ranging from literary publications such as Smith's Magazine and Lippincott's Monthly Magazine to pulp magazines like the All-Story Weekly.

Not his writing, but his invention of a school banking system in about 1916 gave him enough money to travel in Europe extensively. About 400 U.S. schools adopted his system for keeping track of the money that school children saved in accounts at school, and he was paid royalties.

In 1916, Stout married Fay Kennedy of Topeka, Kansas. They divorced in February 1932[1]:xx and, in December 1932, Stout married Pola Weinbach Hoffmann, a designer who had studied with Josef Hoffmann in Vienna.[2]:234–236[lower-alpha 1][lower-alpha 2]

Writings

Rex Stout began his literary career in the 1910s writing for magazines, particularly pulp magazines, writing more than 40 stories that appeared between 1912 and 1918. Stout's early stories appeared most frequently in All-Story Magazine and its affiliates, but he was also published in Smith's Magazine, Lippincott's Monthly Magazine, Short Stories, The Smart Set, Young's Magazine, and Golfers' Magazine. The early stories spanned genres including romance, adventure, science fiction/fantasy, and detective fiction, including two serialized murder mystery novellas that prefigured elements of the Wolfe stories.

In 1916, Stout tired of writing a story whenever he needed money. He decided to stop writing until he had made enough money to support himself through other means, so that he would be able to write when and as he pleased. He wrote no fiction for more than a decade, until the late 1920s, when he had saved substantial money through his school banking system. Ironically, just as Stout was starting to write fiction again, he lost most of the money that he had made as a businessman in the Depression of 1929.

In 1929, Stout wrote his first published book How Like a God, an unusual psychological story written in the second person and published by the Vanguard Press, which he had helped to found. During this phase of his writing career, Stout also published a pioneering political thriller The President Vanishes (1934), which was originally published anonymously.

In the 1930s, Stout turned to writing detective fiction. In 1933-34, he wrote Fer-de-Lance, which introduced Nero Wolfe and his assistant Archie Goodwin. The novel was published by Farrar & Rinehart in October 1934, and in abridged form as "Point of Death" in The American Magazine (November 1934). The characters of Wolfe and Goodwin are considered among Stout's main contributions to detective fiction. Wolfe was described by reviewer Will Cuppy as "that Falstaff of detectives."[2]:287[5][lower-alpha 3]

In 1937, Stout's novel The Hand in the Glove introduced the character of Theodolinda "Dol" Bonner, a female private detective who would appear in later Wolfe stories and who is an early and significant example of the woman PI as fictional protagonist. He also created two other detective protagonists, Tecumseh Fox and Alphabet Hicks. After 1938, Stout focused his fiction solely on the mystery field, and after 1940, almost exclusively on the Nero Wolfe stories. Stout continued writing the Nero Wolfe series for the rest of his life, publishing at least one adventure per year through 1966 (with the exception of 1943, when he was busy with activities related to World War II). Stout's rate of production declined somewhat after 1966, but he still published four further Nero Wolfe novels prior to his death in 1975, aged 88.

The Stout family at High Meadow, "The House That Nero Wolfe Built" (Look, February 13, 1940)

During World War II, Stout cut back on his detective writing, joined the Fight for Freedom organization, and wrote propaganda. He hosted three weekly radio shows and coordinated the volunteer services of American writers to help the war effort. After the war, Stout returned to writing Nero Wolfe novels and took up the role of gentleman farmer on his estate at High Meadow in Brewster, north of New York City. He served as president of the Authors Guild and of the Mystery Writers of America, which in 1959 presented Stout with the Grand Master Award – the pinnacle of achievement in the mystery field.

Stout was a longtime friend of British humorist P. G. Wodehouse, writer of the Jeeves novels and short stories. Each was a fan of the other's work, and parallels are evident between their characters and techniques. Wodehouse contributed the foreword to Rex Stout: A Biography, John McAleer's Edgar Award-winning 1977 biography of the author (reissued in 2002 as Rex Stout: A Majesty's Life). Wodehouse also mentions Rex Stout in several of his Jeeves books, as both Bertie and his Aunt Dahlia are fans.

