Music of Guangdong

Music of China
Timeline
General topics
Traditional Chinese instruments Musicology Chinese orchestra Chinese Musicians' Association
Genres
C-pop: (Cantopop, Mandopop, Hokkien pop) Rock Heavy metal Hip hop Opera
Specific forms
Taoist music Yayue
Media and performance
Music festivals	Midi Modern Music Festival
Music media	Radio stations China Record Corporation
Nationalistic and patriotic songs
National anthem	Historical anthems Patriotic / Revolutionary March of the Volunteers Three Principles of the People
Regional music
Anhui Fujian Gansu Guangdong Guangxi Guizhou Hainan Hebei Heilongjiang Henan Hong Kong Hunan Hubei Inner Mongolia Jiangsu Jiangxi Jilin Liaoning Macau Northeast Qinghai Shandong Shaanxi Shanxi Sichuan Taiwan (ROC) Tibet Xinjiang Yunnan Zhejiang

In modern times, the Chinese province of Guangdong has become known for Guangdong music (later Guangdong folk tunes), a synthesis of a number of local folk music styles (like kunqu opera), intended as an accompaniment for the region's folk operas when it arose along the Pearl River Delta in the 1920s. It gradually evolved into a string ensemble format by the 1960s, led by the gaohu with ruan, qinqin, yangqin, sanxian, yehu, and various woodwind (including houguan or saxophone) and percussion instruments. Formerly, bowed stringed instruments such as the erxian and tiqin were used. Compositions by the noted gaohu player Lü Wencheng (吕文成, 1898-1981) remain particularly popular.

Cantonese opera is popular in Pearl River Delta. Musical institutions in Guangdong include the Guangdong International Summer Music Festival.

Teochew music and Teochew opera is pupular in Chaoshan.

Hakka music is literary and laid-back in tone, and consists entirely of five notes; many folk songs only use three notes.