Public activities

In the fall of 1925, Roger Nash Baldwin appointed Rex Stout to the board of the American Civil Liberties Union's powerful National Council on Censorship; Stout served one term.[2]:196–197 Stout helped start the radical Marxist magazine The New Masses, which succeeded The Masses and The Liberator in 1926.[6] He had been told that the magazine was primarily committed to bringing arts and letters to the masses, but he realized after a few issues "that it was Communist and intended to stay Communist", and he ended his association with it.[2]:197–198

Stout was one of the officers and directors of the Vanguard Press, a publishing house established with a grant from the Garland Fund to reprint left-wing classics at an affordable cost and publish new books otherwise deemed "unpublishable" by the commercial press of the day. He served as Vanguard's first president from 1926 to 1928, and continued as vice president until at least 1931. During his tenure, Vanguard issued 150 titles, including seven books by Scott Nearing and three of Stout's own novels—How Like a God (1929), Seed on the Wind (1930), and Golden Remedy (1931).[2]:196–197

In 1942, Stout described himself as a "pro-Labor, pro-New Deal, pro-Roosevelt left liberal".[7]

Rex Stout on Our Secret Weapon (December 1942)

During World War II, he worked with the advocacy group Friends of Democracy, chaired the Writers' War Board (a propaganda organization), and supported the embryonic United Nations. He lobbied for Franklin D. Roosevelt to accept a fourth term as President. He developed an extreme anti-German attitude and wrote the provocative essay "We Shall Hate, or We Shall Fail"[8] which generated a flood of protests after its January 1943 publication in The New York Times.[1]:95 The attitude is expressed by Nero Wolfe in the 1942 novella "Not Quite Dead Enough".

On August 9, 1942, Stout conducted the first of 62 wartime broadcasts of Our Secret Weapon on CBS Radio. The idea for the counterpropaganda series had been that of Sue Taylor White, wife of Paul White, the first director of CBS News. Research was done under White's direction. "Hundreds of Axis propaganda broadcasts, beamed not merely to the Allied countries but to neutrals, were sifted weekly," wrote Stout's biographer John McAleer. "Rex himself, for an average of twenty hours a week, pored over the typewritten yellow sheets of accumulated data ... Then, using a dialogue format – Axis commentators making their assertions, and Rex Stout, the lie detective, offering his refutations – he dictated to his secretary the script of the fifteen-minute broadcast." By November 1942, Berlin Radio was reporting that "Rex Stout himself has cut his own production in detective stories from four to one a year and is devoting the entire balance of his time to writing official war propaganda." Newsweek described Stout as "stripping Axis short-wave propaganda down to the barest nonsensicals … There's no doubt of its success."[1]:121–122[2]:305–307

During the later part of the war and the post-war period, he also led the Society for the Prevention of World War III which lobbied for a harsh peace for Germany. When the war ended, Stout became active in the United World Federalists.

House Committee on Un-American Activities chairman Martin Dies called him a Communist, and Stout is reputed to have said to him, "I hate Communists as much as you do, Martin, but there's one difference between us. I know what a Communist is and you don't."[9]

Stout was one of many American writers closely watched by J. Edgar Hoover's FBI. Hoover considered him an enemy of the bureau and either a Communist or a tool of Communist-dominated groups. Stout's leadership of the Authors League of America during the McCarthy era was particularly irksome to the FBI. About a third of Stout's FBI file is devoted to his 1965 novel The Doorbell Rang.[10]:216–217, 227[lower-alpha 4][lower-alpha 5]

In later years, Stout alienated some readers with his hawkish stance on the Vietnam War and with the contempt for communism expressed in certain of his works. The latter viewpoint is given voice in the 1952 novella "Home to Roost" (first published as "Nero Wolfe and the Communist Killer") and most notably in the 1949 novel, The Second Confession. In this work, Archie and Wolfe express their dislike for "Commies", while at the same time Wolfe arranges for the firing of a virulently anti-Communist broadcaster, likening him to "Hitler" and "Mussolini."

Reception and influence

Rex Stout in 1973
If he had done nothing more than to create Archie Goodwin, Rex Stout would deserve the gratitude of whatever assessors watch over the prosperity of American literature. For surely Archie is one of the folk heroes in which the modern American temper can see itself transfigured.

Awards and recognition

Cultural references

"A number of the paintings of René Magritte (1898–1967), the internationally famous Belgian painter, are named after titles of books by Rex Stout," wrote Harry Torczyner, Magritte's attorney and friend.[2]:578[lower-alpha 7][lower-alpha 8] "He read Hegel, Heidegger and Sartre, as well as Dashiell Hammett, Rex Stout and Georges Simenon," the Times Higher Education Supplement wrote of Magritte. "Some of his best titles were 'found' in this way."[17] Magritte's 1942 painting Les compagnons de la peur ("The Companions of Fear") bears the title given to The League of Frightened Men (1935) when it was published in France by Gallimard (1939). It is one of Magritte's series of "leaf-bird" paintings, created during the Nazi occupation of Brussels. It depicts a stormy, mountainous landscape in which a cluster of plants has metamorphosed into a group of vigilant owls.[18]

Rex Stout Archive

The Rex Stout Archive anchors Boston College's collection of American detective fiction.[19] The collection was donated by the Stout family and includes manuscripts, correspondence, legal papers, personal papers, publishing contracts, photographs, and ephemera. It also includes first editions, international editions, and archived reprints of Stout's books, as well as volumes from Stout's personal library, many of which found their way into Nero Wolfe's office. The comprehensive archive at Burns Library also includes the extensive personal collection of Stout's official biographer John McAleer, and the Rex Stout collection of bibliographer Judson C. Sapp.[20]

Bibliography

Select radio credits

Date Network Length Series Detail
March 28, 1939 NBC 30 min. Information Please Cast: Clifton Fadiman (host), John Kieran, Franklin P. Adams, Rex Stout, Moss Hart[21]
August 29, 1939 NBC 30 min. Information Please Cast: Clifton Fadiman (host), John Kieran, Franklin P. Adams, Rex Stout, Wilfred J. Funk[21]
September 26, 1939 NBC 30 min. Information Please Cast: Clifton Fadiman (host), John Kieran, Franklin P. Adams, Rex Stout, Carl Van Doren[21]
September 27, 1940 Democratic Women's Day Radio address from a dinner sponsored by the Women's National Democratic Club[22]
Speakers: Eleanor Roosevelt, Thornton Wilder, Robert Sherwood, Edna Ferber, Rex Stout, Alice Duer Miller, Dr. Frank Kingdon, Katharine Hepburn, Marc Connelly, Elmer Rice, Frank Sullivan, Henry Curren[23]
April 17, 1941 NBC 15 min. Speaking of Liberty Stories of memorable events in the lives of America's founders[24]:373
First of an estimated 29 weekly broadcasts continuing through December 11, 1941, produced in cooperation with the Council for Democracy
Guests include Louis Adamic, Herbert Agar, Pearl S. Buck, Erskine Caldwell, Carl Carmer, Stuart Chase, Frank Craven, Carl Crow, Ève Curie, Max Eastman, Edward Ellsberg, Clifton Fadiman, Louis Fischer, Dorothy Canfield Fisher, Frank Gervasi, Florence Jaffray Harriman, Fannie Hurst, Margaret Leech, Walter Millis, Bertrand Russell, John R. Tunis, Carl Van Doren, Pierre van Paassen, Thornton Wilder, Alexander Woollcott, Lin Yutang
Cast: Rex Stout (host), Milton Cross and others (announcers)[25][26]
April 18, 1941 NBC 30 min. Information Please Cast: Clifton Fadiman (host), John Kieran, Franklin P. Adams, Rex Stout, Henry H. Curran (chief magistrate of Manhattan)[21]
January 1942 CBS 30 min. Invitation to Learning Discussion of The Adventures of Sherlock Holmes
Cast: Mark Van Doren (moderator), Rex Stout, Jacques Barzun, Elmer Davis[lower-alpha 9][1]:121[2]:298
April 5, 1942 Blue 15 min. Behind the Mike Stout is interviewed by host Graham McNamee[28]
April 8, 1942 WMCA 15 min. The Voice of Freedom Broadcasting anonymously, Stout inaugurates this weekly commentary series presented by Freedom House[29][30][31]
"Program packs plenty of punch … handled expertly by 'Mister X'" (Billboard)
August 9, 1942 CBS 15 min. Our Secret Weapon Counterpropaganda series in which "lie detective" Stout rebuts the most entertaining Axis shortwave lies of the week
First of 62 weekly broadcasts continuing through October 8, 1943, produced by Paul White for CBS and Freedom House
Cast: Rex Stout, Paul Luther, Guy Repp, Ted Osborne, John Dietz (director)[1]:121–122[32][33]:529
January 23, 1943 CBS 30 min. The People's Platform "Is Germany Incurable?"
Writers' War Board panel discussion marking the tenth anniversary of Adolf Hitler's rise to power
Cast: Rex Stout, Alexander Woollcott, Marcia Davenport, Hunter College president George Shuster, Brooklyn College president Henry Gideonse[2]:318–319
Woollcott is stricken midway through the broadcast and dies a few hours later[2]:319–320[34]
March 30, 1943 Mutual 30 min. This Is Our Enemy Series produced by Frank Telford for the United States Office of War Information[33]:666
"Axis Propaganda Methods"
Stout introduces dramatizations that show how the enemy uses propaganda to weaken American morale
Cast: Rex Stout, Jackson Beck, Arnold Moss, Charlotte Holland, Irene Hubbard, Lenny Hoffman, Peter Capell, Ian Martin, Bill Martin, Ed Latimer, Ted Jewett, Guy Repp, Nathan Van Cleve (composer, conductor)[35]
April 27, 1943 Mutual 30 min. This Is Our Enemy "March to the Gallows"
Stout addresses the audience at the end of a program dramatizing the stories of well-known traitors including Vidkun Quisling[35]
October 13, 1943 WHN 30 min. Author Meets the Critics A discussion with John Roy Carlson, author of Under Cover: My Four Years in the Nazi Underworld of America
Cast: Max Lerner, Victor Riesel, Rex Stout[36]
February 2, 1944 WHN 30 min. Author Meets the Critics A discussion with Louis Nizer
Cast: John K. M. McCaffrey (host), Russell Hill, Rex Stout[36]
March 5, 1944 ABC 30 min. Wake Up America "What Should Be Done With Defeated Germany?"
Debate between Rex Stout and Paul Hagen,[lower-alpha 10] author of Germany After Hitler[38]
October 24, 1944 ABC 30 min. Wake Up America "Does Any National Emergency Justify a Fourth Term?"
Rex Stout and commentator Upton Close take questions[38]
March 24, 1945 CBS 30 min. A Report to the Nation Program includes an interview with Rex Stout after his return from Europe, where he asked Germans what they thought about democracy
Cast: John Daly (host), Richard C. Hottelet, Rex Stout, Brian Aherne, Clare Boothe Luce[39]
1945 Synd 30 min. Win the Peace Wartime roundtable discussion about the proposals for a United Nations organization
Cast: Edgar Ansel Morra (foreign correspondent), Harry Gideonese, Rex Stout, Virginia Gildersleeve, William Agar (acting president of Freedom House)[40]
December 5, 1946 Mutual 30 min. Author Meets the Critics Cast: John K. M. McCaffrey (host), Paul Gallico, Virgilia Peterson, Rex Stout[24]:27[36]
January 2, 1949 NBC 30 min. Author Meets the Critics A discussion of Larks in the Popcorn with guest author H. Allen Smith
Cast: John K. M. McCaffrey (host), Eloise McElhone, Rex Stout[41]
October 12, 1950 30 min. United World Federalists Report on the fourth annual meeting of the United World Federalists
Cast: Jean Putnam, Rex Stout, William O. Douglas, Raymond Gram Swing[42]
July 30, 1951 NBC 45 min. The Eleanor Roosevelt Program Program includes an interview with Rex Stout[23][33]:230
March 11, 1965 WNYC 30 min. Authors and Critics Gathering "What do I think about book reviews and book reviewers?"
Stout discusses his concerns about the copyright act and asks critics to write about it
Cast: Rex Stout (moderator), C. D. B. Bryan, Ralph Ellison, Muriel Resnick, Barbara Tuchman, Edward Albee[43][44]
February 14, 1966 WNYC 60 min. Book and Author Luncheon Program includes Rex Stout discussing The Doorbell Rang
Cast: Maurice Dolbier (host), Helen Hayes, William O. Douglas[45][46]

Select television credits

Date Network Length Series Detail
February 16, 1949 ABC 30 min. Critic at Large "Are Detective Stories Getting Better or Worse?"
Moderator John Mason Brown; guests Clifton Fadiman, Howard Haycraft, Rex Stout and J. Scott Smart[47]
November 8, 1951 DuMont 30 min. Crawford Mystery Theatre "The Case of the Devil's Heart"
Mystery writers and other guests watch a 20-minute filmed episode of the 1947–48 series Public Prosecutor and guess the solution
Moderator Warren Hull; guest panelists Rex Stout, Glenn Langan and Betty Buehler[48]
December 9, 1956 ABC 90 min. Omnibus "The Fine Art of Murder" (40 minutes)
"A homicide as Sir Arthur Conan Doyle, Edgar Allan Poe [and] Rex Stout would variously present it" (Time)[49]
Cast: Alistair Cooke (host), Gene Reynolds (Archie Goodwin), Robert Eckles (Nero Wolfe), James Daly (narrator), Dennis Hoey (Arthur Conan Doyle), Felix Munro (Edgar Allan Poe), Herbert Voland (M. Dupin), Jack Sydow, Rex Stout[50][51][52][53]
Writer Sidney Carroll received the 1957 Edgar Award for Best Episode in a TV Series[54]
Episode is in the collection of the Library of Congress (VBE 2397–2398)[55]
February 3, 1957 CBS 60 min. Odyssey "The Baker Street Irregulars"[56]
A program devoted to Sherlock Holmes that includes the first look inside the Baker Street Irregulars, with film of the organization's annual dinner January 11, 1957
Includes remarks by Stout, and a dramatization of "The Red Headed League" recorded at a special BSI meeting December 14, 1956, at Cavanagh's Restaurant, New York City[57]
Preserved on kinescope[58]
Cast: Charles Collingwood (host), Rex Stout, Richard H. Hoffmann, Edgar W. Smith, Red Smith, Michael Clarke Laurence (Sherlock Holmes), Donald Marye (Wilson), Harry Gresham (Hargreave)[59]
September 16, 1957 CBS 60 min. Studio One "First Prize for Murder"
At the annual banquet of the Mystery Writers of America, novelist Nathaniel Arch fails to appear to receive his award. A stranger shows up who is anxious to find the writer, who is suspected of murder.
Live drama by Phil Reisman, from an idea by John D. MacDonald
Cast: Darren McGavin (Johnny Quigg), Robert Simon, Barbara O'Neil[60] (Mrs. Cory), Jonathan Harris (Master of Ceremonies), Philip Coolidge (Severns), Colleen Dewhurst, Larry Hagman, Ross Martin[61][62]
Appearing as themselves are Rex Stout, George Harmon Coxe, Brett Halliday, Frances and Richard Lockridge and Georges Simenon[63][64]
April 5, 1959 CBS 30 min. The Last Word Cast: Bergen Evans (host), Rex Stout, editor Russell Lynes[65][66]
September 2, 1969 ABC 60 min. The Dick Cavett Show Dick Cavett's guests include Rex Stout[2]:495
1973 WTTW 30 min. Book Beat "Book Beat On Tour"
Chicago journalist Robert Cromie records an interview with Stout at his home in Brewster, New York, on April 24, 1973[2]:509
Program airs on public television stations nationwide beginning in November 1973[67]

Notes

  1. Born in Stryj, Poland, Pola Weinbach Hoffmann Stout (1902–1984) studied at the Vienna School of Design. She and her first husband, Wolfgang Hoffmann—son of the famous architect and Wiener Werkstätte co-founder Josef Hoffmann—were a prominent design team when they emigrated to the United States in 1925.[3]
  2. Pola Stout was an influential textile designer after her second marriage.[4]
  3. Essays by both Will Cuppy ("How to Read a Whodunit") and Rex Stout ("Watson Was a Woman") appeared in The Art of the Mystery Story: A Collection of Critical Essays, edited by Howard Haycroft (Simon and Schuster, 1946). Cuppy likened Wolfe to Falstaff in 1936, in his review of The Rubber Band. In 1959, Stout's beloved character Hattie Annis stated the comparison to Wolfe himself, immediately after being introduced to him in the novella "Counterfeit for Murder".
  4. For more information see the articles on Where There's a Will and The Doorbell Rang.
  5. In its April 1976 report, the Church Committee found that The Doorbell Rang is a reason that Rex Stout's name was one of 332 placed on the FBI's "not to contact list," which it cited as evidence of the FBI's political abuse of intelligence information.[11]
  6. The other four nominees for Mystery Writer of the Century at Bouchercon XXXI were Raymond Chandler, Agatha Christie, Dashiell Hammett and Dorothy Sayers. Christie received the award, and Christie's Hercule Poirot was named Best Mystery Series of the Century.[15]
  7. McAleer quotes a letter dated May 24, 1974, that he received from Torczyner, a New York collector who was also Georges Simenon's attorney.
  8. "We know the importance granted to the words by Magritte in his paintings and we know the impact that literary works such as Poe's, Rex Stout's or Mallarmé's had on him," wrote the Magritte Museum.[16]
  9. Transcript published in The New Invitation to Learning (1942) [27]
  10. Paul Hagen is the pseudonym adopted by Karl Boromäus Frank, a member of the underground in Nazi Germany[37]

References

  1. 1 2 3 4 5 Townsend, Guy M.; McAleer, John J.; Sapp, Judson C.; Schemer, Arriean, eds. (1980). Rex Stout: An Annotated Primary and Secondary Bibliography. New York and London: Garland Publishing, Inc. ISBN 0-8240-9479-4.
  2. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 McAleer, John J. (1977). Rex Stout: A Biography. Boston: Little, Brown and Company. ISBN 9780316553407.
  3. "Shaping the Modern: American Decorative Arts at The Art Institute of Chicago, 1917–65". Modern Solutions. Art Institute of Chicago. 27 (2): 52. 2001. ISBN 9780865591875.
  4. Kirkham, Pat, ed. (2000). Women Designers in the USA, 1900–2000. New Haven, Connecticut: Yale University Press. p. 151. ISBN 9780300093315.
  5. Rothe, Anna, ed. (1947). Current Biography, 1946: Who's News and Why. New York: H. W. Wilson Co. p. 576. ISBN 9780824201128.
  6. Aaron, Daniel (1992). Writers on the Left: Episodes in Literary Communism. New York: Columbia University Press. p. 102. ISBN 9780231080385.
  7. "Manly, Chesly, 'Writer's War Board' Aids Smear Campaign." (PDF). Washington Times-Herald, June 4, 1942. The Harold Weisberg Archive, Digital Collection, Hood College. Retrieved 2013-10-25.
  8. "We Shall Hate, or We Shall Fail" (PDF), The New York Times, January 17, 1943, with response by Walter Russell Bowie and reply from Rex Stout; at The Wolfe Pack. Retrieved 2013-10-18.
  9. "CLAP-TRAP Some Quips That Flew In From the Air Front". Amarillo Globe-Times, April 26, 1945. Retrieved 2013-10-26.
  10. Mitgang, Herbert (1988). Dangerous Dossiers: Exposing the Secret War Against America's Greatest Authors. New York: Donald I. Fine, Inc. ISBN 1-55611-077-4.
  11. Final Report of the Senate Select Committee to Study Governmental Operations with Respect to Intelligence Activities (1976). "E. Political Abuse of Intelligence Information, subfinding c, footnote 91". Intelligence Activities and the Rights of Americans, Book II. U.S. Government Printing Office. p. 239.
  12. A Birthday Tribute to Rex Stout, The Viking Press, 1965; reprinted by permission in The Rex Stout Journal, number 2, Spring 1985, pp. 4–9
  13. "Haycraft Queen Cornerstones Complete Checklist". Classic Crime Fiction.com. Retrieved 2015-03-22.
  14. "Edgars Database". The Edgar Awards. Mystery Writers of America. Retrieved 2015-03-22.
  15. 1 2 Walker, Tom (September 10, 2000). "Mystery writers shine light on best: Bouchercon 2000 convention honors authors". The Denver Post.
  16. "The Brussels Surrealist Group". Magritte Museum. Archived from the original on November 25, 2010. Retrieved 2015-03-22.
  17. Danchev, Alex (June 30, 2011). "Canny Resemblance". Times Higher Education Supplement. Retrieved 2015-03-22.
  18. "Rene Magritte Gallery, 1931–1942". Matteson Art. Retrieved 2015-03-22.
  19. "Detective Fiction Collection, Rare Books and Special Collections Descriptions". University Libraries. Boston College. Retrieved 2015-03-11.
  20. Special Collections Listing at the Wayback Machine (archived October 15, 2013), Boston College, archived from the original at the Internet Archive. Retrieved 2014-10-15.
  21. 1 2 3 4 "Information Please". RadioGOLDINdex. Retrieved 2015-03-20.
  22. Roosevelt, Eleanor (September 28, 1940). "My Day". The Eleanor Roosevelt Papers Project. George Washington University. Retrieved 2015-03-21.
  23. 1 2 "Recorded Speeches and Utterances by Eleanor Roosevelt, 1933–1962". Franklin D. Roosevelt Presidential Library and Museum. Retrieved 2015-03-21.
  24. 1 2 Hickerson, Jay, The Ultimate History of Network Radio Programming and Guide to All Circulating Shows. Hamden, Connecticut: Jay Hickerson, Box 4321, Hamden, CT 06514, second edition December 1992
  25. "Speaking of Liberty". Digital Deli Too. Retrieved 2015-03-21.
  26. "Speaking of Liberty". Internet Archive. Retrieved 2015-03-21.
  27. Van Doren, Mark, ed. (1942). "The Adventures of Sherlock Holmes". The New Invitation to Learning. New York: Random House. pp. 235–251. OCLC 2143609.
  28. "Behind the Mike". Digital Deli. Retrieved 2015-04-02.
  29. "Program Reviews: The Voice of Freedom". The Billboard. 54 (15): 8. April 11, 1942. Retrieved March 22, 2015.
  30. "Local Station Wartime Programming". The Billboard. 55 (1): 26. January 2, 1943. Retrieved March 22, 2015.
  31. "Freedom House Records 1933–2014, The Voice of Freedom". Princeton University Library Finding Aids. Princeton University. Retrieved March 22, 2015.
  32. "Our Secret Weapon". RadioGOLDINdex. Retrieved 2015-03-20.
  33. 1 2 3 Dunning, John (1998). On the Air: The Encyclopedia of Old-Time Radio. New York: Oxford University Press. ISBN 978-0-19-507678-3.
  34. "Biographical Note, Letters of Alexander Woollcott". Brooklyn College Library and Archives. Retrieved 2015-03-23.
  35. 1 2 "This Is Our Enemy". RadioGOLDINdex. Retrieved 2015-03-20.
  36. 1 2 3 "Author Meets the Critics". Digital Deli. Retrieved 2015-04-02.
  37. Woolbert, Robert Gale (October 1945). "Germany After Hitler". Foreign Affairs. Council on Foreign Relations. Retrieved 2015-03-25.
  38. 1 2 "Wake Up America". RadioGOLDINdex. Retrieved 2015-03-20.
  39. "A Report to the Nation". RadioGOLDINdex. Retrieved 2015-03-20.
  40. "Win the Peace". RadioGOLDINdex. Retrieved 2015-03-20.
  41. "Author Meets the Critics". RadioGOLDINdex. Retrieved 2015-03-20.
  42. "United World Federalists". RadioGOLDINdex. Retrieved 2015-03-20.
  43. "Authors and Critics". RadioGOLDINdex. Retrieved 2015-03-20.
  44. "Authors and Critics Gathering". WNYC New York Public Radio. Retrieved 2015-03-21.
  45. "Book and Author Luncheon". RadioGOLDINdex. Retrieved 2015-03-20.
  46. "Book and Author Luncheon: Rex Stout, Helen Hayes, and William O. Douglas". WNYC New York Public Radio. Retrieved 2015-03-21.
  47. "Critic at Large (1948–49)". Classic TV Archive. Retrieved 2016-01-14.
  48. "Public Prosecutor (1947–48), Crawford Mystery Theatre (1951–52)". Classic TV Archive. Retrieved 2016-01-14.
  49. "Program Preview". Time. Time Inc. December 10, 1956. Retrieved 2015-03-22.
  50. "Omnibus: The Fine Art of Murder". TV Guide: A-18. December 8–14, 1956.
  51. "The Fine Art of Murder". Omnibus. TV.com. Retrieved 2015-03-22.
  52. "'Art of Murder' Steals Onto Omnibus Tonight". Sunday Herald. Bridgeport, Connecticut. December 9, 1956. Retrieved 2015-03-25.
  53. Crosby, John (December 17, 1956). "'Omnibus' Explores New TV Programming". St. Petersburg Times. Retrieved 2015-03-25.
  54. Edgar Awards Database; retrieved December 3, 2011
  55. "Archive of past screenings: 2000 Schedule". Mary Pickford Theater. Library of Congress. February 15, 2000. Retrieved 2015-03-21.
  56. "Program Preview". Time. Time Inc. February 4, 1957. Retrieved 2015-03-23.
  57. Ebin, David (February 3, 1957). "The Baker Street Irregulars". WorldCat. Retrieved 2015-03-23.
  58. "Board of Trustees; Bill Vande Water". The Baker Street Irregulars Trust. Retrieved 2015-03-22.
  59. McAleer, John (1989). "Rex Stout and the Media". Rex Stout Journal No. 5, Autumn 1986/1988. Ashton, Maryland: Pontes Press: 41–44. Retrieved 2015-03-23.
  60. "Monday Evening Television Programs; Recommended". Bristol Daily Courier-Times. Bristol, Pennsylvania. September 16, 1957.
  61. "Westinghouse Studio One". Classic TV Archive. Retrieved 2015-03-24.
  62. Reisman, Phil (September 16, 1957). "Studio One – First Prize for Murder". WorldCat. Retrieved 2015-03-24.
  63. "Rex Stout Media Coverage". The Wolfe Pack. Retrieved 2015-03-23.
  64. Smith, Steve (January 22, 2010). "JDM on Television, Part 2". The Trap of Solid Gold. Retrieved 2015-03-24.
  65. "Some of Top Programs Coming Week". Austin Daily Herald. Austin, Minnesota. April 4, 1959.
  66. "Rex Stout to Appear on 'Last Word' Today". Racine Sunday Bulletin. Racine, Wisconsin. April 5, 1959.
  67. "Saturday KERA Highlights". Abilene Reporter-News. November 18, 1973.
Wikiquote has quotations related to: Nero Wolfe


This article is issued from Wikipedia - version of the 11/15/2016. The text is available under the Creative Commons Attribution/Share Alike but additional terms may apply for the media files.